Dearest Georg Love Literature And Power In Dark Times

In 1934, Veza Taubner and Elias Canetti were married in Vienna. Elias describes the arrangement to his brother Georges as a “functional” marriage. Meanwhile, an intense intellectual love affair develops between Veza and Georges, a young doctor suffering fromtuberculosis. Four years later, Veza and Elias flee Nazi-ruled Vienna to London, where they lead an impoverished and extremely complicated marital life in exile. Spanning the major part of Elias’s struggle for literary recognition, from 1933, before the publication of his novel, Auto-da-Fé, to 1959, when he finished his monumental Crowds and Power, the Canetti letters provide an intimate look at these formative years through the prism of a veritable love triangle: the newly married Elias has a string of lovers; his wife, Veza, is hopelessly in love with an idealized image of his youngest brother, Georges; and Georges is drawn to good looking men as well as to his motherly sister-in-law. Independently and often secretly, the couple communicates with Georges, who lives in Paris: Veza tells of Elias’s amorous escapades and bouts of madness, Elias complains about Veza’s poor nerves and depression. Each of them worries about Georges’s health–if she could, Veza would kiss away the germs. Georges is an infrequent correspondent, but he diligently stores away the letters from his brother and sister-in-law. In 2003, long after his death, they were accidentally discovered in a Paris basement and comprise not only a moving and insightful document, but real literature.

In The Art of Distances, Corina Stan identifies an insistent preoccupation with interpersonal distance in a strand of twentieth-century European and Anglophone literature that includes the work of George Orwell, Paul Morand, Elias Canetti, Iris Murdoch, Walter Benjamin, Annie Ernaux, Günter Grass, and Damon Galgut. Specifically, Stan shows that these authors all engage in philosophical meditations, in the realm of literary writing, on the ethical question of how to live with others and how to find an ideal interpersonal distance at historical moments when there are no obviously agreed-upon social norms for ethical behavior. Bringing these authors into dialogue with philosophers such as Michel de Montaigne, Ralph Waldo Emerson, Friedrich Nietzsche, Sigmund Freud, Helmuth Plessner, Martin Heidegger, Jean-Luc Nancy, Emmanuel Levinas, Peter Sloterdijk, Guillaume le Blanc, and Pierre Zaoui, Stan shows how the question of the right interpersonal distance became a fundamental one for the literary authors under consideration and explores what forms and genres they proposed in order to convey the complexity of this question. Albeit unknowingly, she suggests, they are engaged in fleshing out what Roland Barthes called “a science, or perhaps an art, of distances.”

The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.

Love arrives at the most unexpected time . . . 1821: Elias Roch has ghastly luck with women. He met Josephine De Clare once and penned dozens of letters hoping to find her again. 2021: Josie De Clare has questionable taste in boyfriends. The last one nearly ruined her friendship with her best friend. Now, in the wake of her father's death, Josie finds Elias's letters. Suddenly she's falling in love with a guy who lived two hundred years ago. And star-crossed doesn't even begin to cover it . . . “Dearest Josephine is the type of story that becomes your own. The characters’ heartaches worked their way into my own chest until I hurt with them, hoped with them, and dared to dream with them. This book is teeming with swoon-worthy prose, adorable humor, and an expert delivery of ‘Will they end up together?’ I guarantee you’ll be burning the midnight candle to a stub to get answers. Step aside Pride and Prejudice, there’s a new romance on the English moors.” —Nadine Brandes, author of Romanov “Caroline George infuses an epistolary love story with a romance and charm that crosses centuries. Touching and inventive, it bursts with wit, warmth, and a blending of classic and contemporary that goes together like scones and clotted cream. Dearest Josephine is a delight.” —Emily Bain Murphy, author of The Disappearances “Dearest Josephine is more than an immersive read. It is a book lover’s dream experience. Josie’s residence in a gothic English manor and her deeply romantic connection to Elias, who lived years in the past, is as chillingly atmospheric as Rochester calling across the moors. This story is George’s treatise on the power of books and character to creep across centuries, to pull us close and invite us to live in a fantasy where we find love—literally—in the kinship of ink and binding. But it also acknowledges the dangers of letting ourselves fall too deeply when sometimes an equally powerful connection is waiting next door. This love letter to books, and the readers who exist in and for them, is a wondrously singular escape.” —Rachel McMillan, author of The London Restoration and The Mozart Code Romantic and evocative read in both contemporary and historical time periods Stand-alone novel Book length: 86,000 words Includes discussion questions for book clubs

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

USA TODAY BESTSELLER! "One adorably British odd couple . . . Charming." — People “An exquisitely poignant tale of life, friendship and facing death . . . heart-breaking yet ultimately uplifting . . Everyone should read this book.” — Ruth Hogan, author of Queenie Malone’s Paradise Hotel Infused with the emotional power of Me Before You and the irresistible charm of Eleanor Oliphant Is Completely Fine and Be Frank with Me, a moving and joyous novel about an elderly woman ready to embrace death and the little girl who reminds her what it means to live. It's never too late to start living. Eudora Honeysett is done with this noisy, moronic world—all of it. She has witnessed the indignities and suffering of old age and has lived a full life. At eighty-five, she isn’t going to leave things to chance. Her end will be on her terms. With one call to a clinic in Switzerland, a plan is set in motion. Then she meets ten-year-old Rose Trewidney, a whirling, pint-sized rainbow of sparkling cheer. All Eudora wants is to be left alone to set her affairs in order. Instead, she finds herself embarking on a series of adventures with the irrepressible Rose and their affable neighbor, the recently widowed Stanley—afternoon tea, shopping sprees, trips to the beach, birthday celebrations, pizza parties. While the trio of unlikely BFFs grow closer and anxiously await the arrival of Rose’s new baby sister, Eudora is reminded of her own childhood—of losing her father during World War II and the devastating impact it had on her entire family. In reflecting on her past, Eudora realizes she must come to terms with what lies ahead. But now that her joy for life has been rekindled, how can she possibly say goodbye?

‘A must-read of the summer!’ Jenny Oliver, bestselling author of The Summer House by the Sea 'Happy, hopeful and joyously life-affirming. Exactly the book we need right now.' Cathy Bramley Life is about to change forever...

Sohrab Ahmari was a teenager living under the Iranian ayatollahs when he decided that there is no God. Nearly two decades later, he would be received into the Roman Catholic Church. In From Fire, by Water, he recounts this unlikely passage, from the strident Marxism and atheism of a youth misspent on both sides of the Atlantic to a moral and spiritual awakening prompted by the Mass. At once a young intellectual’s finely crafted self-portrait and a life story at the intersection of the great ideas and events of our time, the book marks the debut of a compelling new Catholic voice.