Death Steals A Kiss

Charming Hill Country Comfort. An Upcoming Gala. A Disastrous Death. When pie-baking sleuth, Christie Taylor, now director of Horse Haven rescue, is confronted with a deadly accident at the rescue, she must confront the incident head-on. Was the man’s death a tragic mishap or is someone out to sully the rescue’s reputation, or worse, cause it to shut its doors? In order to protect the nonprofit, Christie’s thrust into finding out what happened but when another incident occurs, can Christie uncover the truth before another tragedy occurs? Clean, cozy but with a hint of romance and a smattering of faith, enjoy the latest look into the residents of the Texas Hill Country. As always, a yummy pie recipe included. Don't read hungry! Each book is a stand-alone mystery but if you enjoy getting to know the characters, you may want to read the books in order to follow their friendships and romantic journeys. Books in the Taylor Texas series Death Takes A Break Death Makes A Move Death Stakes A Claim Death Steals A Kiss Death Cracks The Case Death Wakes A Snake

The next shot from Cupid's bow may be fatal in USA Today bestselling, Agatha Award-winning author Ellen Byron's hearty and delightful seventh Cajun Country mystery. In Pelican, Louisiana, Valentine's Day has a way of warming the heart, despite the February chill. But the air at Crozat Plantation B&B turns decidedly frigid when celebrity chef Phillippe Chanson checks in. And when the arrogant Phillippe--in town to open his newest Cajun-themed restaurant--perishes in a fiery boat crash, Maggie Crozat's dear friend JJ lands in very cold water. Did JJ, proprietor of Junie's Oyster Bar and Dance Hall, murder Phillippe because he feared the competition? Might Maggie's mother, Ninette, have bumped off the chef for stealing one of her cherished recipes? Or was the culprit a local seafood vendor, miffed because Phillippe was somehow able to sell oysters for a remarkably reasonable price, despite an oyster shortage? Maggie had planned to devote her February to art lessons in New Orleans, a present from her sweetheart, Bo. But now she has to focus on helping her friend and her mother cross a murder charge off the menu. Meanwhile, Maggie receives a series of anonymous gifts that begin as charming but grow increasingly disturbing. Does Maggie have an admirer--or a stalker? And are these mysterious gifts somehow related to Phillippe's murder? Blood may be thicker than water, but this case is thicker than gumbo. And solving it will determine whether Maggie gets hearts and roses--or hearse and lilies--this Valentine's Day.

#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times. When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” —The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.

After arriving on a lush Pacific island, Eulalie Grace LaRue is to be finally reunited with the absent father she hasn't seen since childhood. Yet before her long dreamed-of meeting can take place, the lovely but pampered Southern belle is caught in the crossfire of a violent revolution and thrown into the rugged arms of American mercenary soldier Sam Forester. On the run in the jungle, this battle-scarred soldier of fortune hasn't a clue what to do with the naive blonde in his care. Survival is his top priority, but he can not resist Lollie's endearing, helpless, and laughable charm...or deny the growing attraction between them. Though Sam thrives on chance and risk, falling in love is the one chance he isn't willing to take. Powerless against the desire that consumes them both, Lollie surrenders to his passionate embrace. But when he dismisses her affections, she is determined to fight for him, to prove that in the steamy heat of paradise, two hearts can find the love of a lifetime.

To Steal a KissGirls who dare - Inside every wallflower is the beating heart of a lioness, a passionate individual willing to risk all for their dream, if only they can find the courage to begin. When these overlooked girls make a pact to change their lives, anything can happen. Ten girls - Ten dares in a hat. Who will dare to risk it all? To Steal a KissThe desire to take a chance and snatch at happiness.Being dared to kiss a man in the moonlight is all well and good, but men and moonlight do not fall from the skies at will.Until they do.Under instruction from a friend, drab Alice Dowding lingers alone on a moonlit balcony. Not the most sensible course of action for a usually sensible girl. Yet being sensible has gained Alice a seat among the wallflowers and her only likely chance of marriage to a man she finds nigh on repulsive. Something must be done.A guilty conscience and a bad man.When Nathaniel Hunt's sister begs him for a favour, he can hardly refuse. Nathaniel, part owner of one of the most scandalous gambling dens in London is responsible for Matilda's tattered reputation, and she knows he is no position to deny her anything. When she begs him to kiss her mousy friend on a moonlit night, however, a chain of events is set in motion that none of them could have predicted.When a little favour ignites an inferno.Ignited by one soul-stealing kiss, mousy, sensible, dull Alice, is setting off sparks wherever her feet touch the ground, and all Nathaniel can do is pray he doesn't get burned.**** Warning: This book contains a careful selection of quiet determination, resolute tight-lipped-ness and (almost) insurmountable levels of tension. Although coupled with the presence of occasionally descriptive sexual encounters, we are very pleased to highlight that this book - and series - is in no way verging on erotica. ***

Jennifer Clark's latest book, Kissing the World Goodbye, is a memoir infused with recipes that invites the reader to crouch down and notice the small things in life we too easily overlook. Everything in this world, no matter how small, is worthy of consideration for Clark, from isopods barreling through Tasmanian soil to the origins of childhood nicknames. Big things matter, too, like siblionic love, a term she coins in an attempt to describe the indescribable connections between siblings. Within this funny, poignant, and often tasty memoir, Clark weaves in serious issues such as the perpetual closeness of various forms of loss, and family members, particularly her sister's, easily moving on in the face of matters that weigh Clark down. And much weighs her down: naming fish, Ernest Borgnine's eyebrows, cell phones, instapots, and more. Bottom line: this lyrical journey reminds us life is messy, funny, fragile, and fleeting. For even as we kiss the world hello, we kiss it goodbye.

Mortal Remains introduces new methods of analyzing death and its crucial meanings over a 240-year period, from 1620 to 1860, untangling its influence on other forms of cultural expression, from religion and politics to race relations and the nature of war. In this volume historians and literary scholars join forces to explore how, in a medically primitive and politically evolving environment, mortality became an issue that was inseparable from national self-definition. Attempting to make sense of their suffering and loss while imagining a future of cultural permanence and spiritual value, early Americans crafted metaphors of death in particular ways that have shaped the national mythology. As the authors show, the American fascination with murder, dismembered bodies, and scenes of death, the allure of angel sightings, the rural cemetery movement, and the enshrinement of George Washington as a saintly father, constituted a distinct sensibility. Moreover, by exploring the idea of the vanishing Indian and the brutality of slavery, the authors demonstrate how a culture of violence and death had an early effect on the American collective consciousness. Mortal Remains draws on a range of primary sources—from personal diaries and public addresses, satire and accounts of sensational crime—and makes a needed contribution to neglected aspects of cultural history. It illustrates the profound ways in which experiences with death and the imagery associated with it became enmeshed in American society, politics, and culture.

When a fifteen-year-old girl is abducted by vampires, it’s up to U.S. Marshal Anita Blake to find her. And when she does, she’s faced with something she’s never seen before: a terrifyingly ordinary group of people—kids, grandparents, soccer moms—all recently turned and willing to die to avoid serving a master. And where there’s one martyr, there will be more… But even vampires have monsters that they’re afraid of. And Anita is one of them…