Dolores Del Rio

Dolores del Río's enormously successful career in Hollywood, in Mexico, and internationally illuminates issues of race, ethnicity, and gender through the lenses of beauty and celebrity. She and her husband left Mexico in 1925, as both their well-to-do families suffered from the economic downturn that followed the Mexican Revolution. Far from being stigmatized as a woman of color, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally.

Dolores del Río's enormously successful career in Hollywood, in Mexico, and internationally illuminates issues of race, ethnicity, and gender through the lenses of beauty and celebrity. She and her husband left Mexico in 1925, as both their well-to-do families suffered from the economic downturn that followed the Mexican Revolution. Far from being stigmatized as a woman of color, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally.

Dolores del Rio challenged Hollywood's - and the public's - prevailing views on race and gender from the 1920s through the 1960s. Her roles, costumes, and makeup, along with the advertising, publicity, and reviews of her films, reveal the influence of her ethnicity and her construction as an exotic commodity: her sexual image ran counter to the dominant social standards for femininity and against miscegenation, but her exoticism - and the promotion of it - contributed to her renown as one of Hollywood's most enduring stars.

Dance and the Hollywood Latina asks why every Latina star in Hollywood history began as a dancer or danced onscreen. Introducing the concepts of ""inbetween-ness"" and ""racial mobility"" to further illuminate how racialized sexuality and the dancing female body operate in film, this book focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez and helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen

Dolores del Rio challenged Hollywood's - and the public's - prevailing views on race and gender from the 1920s through the 1960s. Her roles, costumes, and makeup, along with the advertising, publicity, and reviews of her films, reveal the influence of her ethnicity and her construction as an exotic commodity: her sexual image ran counter to the dominant social standards for femininity and against miscegenation, but her exoticism - and the promotion of it - contributed to her renown as one of Hollywood's most enduring stars.

“Dolores del Río bursts to life in this vivid, well-researched portrayal. Her iconic feline elegance and brash spirit dominates every page, but it’s her defiance to live life on her own terms that sets her apart—and what an extraordinary life she led.”—C.W. Gortner, bestselling author of Marlene 1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at sixteen, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollywood, and practically overnight, the famous Miss del Río is born. Dolores’s star quickly rises, and her days become a whirlwind of moviemaking and glamorous events. Swept up in L.A.'s glitzy inner circle, she takes her place among film royalty such as Marlene Dietrich and Orson Welles. But as her career soars, her personal life becomes increasingly complicated, with family tragedy, divorce, and real heartache. And when she’s labeled box office poison amid growing prejudice before WWII, Dolores must decide what price she’s willing to pay to achieve her dreams and if her heart and future instead lie where it all began…in Mexico. Spanning half a century and narrated by Dolores’s fictional hairdresser and longtime friend, Miss del Río traces the life of a trailblazing woman whose legacy in Hollywood and in Mexico still shines bright today. “Bárbara Mujica dazzles us.... She takes us on a journey through an era of wars and movies, and unforgettable characters that made Hollywood what it is today.” —María Amparo Escandón, New York Times bestselling author of L.A. Weather

Collection contains clipping and photograph files.

Heroes, Lovers, and Others tells the fascinating history of Latino actors in American film from the silent era to today. Rodriguez examines such Latino legends as Desi Arnaz, Dolores del Rio, Rita Hayworth, Raquel Welch, Anthony Quinn, Selma Hayek, and Antonio Banderas. More than just a collection of celebrity stories, the book explores the attitudes, cultural conditions, and assumptions that influenced the portrayal of Latinos in film as well as their reception by the public. Heroes, Lovers, and Others is a comprehensive volume packed with carefully researched information and analysis for both students and cinema enthusiasts alike.

A penetrating analysis of the construction of Latina/o stardom in U.S. film, television, and celebrity culture since the 1920s