Drawing On The Dominant Eye

THE SEQUEL TO THE MULTI-MILLION BESTSELLER DRAWING ON THE RIGHT SIDE OF THE BRAIN From the author of the world's most popular drawing instruction manual Drawing on the Right Side of the Brain, this new book helps you discover a new way of drawing and problem solving. Betty Edwards reveals the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain - either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated throughout, Drawing on the Dominant Eye offers a remarkable guided tour through art history, psychology, and the creative process; a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves. Praise for Betty Edwards' Drawing on the Right Side of the Brain: 'Hands down the best and most life-enhancing thing I've done in lockdown' India Knight 'A guide to enhancing creativity and artistic confidence' Independent

A fascinating follow-up to the beloved bestseller Drawing on the Right Side of the Brain--with new insights about creativity and our unique way of seeing the world around us Millions of readers have embraced art teacher Betty Edwards's Drawing on the Right Side of the Brain, from art students and teachers to established artists, corporate trainers, and more--all discovering a bold new way of drawing and problem-solving based on what we see, not what we think we see. In this highly anticipated follow-up, Edwards illuminates another piece of the creativity puzzle, revealing the role our dominant eye plays in how we perceive, create, and are seen by those around us. Research shows that much like being right-handed or left-handed, each of us has a dominant eye, corresponding to the dominant side of our brain--either verbal or perceptual. Once you learn the difference and try your hand at the simple drawing exercises, you'll gain fresh insights into how you perceive, think, and create. You'll learn how to not just look but truly see. Generously illustrated with visual examples, this remarkable guided tour through art history, psychology, and the creative process is a must-read for anyone looking for a richer understanding of our art, our minds, and ourselves.

Presents a set of basic exercises designed to release creative potential and tap into the special abilities of the brain's right hemisphere.

A guide to innovation, invention, imagination, and creativity.

A fully revised and updated edition of the essential companion to Drawing on the Right Side of the Brain--over half of the exercises are new! Millions of people around the world have learned to draw using the methods outlined in Dr. Betty Edwards’s groundbreaking Drawing on the Right Side of the Brain. In this workbook, the essential companion to her international bestseller, Edwards offers readers the key to truly mastering the art of drawing: guided practice in the five foundational skills of drawing. Each of the forty carefully constructed exercises in this updated second edition is accompanied by brief instruction, sample drawings, ready made formats and blank pages on which to draw, and helpful post-exercise pointers. You will explore wide-ranging subject matter—still life, landscape, imaginative drawing, portraits, and the figure—and gain experience with various mediums, such as pen and ink, charcoal, and Conte crayon. Learning to draw is very much like mastering a sport or a musical instrument: once you understand the basic skills, you must practice, practice, practice. This brilliantly designed and practical workbook from a world-renowned art teacher offers the perfect opportunity to improve your skills and expand your repertoire.

Gianni Sarcone offers an approachable how-to for graphic designers, teachers, and artists who want to explore illusions that are distorted in size or create the perception of movement. Amateur illusionists are invited to draw curves that diverge and converge, diamonds that vibrate and flicker, hypnotic spirals, ghosts, and ambiguous figures, and many other visual tricks.

Features access to video tutorials! Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, Freehand Drawing and Discovery uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.

Just start with a scribble! Start with a Scribble will banish your inner critic and kick-start your inner genius, as you learn to draw with a little how-to and a lot of just-do. An artist-quality pen and watercolor pencils (red and black) are included. Inside, you’ll find: Prompts to inspire you (e.g., “emotional rabbits”) Doodles to finish (“Mrs. Thudkins takes her floppaterasis for a walk”) Techniques to try (only when the mood strikes you), from shading to perspective And plenty of wide-open space to play around in. We’re much less interested in the appearance of something than in the something itself. So, when you’ve settled on your subject (a monster? a cockatoo?), first figure out what its essence should be (ferocious? bashful?) . . . and then, just toss that ball up (artistically speaking) and give it a good swat across the net. Voilà! You’re an artist. Throughout, beloved illustrator Sir Quentin Blake shares sage advice, from “it’s best to name your animal after you draw it” to “don’t worry too much yet about ankles.” The most important lesson? Let go and give in to your own creative spirit! Publisher's note: Start with a Scribble is an updated North American edition of Drawing for the Artistically Undiscovered (Klutz, 1999).

This charming picture book celebrates all our differences while questioning the idea that there is only one way to be “normal.” Pip is a normal pig who does normal stuff: cooking, painting, and dreaming of what she’ll be when she grows up. But one day a new pig comes to school and starts pointing out all the ways in which Pip is different. Suddenly she doesn’t like any of the same things she used to...the things that made her Pip. A wonderful springboard for conversations with children, at home and in the classroom, about diversity and difference.