Diplomacy And Diamonds

She's been dirt poor; she's been filthy rich. Rich was more fun. She married three times, divorced twice, found her true love, and lost him to cancer. At twenty-one, she was told she would soon die. She lived. Doctors said she'd never be able to have children. She had 'em. She's bargained with God, dictators, and Democrats. She's partied with princes, presidents, premiers, Barbara Walters, Anwar Sadat, Margaret Thatcher, Tom Hanks, and Francisco Franco . . . though not all at the same time. She captivated powerful men with her feminine charm, and then persuaded them toward unlikely political alliances through her formidable intelligence. She waltzed with Prince Philip in Buckingham Palace, dressed in men's clothes and smuggled herself in a barrel across the Pakistani border, threw a Roman-themed party so extravagant it was featured in Life magazine, and survived a Soviet gunship attack in the mountains of Afghanistan. Joanne Herring, the Houston socialite portrayed by Julia Roberts in the film Charlie Wilson's War, is far more colorful, funny, and likable than any screenwriter could have guessed. The former Texas television anchor is known for her improbable fight with the mujahideen against the former Soviet Union. But her full story-with all its God, guns, and Gucci glory-has never been told. Born in the man's world of Texas in a time when women had limited choices, Joanne Herring blazed a trail with allies as unlikely as Charlie Wilson, Pierre Cardin, and President Ronald Reagan . . . and in so doing forged new paths for women in Pakistan, Afghanistan, and America.

She's been dirt poor; she's been filthy rich. Rich was more fun. She married three times, divorced twice, found her true love, and lost him to cancer. At twenty-one, she was told she would soon die. She lived. Doctors said she'd never be able to have children. She had 'em. She's bargained with God, dictators, and Democrats. She's partied with princes, presidents, premiers, Barbara Walters, Anwar Sadat, Margaret Thatcher, Tom Hanks, and Francisco Franco . . . though not all at the same time. She captivated powerful men with her feminine charm, and then persuaded them toward unlikely political alliances through her formidable intelligence. She waltzed with Prince Philip in Buckingham Palace, dressed in men's clothes and smuggled herself in a barrel across the Pakistani border, threw a Roman-themed party so extravagant it was featured in Life magazine, and survived a Soviet gunship attack in the mountains of Afghanistan. Joanne Herring, the Houston socialite portrayed by Julia Roberts in the film Charlie Wilson's War, is far more colorful, funny, and likable than any screenwriter could have guessed. The former Texas television anchor is known for her improbable fight with the mujahideen against the former Soviet Union. But her full story-with all its God, guns, and Gucci glory-has never been told. Born in the man's world of Texas in a time when women had limited choices, Joanne Herring blazed a trail with allies as unlikely as Charlie Wilson, Pierre Cardin, and President Ronald Reagan . . . and in so doing forged new paths for women in Pakistan, Afghanistan, and America.

Herring, the Houston socialite portrayed by Julia Roberts in the film "Charlie Wilson's War," is far more colorful, funny, and likable than any screenwriter could have guessed. But her full story--with all its God, guns, and Gucci glory--has never been told ... until now.

Cat Royal has long red hair, green eyes, and not a penny of her own. But she does know where a treasure is hidden in the theater that is her home. The problem is, she isn't the only one looking for it, in this mystery set in 18th-century London.

“Unforgettable. . . . An outstanding adventure in its lyrical, utterly compelling, and heartbreaking investigations of the world of diamond smuggling.” —Aimee Nezhukumatathil For nearly eighty years, a huge portion of coastal South Africa was closed off to the public. With many of its pits now deemed “overmined” and abandoned, American journalist Matthew Gavin Frank sets out across the infamous Diamond Coast to investigate an illicit trade that supplies a global market. Immediately, he became intrigued by the ingenious methods used in facilitating smuggling particularly, the illegal act of sneaking carrier pigeons onto mine property, affixing diamonds to their feet, and sending them into the air. Entering Die Sperrgebiet (“The Forbidden Zone”) is like entering an eerie ghost town, but Frank is surprised by the number of people willing—even eager—to talk with him. Soon he meets Msizi, a young diamond digger, and his pigeon, Bartholomew, who helps him steal diamonds. It’s a deadly game: pigeons are shot on sight by mine security, and Msizi knows of smugglers who have disappeared because of their crimes. For this, Msizi blames “Mr. Lester,” an evil tall-tale figure of mythic proportions. From the mining towns of Alexander Bay and Port Nolloth, through the “halfway” desert, to Kleinzee’s shores littered with shipwrecks, Frank investigates a long overlooked story. Weaving interviews with local diamond miners who raise pigeons in secret with harrowing anecdotes from former heads of security, environmental managers, and vigilante pigeon hunters, Frank reveals how these feathered bandits became outlaws in every mining town. Interwoven throughout this obsessive quest are epic legends in which pigeons and diamonds intersect, such as that of Krishna’s famed diamond Koh-i-Noor, the Mountain of Light, and that of the Cherokee serpent Uktena. In these strange connections, where truth forever tangles with the lore of centuries past, Frank is able to contextualize the personal grief that sent him, with his wife Louisa in the passenger seat, on this enlightening journey across parched lands. Blending elements of reportage, memoir, and incantation, Flight of the Diamond Smugglers is a rare and remarkable portrait of exploitation and greed in one of the most dangerous areas of coastal South Africa. With his sovereign prose and insatiable curiosity, Matthew Gavin Frank “reminds us that the world is a place of wonder if only we look” (Toby Muse).

A vivid account of Dutch seventeenth-century art and material culture against the backdrop of the geopolitics of the early modern world The seventeenth century witnessed a great flourishing of Dutch trade and culture. Over the course of the first half of the century, the northern Netherlands secured independence from the Spanish crown, and the nascent republic sought to establish its might in global trade, often by way of diplomatic relations with the Ottoman Empire and other Muslim powers. Central to the political and cultural identity of the Dutch Republic were curious foreign goods the Dutch called "rarities." Rarities of These Lands explores how these rarities were obtained, exchanged, stolen, valued, and collected, tracing their global trajectories and considering their role within the politics of the new state. Claudia Swan’s insightful, engaging analysis offers a novel and compelling account of how the Dutch Republic turned foreign objects into expressions of its national self-conception. Rarities of These Lands traces key elements of the formation of the Dutch Republic—artistic and colonialist ventures alike—offering new perspectives on this momentous period in the history of the Netherlands and its material culture.

In this thrillingly entertaining book, Nicola Shulman interweaves the bloody events of Henry VIII's reign with the story of English love poetry and the life of its first master, Henry VIII's most glamorous and enigmatic subject: Sir Thomas Wyatt. Poet, statesman, spy, lover of Anne Boleyn and favorite both of Henry VIII and his sinister minister Thomas Cromwell, the brilliant Wyatt was admired and envied in equal measure. His love poetry began as risqué entertainment for ambitious men and women at the slippery top of the court. But when the axe began to fall and Henry VIII's laws made his subjects fall silent in terror, Wyatt's poetic skills became a way to survive. He saw that a love poem was a place where secrets could hide.

When, in 1997, the International Atomic Energy Agency unanimously elected Mohamed ElBaradei as its next Director General, few observers could have forecast the dramatic role he would play over the next 12 years. Certainly, the stage onto which Dr. ElBaradei stepped - featuring Saddam Hussein's Iraq, Kim Jong-Il's North Korea, Muammar al-Gaddafi's Libya, and the Islamic Republic of Iran - gave ample opportunity for high-stakes and high-profile decision-making. But no one could have predicted that ElBaradei would be 'the man in the middle' of so many nuclear conflicts over so sustained a period of time. And after he and the IAEA were jointly awarded the 2005 Nobel Peace Prize, his role as middle-man only gained intensity.In The Age of Deception, Dr. ElBaradei gives us his account from the centre of the nuclear fray. Readers will sit at the dinner table with Iraqi officials in Baghdad, listening as they bleakly predict the coming war. They will eavesdrop on the exchanges between UN inspectors and U.S. officials observing the behind-the-scenes formulation of an approach to foreign policy and diplomacy that would come to characterise the Bush administration. We gain a feel for the difficulty of the IAEA inspectors' struggle to maintain objectivity when trust has been broken, or when the press - or governments - are playing fast and loose with the facts. The Age of Deception is a story of human imperfection, of modern society struggling to come to grips with the multiple dimensions of human insecurity.

A New York Times Book Review Editors' Choice • Named a Best Nonfiction Book of 2021 by Kirkus • A New York Times Book Review Paperback Row Selection A stunning and heartbreaking lens on the global refugee crisis, from a man who faced the very worst of humanity and survived to advocate for displaced people around the world One day when Mondiant Dogon, a Bagogwe Tutsi born in the Democratic Republic of Congo, was only three years old, his father’s lifelong friend, a Hutu man, came to their home with a machete in his hand and warned the family they were to be killed within hours. Dogon’s family fled into the forest, initiating a long and dangerous journey into Rwanda. They made their way to the first of several UN tent cities in which they would spend decades. But their search for a safe haven had just begun. Hideous violence stalked them in the camps. Even though Rwanda famously has a former refugee for a president in Paul Kagame, refugees in that country face enormous prejudice and acute want. For much of his life, Dogon and his family ate barely enough to keep themselves from starving. He fled back to Congo in search of the better life that had been lost, but there he was imprisoned and left without any option but to become a child soldier. For most refugees, the camp starts as an oasis but soon becomes quicksand, impossible to leave. Yet Dogon managed to be one of the few refugees he knew to go to college. Though he hid his status from his fellow students out of shame, eventually he would emerge as an advocate for his people. Rarely do refugees get to tell their own stories. We see them only for a moment, if at all, in flight: Syrians winding through the desert; children searching a Greek shore for their parents; families gathered at the southern border of the United States. But through his writing, Dogon took control of his own narrative and spoke up for forever refugees everywhere. As Dogon once wrote in a poem, “Those we throw away are diamonds.”