Dutchmans Flat

TURN HOME, RIDER In this land, the place you leave behind might not be there when you get back. At least not the way you knew it. Tack Gentry of the G Bar, Chat Lock of Dutchman’s Flat, and Ward McQueen of the Tumbling K knew how it felt to struggle against men who were trying to take from them what they believed in. For the bad rush in when the good leave, and men will choose to fight, not just over drunken threats, gambling losses, and honor, but for land, friendships, family, and even love—a struggle magnificently captured in these eleven great stories written and handpicked by the incomparable Louis L’Amour himself.

The classic Western, now newly repackaged as part of Bantam's Louis L'Amour's Lost Treasures program—with never-before-seen material from Louis and his son, Beau L'Amour. He had led the posse for miles through the desert, but now Matt Keelock was growing desperate. He was worried about Kristina. His trip to the town of Freedom for supplies had ended in a shootout. If caught he would hang. Even though Kris could handle a horse and rifle as well as most men, the possibility of Oskar Neerland's finding her made Matt's blood run cold. He knew the violent and obsessive Neerland, publicly embarrassed when Matt had stepped in and stolen Kris away, would try to kill them both if given half a chance. Matt tried to convince himself that Neerland had returned to the East. But Matt was wrong. Miles away in the town of Freedom, Oskar Neerland was accepting a new job. In his first duty as marshal, he would lead the posse that was tracking down Matt Keelock. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volume 1 and Volume 2, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

The classic Western, now newly repackaged as part of Bantam's Louis L'Amour's Lost Treasures program—with never-before-seen material from Louis and his son, Beau L'Amour. He had led the posse for miles through the desert, but now Matt Keelock was growing desperate. He was worried about Kristina. His trip to the town of Freedom for supplies had ended in a shootout. If caught he would hang. Even though Kris could handle a horse and rifle as well as most men, the possibility of Oskar Neerland's finding her made Matt's blood run cold. He knew the violent and obsessive Neerland, publicly embarrassed when Matt had stepped in and stolen Kris away, would try to kill them both if given half a chance. Matt tried to convince himself that Neerland had returned to the East. But Matt was wrong. Miles away in the town of Freedom, Oskar Neerland was accepting a new job. In his first duty as marshal, he would lead the posse that was tracking down Matt Keelock. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volume 1 and Volume 2, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

With more than 120 titles still in print, Louis L'Amour is recognized the world over as one of the most prolific and popular American authors in history. Though he met with phenomenal success in every genre he tried, the form that put him on the map was the short story. Now this great writer—The Wall Street Journal recently compared with Jack London and Robert Louis Stevenson—will receive his due as a great storyteller. This volume kicks off a series that will, when complete, anthologize all of L'Amour’s short fiction, volume by handsome volume. Here, in Volume One, is a treasure-trove of 35 frontier tales for his millions of fans and for those who have yet to discover L'Amour’s thrilling prose—and his vital role in capturing the spirit of the Old West for generations to come.

Desert Death-Song compiles some of Louis L’Amour’s greatest stories, many of which have been hard to find in book form. Whether he was writing under his early pen name, Jim Mayo, or his own, L’Amour’s stories are unforgettable, touching on rough and rugged American ideals and set in the untamable frontier of the Western United States. Nearly a dozen stories are presented here that represent the best of L’Amour’s yarn-spinning writing, a choice collection handpicked from the variety of pulp Western magazines in which the author first became known. The most popular author of Westerns the world has ever known, L’Amour writes stories full of mavericks, outlaws, romantics, and heroes. His characters follow the unspoken laws and morals of the Wild West, and the pictures he paints are unrivaled in their authenticity. From gold prospectors to sheriffs, characters of L’Amour tales will never be forgotten.