Debi Cornwall Necessary Fictions

From the author of Welcome to Camp America, an eerie exploration of America's performance of power and identity in the post-9/11 era What are the stories we tell ourselves, the games we play, to manage unsettling realities? Made on ten military bases across the United States since 2016, Necessary Fictionsdocuments mock-village landscapes in the fictional country of "Atropia" and its denizens, roleplayers who enact versions of their past or future selves in realistic training scenarios. Costumed Afghan and Iraqi civilians, many of whom have fled war, now recreate it in the service of the US military. Real soldiers pose in front of camouflage backdrops, dressed by Hollywood makeup artists in "moulage"--fake wounds--as they prepare to deploy. Brooklyn-based conceptual documentary artist and former civil rights lawyer Debi Cornwall (born 1973) photographs this meta-reality--the artifice of war--presented in the book with a variety of texts to provoke critical inquiry about America's fantasy industrial complex. The book includes an essay by PEN Award-winning critical theorist Sarah Sentilles.

"From New York Times bestselling author and economics columnist Robert Frank, a revelatory look at the power and potential of social context. As psychologists have long understood, social environments profoundly shape our behavior, sometimes for the better, but often for the worse. Less widely noted is that social influence is a two-way street: Our environments are in large part themselves a product of the choices we make. Society embraces regulations that limit physical harm to others, as when smoking restrictions are defended as protecting bystanders from secondhand smoke. But we have been slower to endorse parallel steps that discourage harmful social environments, as when regulators fail to note that the far greater harm caused when someone becomes a smoker is to make others more likely to smoke. In Under the Influence, Robert Frank attributes this regulatory asymmetry to the laudable belief that individuals should accept responsibility for their own behavior. Yet that belief, he argues, is fully compatible with public policies that encourage supportive social environments. Most parents hope, for example, that their children won't grow up to become smokers, bullies, tax cheats, sexual predators, or problem drinkers. But each of these hopes is less likely to be realized whenever such behaviors become more common. Such injuries are hard to measure, Frank acknowledges, but that's no reason for policymakers to ignore them. The good news is that a variety of simple policy measures could foster more supportive social environments without ushering in the dreaded nanny state or demanding painful sacrifices from anyone"--

Sage Sohier photographed at refuges for exotic animals, wildlife rescues that rehabilitate and re-release animals to the wild, dog and catrescues, and farm animal sanctuaries. She focused on showing the bond between people and animals: »Many of the people pictured here have dedicated most of their adult lives to saving animals. As for the animals, their sweetness, resilience, zest for life, and willingness to forgive people - to coexist with them and often to flourish - is remarkable, and may be their only salvation.« (S. Sohier)Sohier has had six books of her photographs published, and her work is in many important collections, including the Museum of Modern Art, New York, and the Museum of Fine Arts, Boston.Sy Montgomery is the author of internationally acclaimed books, among them The Soul of an Octopus.

Inspired by the video game phenomenon, INJUSTICE: GODS AMONG US YEAR ONE-THE COMPLETE EDITION collects the initial year of the best-selling series in its entirety for the first time! Superman is Earth's greatest hero. But when the Man of Steel can't protect the thing he holds most dear, he decides to stop trying to save the world-and start ruling it. Now, the Last Son of Krypton is enforcing peace on Earth by any means necessary. Only one man stands between Superman and absolute power: Batman. And the Dark Knight will use any method at his disposal to stop his former friend from reshaping the world in his shattered image. Written by Tom Taylor (EARTH 2) with art by Jheremy Raapack (RESIDENT EVIL), Mike S. Miller (A Game of Thrones) and more, this thrilling graphic novel collects INJUSTICE: GODS AMONG US digital chapters 1-36 and in single magazine form as INJUSTICE: GODS AMONG US 1-12 and INJUSTICE: GODS AMONG US ANNUAL 1.

The aristocratic Duke de Richleau faces new, sinister challenges in this macabre tale of the dark arts. When his good friend Simon Aron's naïve curiosity is tested, the Duke, along with his ever-patient friends Rex Van Ryn, and Richard Eaton, must intricately plot a means of both physical and spiritual rescue. But with Van Ryn's affections for a beautiful woman caught in the web of Satanists, and Eaton's ongoing scepticism, they all risk being brought to the verge of madness through dabbling with the powers of evil. From London to the West Country, the slums of Paris to a Christian monastery, the action of this powerful occult thriller moves with fantastic, compelling force.

Everyone's heard of it...but nobody's read it. Luke, Seth, and Kady have heard all the stories about Malice-a secret comic about a strange, awful world full of tricks and traps, and overseen by a sinister master of ceremonies, Tall Jake. But if the rumours are to be believed, the children in this comic are real... Luke is the first to fall into this trap-and Seth and Kady are the next to follow. They have left our world and entered the sinister comic book. The question is-can they make it out alive?From acclaimed author, Chris Wooding, a novel that's half fact, half comic-and all thrills.

In Too Tired for Sunshine, Tara Wray confronts depression by documenting the beauty, darkness, and absurdity of everyday life. Drawn from daily life and wanderings, the photos explore loneliness and isolation, as seen through a lens of absurdist dark humor. Too Tired for Sunshine puts a fine point on channeling the pain into creative expression. We are both witnessing the process and experiencing the result. Tara Wray takes us on a visual and emotional journey with disarming humor that lets us lean in to the sadness a bit.

The war between Amika and Belleger has raged for generations. Its roots lie in the distant past, beyond memory. Sorcerers from both sides rain destruction down on the battlefield, wielding the six deadly Decimates of fire, earth, wind, water, lightning, and pestilence. Prince Bifalt hopes that Belleger's new weapons technology, the rifle, will provide a decisive advantage. But when Belleger's sorcerers are mysteriously deprived of their magical abilities, leaving them unable to defend against Amika, he must set aside his own deep hatred of sorcery and work to solve this new enigma. Grasping at any chance to save his beloved homeland, Prince Bifalt of Belleger sets out on a hazardous journey across the unmapped wastelands to the east. With Elgart, his last comrade, Bifalt pursues the long-hidden trail of the one object that might be able to turn the tide of the endless war - a book entitled The Seventh Decimate. The events that unfold force Prince Bifalt to weigh his stubbornness, his patriotism, and his hatred for sorcerers against his sense of loyalty and of what he knows to be right. And as he learns, Amika and Belleger may simply be pawns within an even larger struggle...

Portraits of American and Middle Eastern young women entering adulthood from Rania Matar, author of L'Enfant-Femme As a Lebanese-born American artist and mother, Rania Matar's (born 1964) cross-cultural experiences inform her art. She has dedicated her work to exploring issues of personal and collective identity through photographs of female adolescence and womanhood--both in the United States where she lives, and in the Middle East where she is from. Rania Matar: She focuses on young women in their late teens and early twenties, who are leaving the cocoon of home, entering adulthood and facing a new reality. Depicting women in the United States and the Middle East, this project highlights how female subjectivity develops in parallel forms across cultural lines. Each young woman becomes an active participant in the image-making process, presiding over the environment and making it her own. Matar portrays the raw beauty of her subjects--their age, individuality, physicality and mystery--and photographs them the way she, a woman and a mother, sees them: beautiful, alive.

Photographer Cristina De Middel (1975, Spain) chose as the starting point for her project The Afronauts a little-known episode from Zambia's history. This was a space programme started by an educator which suddenly entered Zambia in the space race with the United States and Russia. Its aim was to put the first African on the moon. Due to a lack of financial resources, however, the ambitious initiative was doomed to failure. Fifty years later, De Middel reconstructs this story, using her own imagination. In The Afronauts, De Middel combines set-up photography with copies of typed letters and reproductions of vintage photos. Although The Afronauts is in fact based on a failed undertaking, the project includes nothing that refers to the failure - to the contrary. The photos have an upbeat look thanks to De Middels's fanciful space suits, playful astronaut training sessions and a Zambian flag with a smiley face. Other characters also appear against the background of the rugged landscape of Alicante, including an elephant presented as a space creature and a cat dressed in a starred costume, which according to the story also was planned to be launched into space.