Drowned And Dammed

This book explores the idea and practice of flood control and argues that this is a part of a political agenda, deeply implicated in the social, economic, and political calculations of capitalism in general and colonialism in particular. It argues for a comprehensive reconsideration of the debate on the colonial environmental watershed, its hydraulic legacy, and questions contemporary enthusiasm for flood control in post-independent India. The author argues that the British assembled and deployed the idea and practice of flood control in order to secure their presence in the Orissa Delta. It was principally a political project deeply implicated in the social, economic, and political calculations of capitalism in general and colonialism in particular. Through the function of flood control, colonial rule sought to organize systems of land revenue, institute capitalist private property, and shape the region's hydrology with physical infrastructure such as embankments, canal networks, and inevitably the Hirakud Dam. In seeking to dominate the delta's many rivers, colonial capitalism brought about an unprecedented ecological rupture by transforming the Orissa Delta from a flood-dependent agrarian regime to a flood-vulnerable landscape. This ecological rupture revealed the particularities of colonial capitalism in its relationships with the natural world.

On the ecological disturbances especially related to floods in Orissa under British rule; a study.

Exploring the practice of flood control, this work argues that this is a part of a political agenda, implicated in the calculations of capitalism. It also argues for a reconsideration of the debate on the colonial environmental watershed, its hydraulic legacy and questions contemporary enthusiasm for flood control in post-independent India.

When 14-year-old Ruby Carson takes a tumble through the ice she nearly drowns. Coming to, she has a vision of her town under water that she shares with the assembled crowd. Already something of an oddity, the vision solidifies her status as an outcast. But as it turns out she was right ...

"They had been told their sacrifice was for the public good. They were never told how much they would miss it, or for how long." Drowned Town explores the multigenerational impact caused by the loss of home and illuminates the joys and sorrows of a group of people bound together by western Kentucky's Land Between the Lakes and the lakes that lie on either side of it. The linked stories are rooted in a landscape forever altered by the mid-twentieth-century impoundment of the Tennessee and Cumberland Rivers and the seizing of property under the power of eminent domain to create a national recreation area on the narrow strip of land between the lakes. The massive federal land and water projects completed in quick succession were designed to serve the public interest by providing hydroelectric power, flood control, and economic progress for the region—at great sacrifice for those who gave up their homes, livelihoods, towns, and history. The narrative follows two women whose lives are shaped by their friendship and connection to the place, and their stories go back and forth in time to show how the creation of the lakes both healed and hurt the people connected to them. In the process, the stories emphasize the importance of sisterhood and family, both blood and created, and how we cannot separate ourselves from our places in the world.

In the tradition of Silent Spring, a modern parable of the American experience and our paradoxical relationship with the natural world. Though it seems a part of the "natural" landscape of New England today, the Swift River Valley reservoir, dam, dike, and nature area was a triumph of civil engineering. It combined forward-looking environmental stewardship and social policy, yet the “little people”—and the four towns in which they lived—got lost along the way. Elisabeth Rosenberg has crafted Before the Flood to be both a modern and a universal story in a time when managed retreat will one day be a reality. Meticulously researched, Before the Flood, is the first narrative book on the incredible history of the Swift River Valley and the origins Quabbin Reservoir. Rosenberg dive into the socioeconomic and psychological aspects of the Swift River Valley’s destruction in order to supply drinking water for the growing populations of Boston and wider Massachusetts. It is as much a human story as the story of water and landscape, and Before the Flood movingly reveals both the stories and the science of the key players and the four flooded towns that were washed forever away.

Photographs by Mark Klett and Byron Wolfe; text by Rebecca Solnit.

"Dammed: The Politics of Loss and Survival in Anishinaabe Territory" explores Canada’s hydroelectric boom in the Lake of the Woods area. It complicates narratives of increasing affluence in postwar Canada, revealing that the inverse was true for Indigenous communities along the Winnipeg River. "Dammed" makes clear that hydroelectric generating stations were designed to serve settler populations. Governments and developers excluded the Anishinabeg from planning and operations and failed to consider how power production might influence the health and economy of their communities. By so doing, Canada and Ontario thwarted a future that aligned with the terms of treaty, a future in which both settlers and the Anishinabeg might thrive in shared territories. The same hydroelectric development that powered settler communities flooded manomin fields, washed away roads, and compromised fish populations. Anishinaabe families responded creatively to manage the government-sanctioned environmental change and survive the resulting economic loss. Luby reveals these responses to dam development, inviting readers to consider how resistance might be expressed by individuals and families, and across gendered and generational lines. Luby weaves text, testimony, and experience together, grounding this historical work in the territory of her paternal ancestors, lands she calls home. With evidence drawn from archival material, oral history, and environmental observation, "Dammed" invites readers to confront Canadian colonialism in the twentieth century.

A haunting, stunningly illustrated story of loss, hope, and the power of music from multi-award winners David Almond and Levi Pinfold. Kielder Water is a wild and beautiful place, rich in folk music and legend. Years ago, before a great dam was built to fill the valley with water, there were farms and homesteads in that valley and musicians who livened their rooms with song. After the village was abandoned and before the waters rushed in, a father and daughter returned there. The girl began to play her fiddle, bringing her tune to one empty house after another — for this was the last time that music would be heard in that place. With exquisite artwork by Levi Pinfold, David Almond’s lyrical narrative — inspired by a true tale — pays homage to his friends Mike and Kathryn Tickell and all the musicians of Northumberland, to show that music is ancient and unstoppable, and that dams and lakes cannot overwhelm it.

From one of the most powerful and original talents in science fiction comes the story of a new world--a strange world where solar radiation fluctuations have melted the polar ice caps, flooding the land and raising the temperature of the atmosphere.