Decoding The Osirian Myth

The earliest written references to the Osirian myth-complex appeared already in the Pyramid Text spells (c. 2400–2300 BCE). The most complete exposition of this ancient Egyptian myth is, however, found in the Greek treatise On Isis and Osiris, in which the 2nd-century CE Platonist Plutarch utilises Egyptian mythology to advocate his philosophical ideas concerning the divine and the nature of the cosmos. This book aims at “decoding” Plutarch’s narrative of the Osirian myth, linking his claims to the existing Egyptian and Greek parallels. It thus analyses a multitude of mythic and religious traditions from a transcultural perspective, exploring the relation of the Pharaonic features of the Osirian divinities to the features they had acquired in Ptolemaic and Roman times, interpreting the Egyptian myth within the overall framework of parallel mythologies from other cultures, and examining whether the brief mythic stories (historiolae) recited in Late Egyptian ritual texts can be deployed to enrich the context of certain obscure episodes in Plutarch’s account of the myth. The book will be of great interest not only to scholars and students of Plutarch and later Middle Platonism, but also to Egyptologists. Due to its thematic variety and scope, this publication will also appeal to a wider array of readers (specialists and non-specialists alike) interested in religious syncretism, interreligious connections, and the challenge of multiculturalism from Hellenistic times until Late Antiquity.

Egyptologists and classicists alike agree that the most complete ancient exposition of the Osirian myth is found in Plutarch's On Isis and Osiris, dating from the first quarter of the 2nd century CE. This book "decodes" Plutarch's narrative of t

What if you could journey through the captivating world of Egyptian mythology and unravel its influence on modern storytelling, all within the comforts of your own home? Have you ever marveled at the mysteries of ancient Egypt, been mesmerized by the grandeur of its gods and goddesses, or found yourself captivated by its engrossing tales?

Greek myth comes into logical focus when interpreted as descriptions of astronomical events. Features of the mythic landscape are derived from features of the heavens. Key stars were represented by gods, who were either "immortal" or were "dying and resurrected" gods, depending on whether they were circumpolar or rise and set stars.

The Ptolemaic period witnessed an enormous increase in the number of hieroglyphic signs and iconographic elements (composite crowns, scepters, and cult objects). The ancient scribes exploited this complexity when composing the reliefs used in temple decoration, selecting particular words, hieroglyphic signs, and iconographic elements in order to create interconnected multiple layers of meaning, forming a tapestry of sound and sight. The Theology of Hathor of Dendera examines these techniques on both micro- and macro-levels, from their smallest details to their broadest thematic connections, foregrounding individual techniques to determine the words and phrases singled out for emphasis. By synthesizing their use in the three-dimensional space of the most important cult chamber in the Temple of Hathor at Dendera, this new method of analysis not only reveals the most essential characteristics of the local theology, but also shows how the ancient scribes envisioned the universe and the place of humankind within it.

With the help of Egyptologists Collier and Manley, museum-goers, tourists, and armchair travelers alike can gain a basic knowledge of the language and culture of ancient Egypt. Each chapter introduces a new aspect of hieroglyphic script and encourages acquisition of reading skills with practical exercises. 200 illustrations.

Discover how the ancient Egyptians controlled their immortal destiny! This book, edited by Foy Scalf, explores what the Book of the Dead was believed to do, how it worked, how it was made, and what happened to it.

Alphabetically listed entries identify and explain the places, figures, animals, beliefs, and other important themes of Egyptian mythology.

In Egypt, from the Old to the New Kingdom, enigmatic texts were created on the basis of non-standardized lists of characters and phonetic signs, the exact principles of which are still unclear to this day. For the first time, this study examines in detail the three most comprehensive known inscription texts from the New Kingdom, which were discovered in the tombs of Tutenchamun, Ramses VI and Ramses IX. Darnell shows that these three texts have a theological, iconographic and formal connection, and calls them collectively the "Book of the Solar-Osirian Unity". Differentiated and lively, he presents the content and theological peculiarities of these texts that deal with the afterlife with each other and in relation to other enigmatic texts of the new as well as the Middle and Old Kingdom.