Disorderly Women

Throughout most of the eighteenth century and particularly during the religious revivals of the Great Awakening, evangelical women in colonial New England participated vigorously in major church decisions, from electing pastors to disciplining backsliding members. After the Revolutionary War, however, women were excluded from political life, not only in their churches but in the new republic as well. Reconstructing the history of this change, Susan Juster shows how a common view of masculinity and femininity shaped both radical religion and revolutionary politics in America. Juster compares contemporary accounts of Baptist women and men who voice their conversion experiences, theological opinions, and proccupation with personal conflicts and pastoral controversies. At times, the ardent revivalist message of spiritual individualism appeared to sanction sexual anarchy. According to one contemporary, revival attempted "to make all things common, wives as well as goods." The place of women at the center of evangelical life in the mid-eighteenth century, Juster finds, reflected the extent to which evangelical religion itself was perceived as "feminine"—emotional, sensional, and ultimately marginal. In the 1760s, the Baptist order began to refashion its mission, and what had once been a community of saints—often indifferent to conventional moral or legal constraints—was transformed into a society of churchgoers with a concern for legitimacy. As the church was reconceptualized as a "household" ruled by "father" figures, "feminine" qualities came to define the very essence of sin. Juster observes that an image of benevolent patriarchy threatened by the specter of female power was a central motif of the wider political culture during the age of democratic revolutions.

This is the first full-length study of prostitution in London during the eighteenth and early nineteenth centuries. It is a compelling account, exposing the real lives of the capital's prostitutes, and also shedding light on London society as a whole, its policing systems and its attitudes towards the female urban poor. Drawing on the archives of London's parishes, jury records, reports from Southwark gaol as well as other sources which have been overlooked by historians, it provides a fascinating study for all those interested in Georgian society.

This first collection of essays by Carroll Smith-Rosenberg, one of the leading historians of women, is a landmark in women's studies. Focusing on the "disorderly conduct" women and some men used to break away from the Victorian Era's rigid class and sex roles, it examines the dramatic changes in male-female relations, family structure, sex, social custom, and ritual that occurred as colonial America was transformed by rapid industrialization. Included are two now classic essays on gender relations in 19th-century America, "The Female World of Love and Ritual: Relations Between Women in Nineteenth-Century America" and "The New Woman as Androgyne: Social Order and Gender Crisis, 1870-1936," as well as Smith-Rosenberg's more recent work, on abortion, homosexuality, religious fanatics, and revisionist history. Throughout Disorderly Conduct, Smith-Rosenberg startles and convinces, making us re-evaluate a society we thought we understood, a society whose outward behavior and inner emotional life now take on a new meaning.

This work examines the lowest levels of early modern popular street literature (ballads, broadsides, song pamphlets, and chapbooks) to shed light on differences between German and English attitudes toward women and on the ways in which those attitudes intertwined with wider social and cultural conceptions.

Michele A. Connolly's postcolonial analysis links the Gospel of Mark - produced in the context of the Roman Empire - with contemporary Australia, established initially as a colony of the British Empire. Feminist analysis of texts from two foundational events in Australian colonial history reveal that women in such texts tend to be marginalised, silenced and denigrated. Connolly posits that imperialist sexism, both ancient and modern, perceives women as a threat to the order that males alone can impose on the world. The Gospel of Mark portrays Jesus bringing the order of the Reign of God to combat the disorder of apocalyptic evil. Jesus' task is a markedly male project, against which eleven female characters are portrayed as disorderly distractions who are managed by being marginalised, silenced and denigrated, contradicting Jesus' message of mutual service and non-domination. In his death under apocalyptic power, Jesus is likewise depicted as isolated, silenced and denigrated, subtly associating femininity with chaos, failure and disgrace.

This innovative book marks a new way of looking at convict women. It tells their stories in a powerful and evocative way, drawing out broader themes of gender and sexual disorder and race and class dynamics in a colonial context. It considers the convict past in light of contemporary concerns, looking at the cultural meanings of aspects of life in the colony: on ships, in the factories and in orphanages. Using startlingly original research, Joy Damousi considers such varied topics as headshaving as punishment in the prisons and the subversive nature of laughter and play, as well as analysing the language of pollution, purity and abandonment. She also dicusses the nature of sexual relationships, including evidence of lesbianism. The book shows how understanding about sexual and racial difference was crucial for both the maintenance and disturbance of colonial society, and became a focus for cultural anxiety.

Bullets and Kisses Can Burn The last person Anna Albertini expects to see in an orange jumpsuit in District Court—a place she SO doesn't belong as a new prosecuting attorney—is Aiden Devlin, the man who’d saved her life when they were kids. For years, she has dreamed about him. Now here he is—his eyes blue, his chest wide, and his hands in cuffs. Sure, Aiden says he doesn’t want her help, and his ties to a deadly motorcycle club should give her warning. Yes, her new boss is a sexy Italian bad boy who might be using the case to climb to the top. Plus, the detective assigned to the case, with his green eyes and broad shoulders, wants her to stay out of his way. With so much testosterone surrounding her all of a sudden, most women would find it hard to concentrate. This might be why the case leads Anna to yelp during a spa appointment, fall out of a tree, and chase a naked old man around the courtroom. It’s a good thing Anna learned a long time ago to be her own hero, no matter how fast the bullets fly or the kisses consume.

Long relegated to the margins of historical research, the history of women in the American South has rightfully gained prominence as a distinguished discipline. A comprehensive and much-needed tribute to southern women’s history, Half Sisters of History brings together the most important work in this field over the past twenty years. This collection of essays by pioneering scholars surveys the roots and development of southern women’s history and examines the roles of white women and women of color across the boundaries of class and social status from the founding of the nation to the present. Authors including Anne Firor Scott, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, and Nell Irwin Painter, among others, analyze women’s participation in prewar slavery, their representation in popular fiction, and their involvement in social movements. In no way restricted to views of the plantation South, other essays examine the role of women during the American Revolution, the social status of Native American women, the involvement of Appalachian women in labor struggles, and the significance of women in the battle for civil rights. Because of their indelible impact on gender relations, issues of class, race, and sexuality figure centrally in these analyses. Half Sisters of History will be important not only to women’s historians, but also to southern historians and women’s studies scholars. It will prove invaluable to anyone in search of a full understanding of the history of women, the South, or the nation itself. Contributors. Catherine Clinton, Sara Evans, Elizabeth Fox-Genovese, Jacquelyn Dowd Hall, Jacqueline Jones, Suzanne D. Lebsock, Nell Irwin Painter, Theda Perdue, Anne Firor Scott, Deborah Gray White