Dynasty And Piety

The youngest son of Emperor Maximilian II, and nephew of Philip II of Spain, Archduke Albert (1559-1621) was originally destined for the church. However, dynastic imperatives decided otherwise and in 1598, upon his marriage to Philip's daughter, the Infanta Isabella Clara Eugenia, he found himself ruler of the Habsburg Netherlands, one of the most dynamic yet politically unstable territories in early-modern Europe. Through an investigation of Albert's reign, this book offers a new and fuller understanding of international events of the time, and the Habsburg role in them. Drawing on a wide range of archival and visual material, the resulting study of Habsburg political culture demonstrates the large degree of autonomy enjoyed by the archducal regime, which allowed Albert and his entourage to exert a decisive influence on several crucial events: preparing the ground for the Anglo-Spanish peace of 1604 by the immediate recognition of King James, clearing the way for the Twelve Years' Truce by conditionally accepting the independence of the United Provinces, reasserting Habsburg influence in the Rhineland by the armed intervention of 1614 and devising the terms of the Oñate Treaty of 1617. In doing so the book shows how they sought to initiate a realistic policy of consolidation benefiting the Spanish Monarchy and the House of Habsburg. Whilst previous work on the subject has tended to concentrate on either the relationship between Spain and the Netherlands or between Spain and the Empire, this book offers a far deeper and much more nuanced insight in how the House of Habsburg functioned as a dynasty during these critical years of increasing religious tensions. Based on extensive research in the archives left by the archducal regime and its diplomatic partners or rivals, it bridges the gap between the reigns of Philip II and Philip IV and puts research into the period onto a fascinating new basis.

Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Cong Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life. Drawing on more than two thousand funerary biographies and other official and private writing, Zhang argues that the predicament in which Song literati found themselves diminished neither the importance of filial piety nor the appeal of participating in examinations and government service. On the contrary, the Northern Song witnessed unprecedented literati activity and state involvement in the bolstering of ancient forms of filial performances and the promotion of new ones. The result was the triumph of a new filial ideal: luyang. By labeling highly coveted honors and privileges attainable solely through scholarly and official accomplishments as the most celebrated filial acts, the luyang rhetoric elevated office-holding men to be the most filial of sons. Consequently, the proper performance of filiality became essential to scholar-official identity and self-representation. Zhang convincingly demonstrates that this reconfiguration of elite male filiality transformed filial piety into a status- and gender-based virtue, a change that had wide implications for elite family life and relationships in the Northern Song. The separation of elite men from their parents and homes also made the idea of “native place” increasingly fluid. This development in turn generated an interest in family preservation as filial performance. Individually initiated, kinship- and native place-based projects flourished and coalesced with the moral and cultural visions of leading scholar-intellectuals, providing the social and familial foundations for the ascendancy of Neo-Confucianism as well as new cultural norms that transformed Chinese society in the Song and beyond.

Of the many ballads, tales, and plays extolling filial piety (xiao)--the foundational virtue of imperial China--none was more popular in that era than the legend of Dong Yong and his heavenly helpmate, Weaving Maiden. Continually revised and embellished over a millennium, the tale's popularity remains, finding new expression in Chinese film and opera in the twentieth century. The five versions of the legend presented here, alongside a selection of related texts, illustrate changing perceptions of xiao from the tenth century through the first part of the twentieth in a variety of genres. An appendix traces the development of the related legend of Weaving Maiden and Buffalo Boy from myth to folktale. Wilt L. Idema's Introduction traces the evolution of the central legend and its significance in the history of Chinese popular culture. Annotations explaining terms and references that may be unfamiliar to Western readers, a glossary, and a comprehensive bibliography further enhance the value of this book for both scholars and students.

Institutions under royal control included not only the king's royal residences and the royal chapels attached to them, but also magnificent convent-palaces and individual monasteries belonging to specific religious orders with close affiliations to the Spanish Crown. These Spanish Royal Sites, a diverse global network that helped to shape the Spanish Monarchy politically and socially in the seventeenth century, extended across the different kingdoms of the Iberian Peninsula and beyond to other territories in Europe, America and Asia under Spanish rule. The religious practices that occurred there were an essential aspect of studying the justification of power, the pre-eminence of (ecclesiastical and temporal) institutions and, in the case of the Spanish Monarchy, its relations with the Holy See. This volume brings together scholars from various humanities disciplines, opening up novel avenues of research for studying the organization of royal institutions in the different kingdoms of the Habsburg Spanish Monarchy, especially in questions related to religion and royal piety. Particular attention is paid to the under-researched area of Royal Sites in Catalonia, Valencia, Portugal, Sardinia and the Viceroyalty of Peru.

This collection of essays offers a thorough study of the patron-artist relationship through the lens of one of early modern Italy’s most powerful and influential historical families. Contributors present a longitudinal study of the della Rovere family’s ascent into Italian nobility. The della Rovere was a family of popes, cardinals, and powerful dukes who financed some of the world’s best-known and greatest artwork. The essays explore the issue of identity and its maintenance, of carving a permanent spot for a family name in a rapidly changing atmosphere. Although these studies depart from art patronage, they uncover how the popes, cardinals, dukes, and signore of the della Rovere family constituted their identity. Originally a nouveau-riche creation of papal nepotism, the della Rovere first populated the ranks of cardinals under the powerful popes Sixtus IV and Julius II. Within the framework of later papal relations, the family negotiated its position within the economy of Italian nobles.

Pietas Austriaca is a path-breaking study of the relationship between religious beliefs and practices and the Habsburg political culture from the end of the medieval period to the early twentieth century. In this seminal work, originally published in 1959, Anna Coreth examines the ways that Catholic beliefs in the power of the Eucharist, the cross, the Virgin Mary, and saints were crucial for the Habsburg ruling dynasties in Austria and Spain. Coreth analyzes how leading Habsburg rulers in the early modern period, such as Rudolf I; Ferdinand I, II, and III; Maria Theresa; and Joseph II, used Catholic sacraments, rituals, and symbols to create a sense of identity and political purpose for their far-flung possessions in Europe. She further demonstrates how this Catholic culture drew on earlier models of pious Catholic rulers, especially the memory of Rudolph, and discusses the importance of this particular brand of Catholic piety in the confrontation with Protestantism in the Counter-Reformation period and in the encounter with the Muslim Turkish Empire. Coreth extends her study to discuss the myriad ways that this religious culture continued to influence Austrian society in the nineteenth and twentieth centuries. Pietas Austriaca is a tour de force that combines expert social, cultural, gender, and intellectual analysis of the political and religious landscape of one of Europe's most important empires and leading dynastic houses.

The phenomenon of filial piety is fundamental to our understanding of Chinese culture, and this excellent collection of essays explores its role in various areas of life throughout history. Often regarded as the key to preserving Chinese tradition and identity, its potentially vast impact on government and the development of Chinese culture makes it extremely relevant, and although invariably virtuous in its promotion of social cohesion, its ideas are often controversial. A broad range of topics are discussed chronologically including Confucianism, Buddhism and Daoism, making it essential reading for those studying Chinese culture, religion and philosophy. This is a multi-disciplinary survey that combines historical studies with philosophical analysis from an international team of respected contributors.

Based on never–before used letters, diaries, and photographs from the Rockefeller Archive, The Rockefeller Women reveals the life of four generations of an extraordinary family: Eliza Davison Rockefeller, the Mother of John D., who instilled in her sons drive for success in business and Christian service; Laura Spelman Rockefeller, the wife of John D., the daughter of an Underground Railway operator and early supporter of racial freedom; Edith Rockefeller McCormick, the daughter of John D. and Laura, who became the queen of Chicago society, studied under Carl Jung and became a lay analyst; Abby Aldrich Rockefeller, the wife of John Jr. and mother of six children — Winthrop, Laurence, Nelson, John III, David and Babs — who helped found the Museum of Modern Art; Margaretta "Happy" Rockefeller whom married Nelson.

In this groundbreaking interdisciplinary study, Maram Epstein identifies filial piety as the dominant expression of love in Qing dynasty texts. At a time when Manchu regulations made chastity the primary metaphor for obedience and social duty, filial discourse increasingly embraced the dramatic and passionate excesses associated with late-Ming chastity narratives. Qing texts, especially those from the Jiangnan region, celebrate modes of filial piety that conflicted with the interests of the patriarchal family and the state. Analyzing filial narratives from a wide range of primary texts, including local gazetteers, autobiographical and biographical nianpu records, and fiction, Epstein shows the diversity of acts constituting exemplary filial piety. This context, Orthodox Passions argues, enables a radical rereading of the great novel of manners The Story of the Stone (ca. 1760), whose absence of filial affections and themes make it an outlier in the eighteenth-century sentimental landscape. By decentering romantic feeling as the dominant expression of love during the High Qing, Orthodox Passions calls for a new understanding of the affective landscape of late imperial China.

The Classic of Filial Piety is a Confucian classic treatise that gives advice on filial piety. It teaches how one should behave towards a senior such as one’s parents, elder brother or ruler. The text consists of a dialogue between Confucius and Zeng Zi, a disciple who was well known for his filial piety, and whose students probably compiled the treatise around 400 BC. The treatise has been associated with the Confucian school of philosophy which became the ideology of imperial China and neighbouring countries such as Korea, Vietnam and Japan. It is probably the world’s only text devoted to filial piety. The family unit has long been regarded as the foundation of society in China and filial piety is seen as being especially important as family harmony engenders social order and national stability. This truism is now increasingly being recognized all over the world. To make the text relevant to readers of today, this book includes representative stories from not only China, the traditional bastion of filial piety, but also other cultures around the world. In this way, readers will appreciate filial behaviour as a universal value.