Dictionary Of Literary Rhetorical Conventions Of The English Renaissance

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This guide provides the best practices and reference resources, both print and electronic, that can be used in conducting research on literature of the British Renaissance and Early Modern Period. This volume seeks to address specific research characteristics integral to studying the period, including a more inclusive canon and the predominance of Shakespeare.

Rhetoric and Poetry in the Renaissance is a close look at the rhetorical terms used in literary essays about the English Renaissance. Contents: "Introductory The Distinction between Rhetoric and Poetic Classical Poetic Aristotle "Longinus" Plutarch Horace Classical Rhetoric Definitions Subject Matter Content of Classical Rhetoric Rhetoric as Part of Poetic Poetic as Part of Rhetoric Classical Blending of Rhetoric and Poetic The Contact of Rhetoric and Poetic in Style The Florid Style in Rhetoric and Poetic The False Rhetoric of the Declamation Schools The Contamination of Poetic by False Rhetoric."

Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.

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Overshadowed in the popular imagination by the figure of Oliver Cromwell, historians are increasingly coming to recognize the importance of Thomas Fairfax, 3rd Lord Fairfax of Cameron, in shaping the momentous events of mid-seventeenth-century Britain. As both a military and political figure he played a central role in first defeating Charles I and then later supporting the restoration of his son in 1660. England’s Fortress shines new light on this significant yet surprisingly understudied figure through a selection of essays addressing a wide range of topics, from military history to poetry. Divided into two sections, the volume reflects key aspects of Fairfax’s life and career which are, nevertheless, as interconnecting as they are discrete: Fairfax the soldier and statesman, and Fairfax the husband, horseman and scholar. This fresh account of Fairfax’s reputations and legacy questions assumptions about neatly demarcated seventeenth-century chronological, geographic and cultural boundaries. What emerges is a man who subverts as much as he reinforces assumed characteristics of martial invincibility, political disengagement and literary dilettantism.

In Forgotten Paths, Davide Del Bello draws on the insights of Giambattista Vico and examines exemplary texts from classical, medieval, and Renaissance culture with the intent to trace the links between etymological and allegorical ways of knowing, writing, thinking, and arguing