Do I Look Funny To You

Like many others on the autism spectrum, 20-something stand-up comic Michael McCreary has been told by more than a few well-meaning folks that he doesn’t “look” autistic. But, as he’s quick to point out in this memoir, autism “looks” different for just about everyone with Autism Spectrum Disorder (ASD). Diagnosed with ASD at age five, McCreary got hit with the performance bug not much later. During a difficult time in junior high, he started journaling, eventually turning his pain e into something empowering—and funny. He scored his first stand-up gig at age 14, and hasn't looked back. This unique and hilarious #OwnVoices memoir breaks down what it’s like to live with autism for readers on and off the spectrum. Candid scenes from McCreary's life are broken up with funny visuals and factual asides. Funny, You Don’t Look Autistic is an invaluable and compelling read for young readers with ASD looking for voices to relate to, as well as for readers hoping to broaden their understanding of ASD.

Panda learns that "Beauty is in the eye of the beholder" when he is criticized for his appearance by all the animals except his own kind.

Across generations, humor has been a place for American Jews to explore the relationship between Jewish identity, practices, and history. In this comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to "do Jewish," revealing that American Jews have turned, and continue to turn, to humor as a cultural touchstone. Caplan frames the book around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers. Jewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan's explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history; it includes the work of Joseph Heller, Larry David, Woody Allen, Seinfeld, the Coen brothers films, and Broad City. This example of well-informed scholarship begins with an explanation of what makes Jewish humor Jewish and why Jewish humor is such a visible phenomenon. Offering ample evidence and examples along the way, Caplan guides readers through a series of phenomenological and ideological changes across generations, concluding with commentary regarding the potential influences on Jewish humor of later Millennials, Gen Z, and beyond.

This piece investigates the perception and representation of female comics on the stand-up circuit and their audiences. It begins with a review of various theories of humour examining three major strands of thought: theories on repression, release and incongruity. It goes on to give an historical overview of British stand-up comedy, covering the Music Hall/Variety tradition, the Working Men’s Club tradition and the Alternative Comedy tradition examining the cultural attitudes of the time alongside these various stages of British comedy and the place women found within them. Concluding with a case study on Bridget Christie and her success at navigating the patriarchal world of comedy, an investigation of current panel shows figures and their representation of female comics and interview responses from current women stand-ups on the circuit. Illustrating that audiences may no longer perpetuate these long held stereotypes, but instead the industry ‘gatekeepers’, the bookers, promoters and producers within the comedy business, are limiting aspiring female comedians from garnering mass exposure.

Smart, warm, telling, and funny, Funny, Your Don't Look Like a Grandmother is the perfect bouquet for today's grandmother, that active and interesting woman who is old enough to be somebody's grandmother and young enough to run around the world. Lois Wyse's new book, charmingly illustrated by Lilla Rogers, is a collection of wit and wisdom for today's Nana, Grandma, Goo-Goo, or Gran. How can you recognize today's grandmother? Easy, says Wyse. The grandmother is the one who goes out more and complains less than her daughter. In the spirit of Erma Bombeck and Bill Cosby, Lois Wyse tells loving and amusing stories that illustrate the joys of contemporary grandmothering. According to Lois Wyse, "A mother becomes a true grandmother the day she stops noticing the terrible things her children do because she is so enchanted with the wonderful things her grandchildren do." Contemporary grandmothers and their children and grandchildren will see themselves in these reflections of family life that include everything from how it feels to become a grandmother to gentle advice on parenting and career grandmothers. Funny, You Don't Look Like a Grandmother is the first nontraditional book about grandmothers who may not look like grandmothers -- but who love as deeply as the generations of grannies who preceded them.

The author presents a collection of ways to reap the proven human and corporate benefits of humor at work, organized by core business skill and founded on his own work as a business speaker and coach with the consulting company, Humor That Works.

What do you see when you think of teacher? Where does what you see come from? This is a book about the images of teachers and teaching which permeate the everyday lives of children and adults, shaping in important but unrecognised ways their notions of whom teachers are and what they do. The authors show how, using a creative interdisciplinary approach, it is possible to analyse drawings of teachers, television programmes, films, cartooons, comics and even Barbie dolls. Illustrated with colour reproductions and excerpts from interviews and journals, this book should appeal to teachers, academics and anyone who is interested in the popular culture of childhood, gender issues, professional identity and teacher education.

Session 1. Trading information and starting conversations -- session 2. Trading information and maintaining conversations -- session 3. Finding a source of friends -- session 4. Electronic communication -- session 5. Appropriate use of humor -- session 6. Entering group conversations -- session 7. Exiting conversations -- session 8. Get-togethers -- session 9. Dating etiquette : letting someone know you like them -- session 10. Dating etiquette : asking someone on a date -- session 11. Dating etiquette : going on dates -- session 12. Dating etiquette : dating do's and don'ts -- session 13. Handling disagreements -- session 14. Handling direct bullying -- session 15. Handling indirect bullying -- session 16. Moving forward and graduation.