Differences In Katherine Mansfield And Anton Chekhov As Short Story Writers

Seminar paper from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 2,3, Johannes Gutenberg University Mainz (Fachbereich Englische Philologie), course: Proseminar 'Katherine Mansfield', 10 entries in the bibliography, language: English, abstract: This paper will discuss differences and similarities of The Child-Who-Was-Tired first published on February 24 in the New Age and later, short after her return from Bavaria, in 'In a German Pension' published in 19112 by Katherine Mansfield and Anton Chekhov's Sleepy, which was written nearly 20 years earlier3. The parallels between the characters and the plots, especially in the outcome of both short stories, make Katherine Mansfield suspicious of having committed plagiarism. "Anton Chekhov's short stories were first welcomed in England and America just after the turn of the century as examples of late nineteenth-century realism [...]." Characterised as 'slices of life' they could have served as patterns or examples for Mansfield's stories, which are characterised in the same way. In so far she writes at least in Chekhov's tradition. She "could have read Sleepy at Queen's College as early as 1903, when [...] her literary interest was expending." The question of plagiarism will be answered in the conclusion of this paper, when the differences and similarities are worked out properly.

Though long recognized as one of the founding fathers of the short story, it is perhaps the combined longevity and scope of Anton Chekhov's influence that is most astounding. The list of authors, many of them contemporary, who routinely cite Chekhov as a major influence in their own writing could almost read as a who's who in 20th-century English and American literature. Indeed, the seemingly casual story of an ordinary life, told with articulate delicacy and heightened mood and detail, populates not only Chekhov's canon but also that of the modern short story. His ability to provide for the reader a truly intimate feel for what is most telling - a vista, the weather, a conversation - has become the cornerstone of the form. Prevalent in the works of Katherine Mansfield, Ernest Hemingway, Raymond Carver, and Nadine Gordimer, among others, this distinctive style of writing is a testament to Chekhov's international influence. As with all the "greats" of literature, though, it is more than just style and structure that lives on: the motif of individual freedom, so prevalent in Chekhov's writing, is especially poignant today. In Anton Chekhov: A Study of the Short Fiction, Ronald L. Johnson follows the Russian master as he matures from a newspaper and magazine writer to becoming the "father" of the modern short story. In a chronological study of an astoundingly prolific career, Johnson examines a number of Chekhov stories in great detail, echoing the thorough attention to detail for which his subject was well known. In this comprehensive study, Johnson follows the development of what was to become the benchmark form of the short story, while also tracing the vitality and importance of thecontent of those stories. Johnson's study shows that Chekhov was more than just the father of a style, but was profoundly concerned with human rights and the search for a meaningful life.

'the greatest short story writer who has ever lived' Raymond Carver's unequivocal verdict on Chekhov's genius has been echoed many times by writers as diverse as Katherine Mansfield, Somerset Maugham, John Cheever and Tobias Wolf. While his popularity as a playwright has sometimes overshadowed his achievements in prose, the importance of Chekhov's stories is now recognized by readers as well as by fellow authors. Their themes - alienation, the absurdity and tragedy of human existence - have as much relevance today as when they were written, and these superb new translations capture their modernist spirit. Elusive and subtle, spare and unadorned, the stories in this selection are among Chekhov's most poignant and lyrical. They include well-known pieces such as 'The Lady with the Little Dog', as well as less familiar work like 'Gusev', inspired by Chekhov's travels in the Far East, and 'Rothschild's Violin', a haunting and darkly humorous tale about death and loss. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Analyzes the work of New-Zealand-born British writer Mansfield (1888-1923) in both her well known, less famous, and unfinished short stories. Concentrates on the various textures, themes, and issues of her writing, and the virtuosity of her point of view. No subject index. Paper edition (unseen), $10.95. Annotation copyright by Book News, Inc., Portland, OR

Maxim Gorky said that no one understood -- the tragedy of life's trivialities -- as clearly as Anton Chekhov, widely considered the father of the modern short story and the modern play. Chekhov's singular ability to speak volumes with a single, impeccably chosen word, mesh comedy and pathos, and capture life's basic sadness as he entertains us, are why so many aspire to emulate him. How to Write Like Chekhov meticulously cherry-picks from Chekhov's plays, stories, and letters to his publisher, brother, and friends, offering suggestions and observations on subjects including plot and characters (and their names), descriptions and dialogue, and what to emphasize and avoid. This is a uniquely clear roadmap to Chekhov's intelligence and artistic expertise and an essential addition to the writing-guide shelf.

DigiCat Publishing presents to you this special edition of "Love and Other Stories" by Anton Pavlovich Chekhov. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Reveals diverse notions of distributed cognition in the early Greek and Roman worlds

This book maps the ecologies of Mansfield's influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries.