Dead Girls Society

A girl accepts a mysterious invitation to play a deadly game in this suspense-filled thriller from the author of HEXED--perfect for fans of NERVE by Jeanne Ryan and Lauren Oliver's PANIC. You are cordially invited to participate in a game of thrills and dares. Tell no one. And come alone. Hope is sick of everyone treating her like she’s breakable. Sure, she has cystic fibrosis (basically really bad lungs), but she’s tired of being babied by her mom and her overprotective best friend, Ethan, not to mention worrying about paying for her expensive medication and how she’s going to afford college.And she’s bored with life in her run-down New Orleans suburb. When an invitation arrives from a mysterious group that calls itself the Society, Hope jumps at the chance for some excitement. This could be her ticket out. All she has to do is complete a few dares and she just might win some real money. But the Society isn’t all that it seems . . . and soon Hope finds that playing the game isn’t a choice—it’s a requirement. “Dark, twisty, and thrilling.” —Danielle Paige, New York Times bestselling author of Dorothy Must Die “A delicious and fast-paced read! This one kept me up way past my bedtime!” —Julie Murphy, #1 New York Times bestselling author of Dumplin’ A YALSA Quick Pick for Reluctant Readers

In a run-down New Orleans suburb, an overprotected, bored teenager with cystic fibrosis becomes involved in a dangerous game when a mysterious group called the Society invites her to complete a few dares for the chance of winning big money to help pay for her costly medication and future college expenses.

"This is Alice. She was taken by Ray five years ago. She thought she knew how her story would end. She was wrong."-- [P.4] Cover.

The first time she is blindfolded and kidnapped, star-athlete and posh boarding school newbie Sadie is terrified. She wakes up in a dark room surrounded by hushed whispers, hooded strangers, and a mysterious voice whispering not-so-sweet nothings in her ear. But once the robes come off, she realizes it's just an elaborate prank designed to induct her into the group that's been pulling the strings at Keating Hall for generations. The circle has it all--incredible connections; fabulous parties; and, of course, an in with the brother society's gorgeous pledges. The instant popularity is enough to make Sadie forget about the unexplained marks on her body, the creepy ceremonial rituals, and the incident that befell one of her teammates the year before. So the next time Sadie is kidnapped, she isn't scared, but she should be. The worst of Keating Hall is yet to come.

Indigo Blackwood has it made – a popular cheerleader with a football-star boyfriend and a social circle powerful enough to ruin everyone at school. Who wouldn't want to be her? But when a sexy stranger named Bishop enters Indie's world, she learns that the fate of every witch on the planet is in her hands. And that's seriously bad news for Indie, because according to Bishop, she's a witch too. Forced into a centuries-old war between witches and sorcerers, Indie's life just got way more complicated.

One by one, three young girls vanish in a small town in upstate New York. With the first disappearance, the townspeople begin to mistrust outsiders. When the second girl goes missing, neighbors and childhood friends start to eye each other warily. And with the third disappearance, the sleepy little town awakens to a full-blown nightmare. The Church of Dead Girls is a novel that displays Stephen Dobyns’ remarkable gifts for exploring human nature, probing the ruinous effects of suspicion. As panic mounts and citizens take the law into their own hands, no one is immune, and old rumors, old angers, and old hungers come to the surface to reveal the secret history of a seemingly genteel town and the dark impulses of its inhabitants.

Veronica Mars meets The Lying Game, The Dead Girls Detective Agency follows Charlotte Feldman, a teenage girl who must solve the mystery of how and why she was murdered if she wants to escape purgatory. The basis for the new Snapchat series! What would you do if you had to solve your own murder to get anywhere in death? Maybe if I hadn't slept through my alarm, slammed into Kristin—my high school's reigning mean girl—or stepped in a puddle, destroying my mom's new suede DVF boots (which I borrowed without asking), I wouldn't have been in the wrong place at the wrong time, and I wouldn't have been pushed in front of that arriving train. But I did, and I was. When I came to, I was informed by a group of girls that I'm dead. And that because I died under mysterious circumstances, I can't pass straight over to the Other Side. But at least I'm not alone. Meet the Dead Girls Detective Agency: Nancy, Lorna, and Tess—not to mention Edison, the really cute if slightly hostile dead boy. Apparently the only way out of this limbo is to figure out who killed me, or I'll have to spend eternity playing Nancy Drew. Considering I was fairly invisible in life, who could hate me enough to want me dead? And what if my murderer is someone I never would have suspected?

“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia Harlem, 1926. Young Black women like Louise Lloyd are ending up dead. Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights at the Zodiac, Harlem’s hottest speakeasy. Louise’s friends, especially her girlfriend, Rosa Maria Moreno, might say she’s running from her past and the notoriety that still stalks her, but don’t tell her that. When a girl turns up dead in front of the café, Louise is forced to confront something she’s been trying to ignore—two other local Black girls have been murdered in the past few weeks. After an altercation with a police officer gets her arrested, Louise is given an ultimatum: She can either help solve the case or wind up in a jail cell. Louise has no choice but to investigate and soon finds herself toe-to-toe with a murderous mastermind hell-bent on taking more lives, maybe even her own....

A new translation of the best and most provocative short stories by the author of Transit and The Seventh Cross. Best known for the anti-fascist novel The Seventh Cross and the existential thriller Transit, Anna Seghers was also a gifted writer of short fiction. The stories she wrote throughout her life reflect her political activism as well as her deep engagement with myth; they are also some of her most formally experimental work. This selection of Seghers’s best stories, written between 1925 and 1965, displays the range of her creativity over the years. It includes her most famous short fiction, such as the autobiographical “The Dead Girls’ Class Trip,” and others, like “Jans Is Going to Die,” that have been translated into English here for the first time. There are psychologically penetrating stories about young men corrupted by desperation and women bound by circumstance, as well as enigmatic tales of bewilderment and enchantment based on myths and legends, like “The Best Tales of Woynok, the Thief,” “The Three Trees,” and “Tales of Artemis.” In her stories, Seghers used the German language in especially unconventional and challenging ways, and Margot Bettauer Dembo’s sensitive and skilled translation preserves this distinction.

A NEW YORK TIMES NOTABLE BOOK OF 2018 An Edgar Award nominee for best critical / biographical Best of 2018 according to Kirkus, The Boston Globe,The New York Times, The Portland Mercury, Bustle, Thrillist, and Electric Lit A New York Times Editor's Choice, a best of summer 2018 according to Bitch Magazine, Harpers Bazaar, The Millions, Esquire, Refinery29, Nylon, PopSugar, The Chicago Tribune, Book Riot, and CrimeReads In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator. Bolin chronicles her life in Los Angeles, dissects the Noir, revisits her own coming of age, and analyzes stories of witches and werewolves, both appreciating and challenging the narratives we construct and absorb every day. Dead Girls begins by exploring the trope of dead women in fiction, and ends by interrogating the more complex dilemma of living women – both the persistent injustices they suffer and the oppression that white women help perpetrate. Reminiscent of the piercing insight of Rebecca Solnit and the critical skill of Hilton Als, Bolin constructs a sharp, perceptive, and revelatory dialogue on the portrayal of women in media and their roles in our culture.