Distant Battlefields

"World War II was a traumatising experience for those nations that were caught up in it. Nowhere was this more apparent than in Undivided India where over two and a half million Indians volunteered to serve in the armed forces and to fight against the evils of the fascist Axis Powers. Those Indians who served and fought had their own motives but a predominant one was pride and satisfaction in doing a soldier's job and earning a soldier's pay. Service in the Indian Army was respected, particularly in rural communities, and money sent home by a soldier could over time transform his family's social status. As it had done towards the end of World War I the Indian Army in World War II opened its arms wide and recruited from many varied castes and backgrounds, and few were found wanting. The demands made on India to provide servicemen and women were massive. Indian Army formations contributed significantly to the defeat of Italian forces in East and North Africa and then to the much more difficult confrontations with German troops. Dark days followed when Japan invaded Hong Kong, Borneo, Malaya and Burma. Indian troops predominated in the defence of those regions and many were killed in action or ordered into captivity by their commanders. After realistic re-assessments of the threats faced in Asia had been made, and the new training and motivation required had been delivered, the Indian Army emerged again in 1944 and 1945 as the most proficient and economical Allied force in Asia. Meanwhile Indian troops, not forgetting the large number of Nepalese serving in the Indian Army, fought Vichy French forces in Syria, nationalists in Persia and Iraq, and above all else Germans in North Africa and Europe – and they won their battles. This book will show you how the Indian Army was tested during World War II, and how it prevailed using courage, professionalism, honour and dignity. "

Even in the midst of the Civil War, its battlefields were being dedicated as hallowed ground. Today, those sites are among the most visited places in the United States. In contrast, the battlegrounds of the Revolutionary War had seemingly been forgotten in the aftermath of the conflict in which the nation forged its independence. Decades after the signing of the Constitution, the battlefields of Yorktown, Saratoga, Fort Moultrie, Ticonderoga, Guilford Courthouse, Kings Mountain, and Cowpens, among others, were unmarked except for crumbling forts and overgrown ramparts. Not until the late 1820s did Americans begin to recognize the importance of these places. In Memories of War, Thomas A. Chambers recounts America’s rediscovery of its early national history through the rise of battlefield tourism in the first half of the nineteenth century. Travelers in this period, Chambers finds, wanted more than recitations of regimental movements when they visited battlefields; they desired experiences that evoked strong emotions and leant meaning to the bleached bones and decaying fortifications of a past age. Chambers traces this impulse through efforts to commemorate Braddock’s Field and Ticonderoga, the cultivated landscapes masking the violent past of the Hudson River valley, the overgrown ramparts of Southern war sites, and the scenic vistas at War of 1812 battlefields along the Niagara River. Describing a progression from neglect to the Romantic embrace of the landscape and then to ritualized remembrance, Chambers brings his narrative up to the beginning of the Civil War, during and after which the memorialization of such sites became routine, assuming significant political and cultural power in the American imagination.

Here, for the first time, is a book that goes beyond providing just a brief battle history for each of the Civil War parks. Civil War Battlefields presents a detailed, clear narrative describing exactly what visitors can see and do in twelve important battlefield areas covering 22 campaigns and approxiamately 40 separate battles.

J. R. R. Tolkien's Lord of the Rings has long been acknowledged as the gold standard for fantasy fiction, and the recent Oscar-winning movie trilogy has brought forth a whole new generation of fans. Many Tolkien enthusiasts, however, are not aware of the profoundly religious dimension of the great Ring saga. In The Battle for Middle-earth Fleming Rutledge employs a distinctive technique to uncover the theological currents that lie just under the surface of Tolkien's epic tale. Rutledge believes that the best way to understand this powerful "deep narrative" is to examine the story as it unfolds, preserving some of its original dramatic tension. This deep narrative has not previously been sufficiently analyzed or celebrated. Writing as an enthusiastic but careful reader, Rutledge draws on Tolkien's extensive correspondence to show how biblical and liturgical motifs shape the action. At the heart of the plot lies a rare glimpse of what human freedom really means within the Divine Plan of God. The Battle for Middle-earth surely will, as Rutledge hopes, "give pleasure to those who may already have detected the presence of the sub-narrative, and insight to those who may have missed it on first reading."

“A detailed and moving picture of how the Habsburgs suffered under the Nazi regime…scrupulously sourced, well-written, and accessible.”—Publishers Weekly (starred review) It was during five youthful years in Vienna that Adolf Hitler's obsession with the Habsburg Imperial family became the catalyst for his vendetta against a vanished empire, a dead archduke, and his royal orphans. That hatred drove Hitler's rise to power and led directly to the tragedy of the Second World War and the Holocaust. The royal orphans of Archduke Franz Ferdinand—offspring of an upstairs-downstairs marriage that scandalized the tradition-bound Habsburg Empire—came to personify to Adolf Hitler, and others, all that was wrong about modernity, the twentieth century, and the Habsburgs’ multi-ethnic, multi-cultural Austro-Hungarian Empire. They were outsiders in the greatest family of royal insiders in Europe, which put them on a collision course with Adolf Hitler. As he rose to power Hitler's hatred toward the Habsburgs and their diverse empire fixated on Franz Ferdinand's sons, who became outspoken critics and opponents of the Nazi party and its racist ideology. When Germany seized Austria in 1938, they were the first two Austrians arrested by the Gestapo, deported to Germany, and sent to Dachau. Within hours they went from palace to prison. The women in the family, including the Archduke's only daughter, Princess Sophie Hohenberg, declared their own war on Hitler. Their tenacity and personal courage in the face of betrayal, treachery, torture, and starvation sustained the family during the war and in the traumatic years that followed. Through a decade of research and interviews with the descendants of the Habsburgs, scholar James Longo explores the roots of Hitler's determination to destroy the family of the dead Archduke—and uncovers the family members' courageous fight against the Führer.

Historians have long treated the patriotic anthems of the American Civil War as colorful, if largely insignificant, side notes. Beneath the surface of these songs, however, is a complex story. “Maryland, My Maryland” was one of the most popular Confederate songs during the American Civil War, yet its story is full of ironies that draw attention to the often painful and contradictory actions and beliefs that were both cause and effect of the war. Most telling of all, it was adopted as one of a handful of Southern anthems even though it celebrated a state that never joined the Confederacy. In Maryland, My Maryland: Music and Patriotism during the American Civil War James A. Davis illuminates the incongruities underlying this Civil War anthem and what they reveal about patriotism during the war. The geographic specificity of the song’s lyrics allowed the contest between regional and national loyalties to be fought on bandstands as well as battlefields and enabled “Maryland, My Maryland” to contribute to the shift in patriotic allegiance from a specific, localized, and material place to an ambiguous, inclusive, and imagined space. Musical patriotism, it turns out, was easy to perform but hard to define for Civil War–era Americans.

In the tradition of the New York Times-bestselling work Manhunt, by James Swanson, comes a compelling nonfiction narrative about the pursuit and capture of Confederate President Jefferson Davis at the end of the Civil War.

Story is a contemplative exploration of life's complexities and the ever-present struggles of humanity. It delves into the dissonance between individual hopes and the forces of nature and society.