Denvers Lakeside Amusement Park

Denver's Lakeside Amusement Park details the history of Lakeside, exploring how it has managed to remain in business for more than a century (something less than thirty amusement parks have accomplished), and offers a unique view on larger changes in society and the amusement park industry itself. Once nicknamed White City in part for its glittering display of more than 100,000 lights, the park opened in 1908 in conjunction with Denver's participation in the national City Beautiful movement. It was a park for Denver elites, with fifty different forms of amusement, including the Lakeshore Railway and the Velvet Coaster, a casino, a ballroom, a theater, a skating rink, and avenues decorated with Greek statues. But after metropolitan growth, technological innovation, and cultural shifts in Denver, it began to cater to a working-class demographic as well. Additions of neon and fluorescent lighting, roller coasters like the Wild Chipmunk, attractions like the Fun House and Lakeside Speedway, and rides like the Scrambler, the Spider, and most recently the drop tower Zoom changed the face and feel of Lakeside between 1908 and 2008. The park also has weathered numerous financial and structural difficulties but continues to provide Denverites with affordable, family-friendly amusement today. To tell Lakeside's story, Forsyth makes use of various primary and secondary sources, including Denver newspapers, Denver's official City Beautiful publication Municipal Facts, Billboard magazine, and interviews with people connected to the park throughout its history. Denver's Lakeside Amusement Park is an important addition to Denver history that will appeal to anyone interested in Colorado history, urban history, entertainment history, and popular culture, as well as to amusement park aficionados.

Operating from 1890 to 1914, Manhattan Beach Amusement Park was the first true amusement park in Denver and was enjoyed by residents and visitors for nearly twenty-five years as Denver tried to shake off its image as a dusty cow town from gold mining days and fought to be seen as a sophisticated and well-developed city. Manhattan Beach played an important role in amusement park history in the United States, but its full story has never before been told. The park has also inspired many legends. Much of what has been told about Manhattan Beach in the years since it closed is more myth than fact, as this book demonstrates.

Explores the architecture, graphics, signs, and neon of the Lakeside Amusement Park (Colo.).

Conceived in gold lust and born in the middle of nowhere on a cold autumn day, Denver grew up on mining booms and busts. Building their city rapidly and recklessly, Denverites tore down 'old-fashioned buildings' to construct their own grand new monuments. Not until the 1960s did the people of Denver, alarmed by wholesale urban-renewal demolitions and a new building boom, convince the mayor and city council to form the Denver Landmark Preservation Commission to identify and preserve the most important landmarks. To date, more than 250 landmarks and 28 historic districts have been preserved. Denver Landmarks and Historic Districts is the only volume of its kind to celebrate Denver's finest antique homes, churches, clubs, saloons, hotels, libraries, schools, restaurants, and banks -- many of which are open to the public. Here is the story of the Daniels and Fisher Tower, Elitch's Theatre, Denver's best city parks, the Denver Press Club, the Denver Athletic Club, notorious houses of ill repute, a tiny Five Points black mortuary that became a Hispanic pool hall, and much more. A brief history of Denver introduces readers to building types, materials, and styles and architects, showing how buildings reflect various ethnic and economic groups. An overview of the preservation movement covers the history of the Denver Landmark Preservation Commission and local preservation battles.

"It's not like it's murder.""Don't kid yourself, sister. People commit all kinds of crimes for all kinds of reasons. There's murder afoot whenever money is involved."Ambitious and idealistic, Mimi Smith leaves her home out west and pauses her college career to work for the war effort in Washington, D.C. She lands an entry-level stenographer's job at the government office that oversees rationing and black-market activities, and a rented room in Alexandria, Virginia. But Mimi's got bigger plans than laboring as a mere stenographer-she has an eye on a slot as an investigator. When she breaks up a group of drunken servicemen harassing a flashily dressed woman at a dance, her instincts kick in. She saves the young woman and tries to get her back on her feet. It's soon clear that the victim, Kitty Hawkins, is what Mimi's grandmother calls a "magdalen," a lady of the evening Kitty is trying to escape that life and outrun the desperate "quivers" she feels breathing down her neck. It's June 1943, halfway through a world war that feels like it will never end. Rationing, victory gardens, and making do or doing without have all become a patriotic way of life. But the flip side of patriotism is hoarding, profiteering, theft, and black marketeering. And someone in Alexandria is murdering magdalens caught up in selling information and stolen goods. Teaming up with a skeptical local policeman and a country boy soon to enter the Navy, Mimi grapples with life, death, and a killer who has set his sights on her. Firefly is the prequel to the bestselling Crime of Fashion Mysteries, featuring Lacey Smithsonian. Set decades before Lacey plies her trade as a journalist in D.C., Firefly explores Lacey's great aunt Mimi Smith's wartime journey that brought her to Washington, the parallels between the two women, including their love of fashion and the clues people wear without knowing it, and the origins of Mimi's trunk full of mysteries, the trunk Lacey later inherits. And both Mimi and Lacey discover they have a passion for finding out how the story ends.

In this inclusive, illustrated history and guide to skin care and beauty, journalist and founder of Very Good Light David Yi teaches us that self-care, wellness, and feeling beautiful transcends time, boundaries, and binaries—and that pretty boys can change the world Chanel and Goop might have seemed ahead of the curve when they launched their men’s beauty and wellness lines, but pharaohs were exfoliating, moisturizing, and masking eons earlier. Thousands of years before Harry Styles strutted down the red carpet with multicolored fingernails, Babylonian army officials had their own personal manicure sets. And BTS might have become an international sensation for their smoky eyes and perfect pouts, but the Korean Hwarang warriors who put on a full face before battle preceded them by centuries. Pretty Boys unearths diverse and surprising beauty icons who have redefined what masculinity and gender expression look like throughout history, to empower us to live and look our truths. Whether you're brand new to beauty, or you already have a ten-step routine, Pretty Boys will inspire and teach you how to find your best self through tutorials, beauty secrets, and advice from the biggest names in the beauty industry, Hollywood, and social media. From Frank Ocean’s skin-care routine to Clark Gable’s perfectly styled hair, Rami Malek’s subtle eyeliner to a face beat to the gods à la Boy George or Kimchi the drag queen, K-Beauty to clean beauty, Pretty Boys will completely change the way we all see gender expression and identity.

This memoir by the woman at the center of the Beat movement is “a great book as well as a wonderful autobiography” (The Washington Post Book World). Written by the woman who loved them all—as wife of Cassady, lover of Kerouac, and friend of Ginsberg—this riveting and intimate memoir spans one of the most vital eras in twentieth-century literature and culture, including the explosive successes of Kerouac’s On the Road and Ginsberg’s Howl, the flowering of the Beat movement, and the social revolution of the 1960s. Artist, writer, and designer Carolyn Cassady reveals a side of Neal Cassady rarely seen—that of husband and father, a man who craved respectability, yet could not resist the thrills of a wilder, and ultimately more destructive, lifestyle. “To the familiar history of the Beat generation, Carolyn Cassady adds a proprietary chapter marked with newness, self-exposure, love and poignancy.” —Publishers Weekly “Rich with gossip, historically significant photographs, intimate memories, [and] unpublished letters.” —The New York Times “A poignant recollection—truthful, coarse, and inviting—teeming with the spirit of the men who inspired and symbolized the dreams of a generation.” —San Francisco Chronicle

The first major visual and cultural exploration of the legacy of La Malinche, simultaneously reviled as a traitor to her people and hailed as the mother of Mexico An enslaved Indigenous girl who became Hernán Cortés's interpreter and cultural translator, Malinche stood at center stage in one of the most significant events of modern history. Linguistically gifted, she played a key role in the transactions, negotiations, and conflicts between the Spanish and the Indigenous populations of Mexico that shaped the course of global politics for centuries to come. As mother to Cortés's firstborn son, she became the symbolic progenitor of a modern Mexican nation and a heroine to Chicana and Mexicana artists. Traitor, Survivor, Icon is the first major publication to present a comprehensive visual exploration of Malinche's enduring impact on communities living on both sides of the US-Mexico border. Five hundred years after her death, her image and legacy remain relevant to conversations around female empowerment, indigeneity, and national identity throughout the Americas. This lavish book establishes and examines her symbolic import and the ways in which artists, scholars, and activists through time have appropriated her image to interpret and express their own experiences and agendas from the 1500s through today.

​​"Jon Bassoff's nightmarish bizarro novel Captain Clive's Dreamworld reads like an extended episode of The Twilight Zone mixed with Twin Peaks mixed with Dante's Inferno. Unremittingly dark, this roman noir is a trenchant attack on the empty promises of capitalism...a hopeless rebuke of the bright plastic flesh built around the broken, crumbling skeleton of the American Dream. ​​-Jeffrey Thomas, author of Boneland ​​After becoming the suspect in the death of a young woman, Deputy Sam Hardy is reassigned to the town of Angels and Hope, which, within its borders, holds the once magnificent amusement park, Captain Clive's Dreamworld. When he arrives, however, Hardy notices some strange happenings. The park is essentially empty of customers. None of the townsfolk ever seem to sleep. And girls seem to be going missing with no plausible explanation. As Hardy begins investigating, his own past is drawn into question by the town, and he finds himself becoming more and more isolated. The truth-about the town and himself-will lead him to understand that there's no such thing as a clean escape.