Dream And Disillusion

The Theatre of the Dream is a profound study of our dream world and its place in everyday life. The author grounds his ideas in Freud and psychoanalysis authors such as Klein, Bion, Rosenfeld and Matte Blanco, but also draws on the approach to dream phenomena in the work of philosophers, artists and poets. He argues that dreams are indeed, as the ancients held, messages. The dream is a theatrical re-recreation of certain unconscious experiences, which are both subjective and objective at the same time. It expresses not only desire but a complex working over of a problematic situation that is not quite resolved. In waking the dream is a new elaboration of everyday experience and one which creates the seeds of oracular awareness. Resnik develops his thesis with ample and enlightening examples of dreams and their significance from his own patients. The author's achievement is a new psychoanalytic reading of dreams one which does justice to Freud's momentous discovery but which broadens it and places it within the wider context of subsequent developments in psychoanalysis, semiotics and social and cultural anthropology. The book will be of great value to the professional psychotherapist or psychoanalyst as well as to students of literature, the arts and linguistics and the wider public interested in the ongoing relationship between dream reality and what is commonly called external reality. As has been remarked, each era can be defined on the basis of relations between dream and life.

Dreams + Disillusions explores the plethora of ideas and ideologies that have shaped and reshaped cities in profound ways. However, unlike a conventional title on the history of urbanism and architecture, its research fluctuates between the world of concrete reality and the multiple universes that exist in lucid prose, poetic visions, and the outrageous imaginations of history’s greatest and most (in)famous minds. In their thoughts are the foundations for political trends and new civilisations, alternative mappings and unlikely phenomena. The six chapters reveal dreams that were fundamental to the origin of great cities, underpinning the stories of the many lives within; and how, through circumstance or manipulation, fortunate coincidence or planned perfection, desires are sometimes left defeated and disillusioned. Myth and belief. Tradition and logic. Revolution and marginalisation. Ignorance and hubris. Sins and excess. Seasons and climate. Continuously interacting, shifting to enlighten and to enrage, these themes combine critical thinking with deep-rooted influences and new agencies that are a true sign of the times. The 18 illustrated speculations provide an abundance of curious imaginings, diverse provocations and satirical criticism. While there are distinctions between dreams and disillusions, could virtues be made of sins, or sensitivity be borne from hubris? Could progress advocate tradition, or should we re-attempt revolutions formerly experienced as disillusionments? Whether by bold gestures or by subtle attrition, cities are continually re-written crucibles for the human condition. In this book, we develop a better understanding of the discourse of cities tailored to the determining factors of climate, resources, and humanity’s idiosyncrasies to address a world in crisis.

Arthur Upfield created Detective Inspector Napoleon Bonaparte (Bony) who features in twenty-nine novels written from the 1920s to the the 1960s, mostly set in the Australian Outback. He was the first Australian professional writer of crime detection novels. Upfield arrived in Australia from England on 4 November 1911, and this collection of twenty-two critical essays by academics and scholars has been published to celebrate the centenary of his arrival. The essays were all written after Upfield’s death in 1964 and provide a wide range of responses to his fiction. The contributors, from Australia, Europe and the United States, include journalist Pamela Ruskin who was Upfield’s agent for fifteen years, anthropologists, literary scholars, pioneers in the academic study of popular culture such as John G. Cawelti and Ray B. Browne, and novelists Tony Hillerman and Mudrooroo whose own works have been inspired by Upfield’s. The collection sheds light on the extent and nature of critical responses to Upfield over time, demonstrates the type of recognition he has received and highlights the way in which different preoccupations and critical trends have dealt with his work. The essays provide the basis for an assessment of Upfield’s place not only in the international annals of crime fiction but also in the literary and cultural history of Australia.

When Dr Death the local coroner is invited to perform in the hospital he works in's Tv charity performance little did they know the coroner was hiding a secret he is a famous stage illusionist he goes to the audition and his hospital colleague falls in love with the man who comes in his place and refuses to believe he could ever be the same man and his stage magician partner isn't helping either. "Dr Death," said Coroner Dr Blake Alexander's least favourite colleague at the hospital he worked. "What do you want, Jack? Did someone die?" asked Blake. "No, we just need someone to cheer up the kiddies," said Jack. "A coroner? What can I do? Autopsy a doll?" asked Blake, perplexed. "No, you are a stage magician, a famous one you can do magic tricks for them," said Jack. "But she works in the children's ward," said Blake nervously. "I know," said Jack. "She's in love with the magician," said Blake nervously. "You need to disillusion her sometime," said Jack. "I know," said Blake, pushing his glasses up his nose nervously, "I don't know how she'll take it."

A major theoretical statement by a distinguished political scholar explains why a policy of liberal hegemony is doomed to fail It is widely believed in the West that the United States should spread liberal democracy across the world, foster an open international economy, and build international institutions. The policy of remaking the world in America's image is supposed to protect human rights, promote peace, and make the world safe for democracy. But this is not what has happened. Instead, the United States has become a highly militarized state fighting wars that undermine peace, harm human rights, and threaten liberal values at home. In this major statement, the renowned international-relations scholar John Mearsheimer argues that liberal hegemony--the foreign policy pursued by the United States since the Cold War ended--is doomed to fail. It makes far more sense, he maintains, for Washington to adopt a more restrained foreign policy based on a sound understanding of how nationalism and realism constrain great powers abroad. The Great Delusion is a lucid and compelling work of the first importance for scholars, policymakers, and everyone interested in the future of American foreign policy.