Decorative Ironwork From The 11th To The 18th Century

"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.

Included in the examples are works from the Charleston and Old Slave Mart museums and the ironwork of Philip Simmons.

Sixty vintage black-and-white plates illustrate the history of German decorative ironwork from the16th to the 18th centuries. A hard-to-find celebration of the diversity and enduring beauty of Germany's handcrafted iron embellishments, this magnificent edition exhibits striking views of metal doors, balconies, window arches, gates, corner pieces, decorative accessories, and more, many wrought with gargoyles, human figures, and florals. A rich source of inspiration and an accurate, invaluable reference for art historians, architects, craftworkers, and designers.

Extremely pliable yet amazingly durable, metal offers infinite decorative options. Here are 1,000 prime examples of French metal masterworks, painstakingly reproduced from an extremely rare and valuable edition. From the everyday to the ornate, items include: Weather vanes Tiles Waterspouts Trims Basins Pike heads You'll also find hundreds of other images, offering a wealth of inspiration and useful historical designs.

This book deals with the period when iron became the dominant ’high-technology’ material, increasingly taking over from timber and masonry. It was necessary for the engines and machines of the new industries, but equally vital for the vast civil engineering works which supported this industrialisation. It was these works - mills, warehouses, dockyards, and above all bridges - which so impressed the public in the early 19th century. The papers selected here trace the evolving structural uses of cast and wrought iron in frames and roofs for buildings, and look in particular at the development of bridge design and construction, in America, France, and Russia, as well as in Britain. They cover the processes of design and testing, and at the same time throw much light on the attitudes and careers of the engineers themselves.

Colonial Wrought Iron is a photographic survey of early wrought iron work in America with 506 photographs from the Sorber Collection. The colonial period in America was centered around the blacksmith who was the maker and creator of these items. The informational text explains the characteristics and the conditions of the period in which the iron was forged. Colonial Wrought Iron is an invaluable resource tool for the blacksmith involved making reproduction hardware and related items, as well as an inspiration for merging form and function. In this book you will find the commonplace and the ornate but they all reflect the hand of fine craftsmanship. The work displayed in Colonial Wrought Iron is from the collection of Jim Sorber. Jim, now in his eighties, has been an avid collector for 70 years. This collection is a result of a life steeped in an enduring appreciation for the skills of his ancestors. Even as a child he was interested in their hand tools and the wonderful things they made. That interest soon grew into a passion. A unique aspect of Jims collection is that it reflects a certain ethnic influence. Much of his collecting has been done near his home in the counties of Berks, Chester, Lancaster, Lebanon, Lehigh, Montgomery and Schuylkill. This area has been settled by German immigrants since the mid-to-late 17th century. Jims collection, many pieces of which are signed and dated, reflects an iron chronicle of the Pennsylvania Dutch migration westward from the Philadelphia area.