Dyason Emily Pianist

A collection of three letters written by Australian pianist Emily Dyason to Frau von Dutschka. Of these letters, two were written in German, and one in English. The two German letters (15 July and 7 December 1913) were writen at Warrain, Sandown Street, Middle Brighton, Melbourne. The English letter has no date.

Material in the Australian performing arts programs and ephemera (PROMPT) collection consists of programs and related items for Australian performing arts organisations, Australian artists performing overseas, professional productions performed in Australia (including those featuring overseas performers) and overseas performances of Australian plays, music, etc.

This book is volume 1 of a 4 volume series, the first 3 of which have been published by Xlibris and the 4th almost complete for imminent delivery. In its entirety this work is the most comprehensive and accurate account of Australian Classical Music making ever undertaken. The 4 volumes cover the period from 1901-2012 and include more than 800 composers, famous and obscure, with more than 30,000 compositions including details of their premieres (where, when and by whom). Individual performers, ensembles, orchestras, opera and ballet companies, music educators, instrument makers, entrepreneurs, academics, philanthropists, musicologists and critics are included as part of the story. The foundation and demise of music institutions, venues and festivals is recorded chronologically. Altogether an extensive picture of Australian Classical Music production and performance can be gleaned in any given year. This book is distinct insofar as it can be read conventionally (from cover to cover): or one may choose a composer/performer and follow his/her career year by year; or one may open the book at random and delight in the unusual and esoteric information therein. This book, and its companion volumes are valuable and indispensible works for the serious music student, professional musician, performing amateur, cultural aficionado and inquisitive lay person and should be in the library of every reputable music conservatorium worldwide.

This is volume 1 of the improved 2nd edition. There are 6 volumes in all comprising some 900 composers and 40,000 compositions. Included is the founding and demise of music ensembles, institutions, venues and festivals. With musicians, performers, conductors, entrepreneurs, educators, administrators, instrument makers, musicologists, music critics and philanthropists part of the broad narrative. Touring artists in Australia are admitted at the bottom of each year. This edition has been enhanced by the inclusion of many hundreds of relevant photographs, drawings and artwork. The most comprehensive account of Australian Classical music is in your hands.

Appendix 1: Song of the women of the Menero tribe near the Australian Alps, discovered and published by Dr Lhotsky in 1834 ; Appendix 2: Melody of the Manoora tribe used in a song by Isaac Nathan in 1847 ; Appendix 3 : Description of an Aboriginal corroboree witnessed by Sir Thomas Mitchell in 1836 ; Appendix 4: Summary of article from Oceania recording Aboriginal songs from Yardea, Eyre Peninsula, the Arunta tribe and Hermannsburg in central Australia, Koonibba and Mucumba, South Australia.

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When the family piano is sold, Emily tries to find it since it reminds her of the times when she sat underneath it and daydreamed about her parents not fighting, and she believes that retrieving it will bring back a pinch of happiness.