East Wind West Wind

Pearl Buck tells the heart-seaching and tender story of a young Chinese girl's troubled acceptance of an alien way of life, with all its sorrows and rewards.

Eastern and Western ways conflict when the daughter of a conventional noble family marries a Chinese man of the new era; a doctor who has trained in America. Only by adopting the Western habits which her husband admires can the bride find love and happiness.

East Wind offers the first complete, archive-based account of the relationship between China and the British Left, from the rise of modern Chinese nationalism to the death of Mao Tse tung. Beginning with the "Hands Off China" movement of the mid-1920s, Tom Buchanan charts the mobilisation of British opinion in defence of China against Japanese aggression, 1931-1945, and the role of the British left in relations with the People's Republic of China after 1949. He shows how this relationship was placed under stress by the growing unpredictability of Communist China, above all by the Sino-Soviet dispute and the Cultural Revolution, which meant that by the 1960s China was actively supported only by a dwindling group of enthusiasts. The impact of the suppression of the student protests in Tiananmen Square (June 1989) is addressed as an epilogue. East Wind argues that the significance of the left's relationship with China has been unjustly overlooked. There were many occasions, such as the mid-1920s, the late 1930s and the early 1950s, when China demanded the full attention of the British left. It also argues that there is nothing new in the current fascination with China's emergence as an economic power. Throughout these decades the British left was aware of the immense, unrealised potential of the Chinese economy, and of how China's economic growth could transform the world. In addition to analysing the role of the political parties and pressure groups of the left, Buchanan sheds new light on the activities of many well-known figures in support of China, including intellectuals such as Bertrand Russell, R H Tawney and Joseph Needham. Many other interesting stories emerge, concerning less well-known figures, which show the complexity of personal links between Britain and China during the twentieth century.

Contemporary discourse about human affairs is largely grounded in the specific historical experience and interests of a few dominant societies. This poses an important challenge to all those who urge that we need to adopt a global perspective on modern political life, whether in terms of international relations, comparative and developmental politi

"To read East Wind Melts the Ice is to slip into a time stream that is both as long and sinuous as history and as ephemeral as the present moment. Drawing inspiration from the thousand year old history of Japanese poetic diaries, and form from the ancient Chinese almanac that she uses to contain her musings, Liza Dalby has accomplished the seemingly impossible task of translating the sensibility of the Heian Court of 11th century Japan into the context of contemporary America. The result is a stunning chronicle of the beauty of time passing and an evocation of the transient and whimsical nature of all things."—Ruth Ozeki, author of My Year of Meats and All Over Creation "I imagine Liza Dalby writing this book in an ancient library, a lion sleeping at her side, as in the paintings of Saint Jerome. As she collects and layers arcane and fascinating pieces of knowledge, she builds her own very personal almanac packed with the wonder of loving two cultures, the intense inner life of each season, and boundless curiosity of the scholar/child. This is a book to dip in and out of throughout the year."—Frances Mayes, author of Under the Tuscan Sun "Liza Dalby's memoir of the seasons is as fresh and captivating as springtime. A very special book."—Michael Pollan, author of The Omnivore's Dilemma "This beautiful book awakens the senses. A journal, an almanac of the seasons, and a series of reflections on ancient Eastern Chinese and Japanese cultures, here you will find subtle observations of rain and heat, tangerines, mulberries and paulownia trees, crickets and doves forming a rich tapestry as they are woven with evocative fragments of history—stories of geishas, of salesmen who sold bulk fireflies, of the wood that was used for kimono chests, of emptiness in the tea ceremony. Like a lush garden, this book is meant to savor."—Susan Griffin, author of The Book of the Courtesans

In this exquisitely rendered memoir set on the high plains of Texas, Pulitzer Prize winner Gail Caldwell transforms into art what it is like to come of age in a particular time and place. A Strong West Wind begins in the 1950s in the wilds of the Texas Panhandle–a place of both boredom and beauty, its flat horizons broken only by oil derricks, grain elevators, and church steeples. Its story belongs to a girl who grew up surrounded by dust storms and cattle ranches and summer lightning, who took refuge from the vastness of the land and the ever-present wind by retreating into books. What she found there, from renegade women to men who lit out for the territory, turned out to offer a blueprint for her own future. Caldwell would grow up to become a writer, but first she would have to fall in love with a man who was every mother’s nightmare, live through the anguish and fire of the Vietnam years, and defy the father she adored, who had served as a master sergeant in the Second World War. A Strong West Wind is a memoir of culture and history–of fathers and daughters, of two world wars and the passionate rebellions of the sixties. But it is also about the mythology of place and the evolution of a sensibility: about how literature can shape and even anticipate a life. Caldwell possesses the extraordinary ability to illuminate the desires, stories, and lives of ordinary people. Written with humanity, urgency, and beautiful restraint, A Strong West Wind is a magical and unforgettable book, destined to become an American classic.

"Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.

Michel Foucault, Jean-Paul Sartre, Julia Kristeva, Phillipe Sollers, and Jean-Luc Godard. During the 1960s, a who’s who of French thinkers, writers, and artists, spurred by China’s Cultural Revolution, were seized with a fascination for Maoism. Combining a merciless exposé of left-wing political folly and cross-cultural misunderstanding with a spirited defense of the 1960s, The Wind from the East tells the colorful story of this legendary period in France. Richard Wolin shows how French students and intellectuals, inspired by their perceptions of the Cultural Revolution, and motivated by utopian hopes, incited grassroots social movements and reinvigorated French civic and cultural life. Wolin’s riveting narrative reveals that Maoism’s allure among France’s best and brightest actually had little to do with a real understanding of Chinese politics. Instead, it paradoxically served as a vehicle for an emancipatory transformation of French society. Recounting the cultural and political odyssey of French students and intellectuals in the 1960s, The Wind from the East illustrates how the Maoist phenomenon unexpectedly sparked a democratic political sea change in France.