Drums Along The Mohawk

Gilbert Martin and his new bride Lana, pioneers in the Mohawk Valley, live and protect their land through weather disasters, love and hate and Indian attacks.

Here is the story of the forgotten pioneers of the Mohawk Valley during the Revolutionary War. Here Gilbert Martin and his young wife struggled and lived and hoped. Combating hardships almost too great to endure, they helped give to America a legend which still stirs the heart. In the midst of love and hate, life and death, danger and disaster, they stuck to the acres which were theirs, and fought a war without ever quite understanding it. Drums Along the Mohawk has been an American classic since its original publication in 1936.

At once informative, comic, and plaintive, Seeing Red—Hollywood’s Pixeled Skins is an anthology of critical reviews that reexamines the ways in which American Indians have traditionally been portrayed in film. From George B. Seitz’s 1925 The Vanishing American to Rick Schroder’s 2004 Black Cloud, these 36 reviews by prominent scholars of American Indian Studies are accessible, personal, intimate, and oftentimes autobiographic. Seeing Red—Hollywood’s Pixeled Skins offers indispensible perspectives from American Indian cultures to foreground the dramatic, frequently ridiculous difference between the experiences of Native peoples and their depiction in film. By pointing out and poking fun at the dominant ideologies and perpetuation of stereotypes of Native Americans in Hollywood, the book gives readers the ability to recognize both good filmmaking and the dangers of misrepresenting aboriginal peoples. The anthology offers a method to historicize and contextualize cinematic representations spanning the blatantly racist, to the well-intentioned, to more recent independent productions. Seeing Red is a unique collaboration by scholars in American Indian Studies that draws on the stereotypical representations of the past to suggest ways of seeing American Indians and indigenous peoples more clearly in the twenty-first century.

Chavi's music teacher believes that only boys should play drums in Miami'sestival de la Calle Ocho, but Chavi knows she is a good musician and looksor a way to prove it.

Essays that consider how classic movies have reflected history include the writings of such noted historians as Paul Fussell, Antonia Fraser, and Gore Vidal.

Mentu, an American-born slave boy, watches his beloved grandmother, Twi, lead the insurrection at Teakettle Creek of Ibo people arriving from Africa on a slave ship.

The bestselling novel behind John Ford’s acclaimed film starring Claudette Colbert, Henry Fonda, and Edna May Oliver. When newlyweds Gilbert and Lana Martin settle in the Mohawk Valley in 1776, they work tirelessly against the elements to build a new life. But even as they clear land and till soil to establish their farm, the shots of the Revolutionary War become a rallying cry for both the loyalists and the patriots. Soon, Gil and Lana see their neighbors choose sides against each other—as British and Iroquois forces storm the valley, targeting anyone who supports the revolution. Originally published in 1936, this classic novel was a bestseller for two years—second only to Gone with the Wind—and was adapted into a motion picture in 1939. Now, some three-quarters of a century later, Drums Along the Mohawk stands as a brilliant account of the majesty of the New York frontier, the timeless rhythms that shape a marriage, and the battles of a revolution that would change the world. Foreword by Diana Gabaldon Vintage Movie Classics spotlights classic films that have stood the test of time, now rediscovered through the publication of the novels on which they were based.

A gripping account of events before, during, and after this British defeat in New York’s Mohawk Valley, and the man who led the Continental army to victory. During the critical Battle of Oriskany in August 1777, Continental forces led by General Nicholas Herkimer defeated the British army under St. Leger in the heart of New York’s Mohawk Valley. It was a hard-won victory, but he and his brave troops prevented the British from splitting the colonies in two. Although they did not succeed in relieving the British siege of Fort Stanwix, Herkimer’s citizen-soldiers turned back the British and protected Washington’s northern flank from attack. The Continental army survived to fight the decisive Battle of Saratoga the next month. Herkimer was mortally wounded, but his heroism and leadership firmly placed him in the pantheon of Revolutionary War heroes. Paul Boehlert presents a gripping account of the events before, during and after this critical battle. Includes photos and illustrations

John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.

Columbus called them "Indians" because his geography was faulty. But that name and, more importantly, the images it has come to suggest have endured for five centuries, not only obscuring the true identity of the original Americans but serving as an idealogical weapon in their subjugation. Now, in this brilliant and deeply disturbing reinterpretation of the American past, Robert Berkhofer has written an impressively documented account of the self-serving stereotypes Europeans and white Americans have concocted about the "Indian": Noble Savage or bloodthirsty redskin, he was deemed inferior in the light of western, Christian civilization and manipulated to its benefit. A thought-provoking and revelatory study of the absolute, seemingly ineradicable pervasiveness of white racism, The White Man's Indian is a truly important book which penetrates to the very heart of our understanding of ourselves. "A splendid inquiry into, and analysis of, the process whereby white adventurers and the white middle class fabricated the Indian to their own advantage. It deserves a wide and thoughtful readership." —Chronicle of Higher Education "A compelling and definitive history...of racist preconceptions in white behavior toward native Americans." —Leo Marx, The New York Times Book Review