Deepfake Serenade

In Deepfake Serenade, Chris Banks’s sixth poetry collection, irreverent charm, emotional distance and surprising hot takes leap off every page. He writes in the title poem, “Inside every one of us is a deepfake. A holy ghost,” suggesting people have a choice to feel either like sad imposters or, if they're brave, like survivors staring down a world both utterly familiar and strange. These poems, sometimes narrative, sometimes surreal, oscillate between these two extremes as they confront middle age, new love, renewed optimism and memories, all with Banks’s signature wit and inventiveness. This collection is for anyone who has ever wished to wear “a halo of knowing,” or to be “the sparks flying” when outer phenomena and inner impulses collide. “Earn your rewards,” Banks writes in one poem, and we do, with every turn of the page.

Alternator blends catastrophe and consciousness, modern living and past transgressions, off-kilter imagery and the “hidden room” of the unsayable to construct a polyphonic triumph. Chris Banks threads fire through the eye of his imagination, and the product is these poems born of whole cloth: surrealist meditations, modern ghazals and powerful narrative sonnets that are both alive and burning.

“Deep in the thickest part of a cedar forest there lived a young Sasquatch. He was over nine feet tall and his feet were about size twenty. He had long brown hair that covered all of his body. His hands were so big and his arms so long he could wrap them around the biggest of the cedar trees. He had been born here many years ago and he did not know his parents, as they had been scared away by a great fire. He was left on his own and he had survived by eating berries and he had grown into the Sasquatch he now was...” So begins this charming story for children by Kwantlen storyteller Joseph Dandurand. The Sasquatch, spirit of the great cedar forest, eludes human hunters, falls in love, fathers a lovely daughter and saves his little family from a forest fire by dousing the flames with water stored in baskets carefully woven by his mate. The story is told with grace and simplicity by a master storyteller in the great tradition of the Kwantlen people. Accompanied by whimsical illustrations from Kwakwaka’wakw artist Simon Daniel James, The Sasquatch, the Fire and the Cedar Baskets follows a similar style to popular Nightwood titles such as Salmon Boy, Mayuk the Grizzly Bear and How the Robin Got Its Red Breast.

[Banks' work] manages to combine humour and breathlessness in a way that Canadian poetry seldom does. --Emily Schultz, Broken Pencil

it was never going to be okay is a collection of poetry and prose exploring the intimacies of understanding intergenerational trauma, Indigeneity and queerness, while addressing urban Indigenous diaspora and breaking down the limitations of sexual understanding as a trans woman. As a way to move from the linear timeline of healing and coming to terms with how trauma does not exist in subsequent happenings, it was never going to be okay tries to break down years of silence in simpson’s debut collection of poetry: i am five my sisters are saying boy i do not know what the word means but— i am bruised into knowing it: the blunt b, the hollowness of the o, the blade of y

Banks’s stunning new collection, exploring bold frontiers “Poetry is an act of mischief,” Theodore Roethke famously once said, and Chris Banks takes this as his credo in Midlife Action Figure. His subject matter ranges from the familiar to the surreal, taking readers through poems that are both wondrous and strange, heartfelt and humorous, controlled and impatient. Whether calling a tree “an anthology of leaves” or describing time as “a Fisher-Price View-Master of ‘first kisses’ and ‘no return’ policies,” Banks approaches writing as if anything might make for alarming, strange, and dizzying verse. Banks knits together wit with wildly inventive imagery as he follows his poems outside convention where they play with stolen matches. Capable of both deep introspection and the quick turn of phrase, he places his tongue firmly in his cheek as he looks for a measure of human wonder in this intermission between TED Talks and the apocalypse. Midlife Action Figure is a tour de force for anyone looking for that rare book that is as exciting as it is provocative, showcasing both pathos and humor, while it explores what it means to be alive in the early 21st century.