Dead Ends

A riddle rarely makes sense the first time you hear it. The connection between Dane, a bully, and Billy D, a guy with Down Syndrome, doesn't even make sense the second time you hear it. But it's a collection of riddles that solidify their unlikely friendship. Dane doesn't know who his dad is. Billy doesn't know where his dad is. So when Billy asks for Dane's help solving the riddles his dad left in an atlas, Dane can't help but agree. The unmarked towns lead them closer to secrets of the past. But there's one secret Billy isn't sharing. It's a secret Dane might have liked to know before he stole his mom's car and her lottery winnings and set off on a road trip that will put him face to face with Billy's dad.

The true story of the woman who inspired the Academy Award–winning film Monster and a recent Investigation Discovery special. When police in Florida’s Volusia County were called to investigate the murder of Richard Mallory, whose gunshot-ridden body had been found in the woods just north of Daytona Beach in December 1989, their search led them to a string of dead ends before the trail went cold six months later. During the spring and summer of 1990, the bodies of six more middle-aged white men were discovered—all in secluded areas near their abandoned vehicles, all but one shot dead with a .22 caliber pistol—and all without any suspects, motives, or leads. The police speculated that the murders were connected, but they never anticipated what they’d soon discover: The killings were the work of a single culprit, Aileen Wuornos, one of the first women to ever fit the profile of a serial killer. With the cooperation of her former lover and accomplice, Tyria Moore, the police were able to solicit a confession from Wuornos about her months-long killing spree along Florida’s interstate highways. The nation was quickly swept up in the drama of her trial and the media dubbed her the “Damsel of Death” as horrifying details of her past as a prostitute and drifter emerged. Written by the Reuters reporter who initially broke the story, Dead Ends is a thrilling firsthand account of Wuornos’s capture, trial, and ultimate sentencing to death by lethal injection, that goes beyond the media frenzy to reveal the even more disturbing truth.

Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.

Undercover operative Jack Taggart is hurled into a world where morality, justice, and the legal system are pitted against one another. Taggart investigates the murder of someone who was in the wrong place at the wrong time. Wiretap information identifies a shadowy gang member known only as “Cocktail” as being responsible. Taggart and his partner go undercover to join one of a coalition of gangs who are at war in British Columbia. Their mission is to identify Cocktail and gain evidence to convict him of murder. Taggart soon finds himself knee-deep in drive-by shootings, meth labs, retaliatory murders, and date rapes. An offer of a truce brings Taggart, along with gang bosses, to a remote location to discuss a peace agreement. But Cocktail has been a step ahead of them the whole time.

Look at this picture. Tell me what you see… The American South is rife with stories of a haunted past—especially its houses. In this eclectic and impressive collection, thirteen novelists were asked to build their tales around the photo of a dilapidated mansion. They were given two requirements—the house must appear in the story, and it should be a Southern Gothic tale. And they delivered. From childish demons to a mad novelist, from the Mississippi delta to the Appalachians, this collection from emerging voices and New York Times bestselling authors explores what happens when secrets that lie beneath the dust are disturbed—and our worst nightmares begin. Darkness lurks behind every corner, especially dead ends.

Main Street Mysteries #2 A small lake town tucked into the mountains of North Carolina, picturesque Sutherton charms tourists and locals alike—though Sutherton may have more sinister secrets hiding behind its gentle Southern comfort... Back home to care for her help her mother with her main street restaurant, Annalise Griggs is mortified to run into her former lover—and his family. Driven to distraction worrying that small town mouths are wagging...tragedy strikes. And when similar “accident” occurs, Annalise knows she must get to the bottom of these small town murders—lest she become the next victim! “Recommend this series to fans of Margaret Maron’s Deborah Knott novels, both for its strong female lead and its rural North Carolina setting.”—Booklist “The well-drawn North Carolina setting is integral not only to the plot but also perhaps to AnnaLise’s most endearing quality—her abject terror of the area’s narrow mountain roads, full of crazy switchbacks and heart-stopping overhangs.”—Publishers Weekly

Dead End in Norvelt is the winner of the 2012 Newbery Medal for the year's best contribution to children's literature and the Scott O'Dell Award for Historical Fiction! Melding the entirely true and the wildly fictional, Dead End in Norvelt is a novel about an incredible two months for a kid named Jack Gantos, whose plans for vacation excitement are shot down when he is "grounded for life" by his feuding parents, and whose nose spews bad blood at every little shock he gets. But plenty of excitement (and shocks) are coming Jack's way once his mom loans him out to help a fiesty old neighbor with a most unusual chore—typewriting obituaries filled with stories about the people who founded his utopian town. As one obituary leads to another, Jack is launced on a strange adventure involving molten wax, Eleanor Roosevelt, twisted promises, a homemade airplane, Girl Scout cookies, a man on a trike, a dancing plague, voices from the past, Hells Angels . . . and possibly murder. Endlessly surprising, this sly, sharp-edged narrative is the author at his very best, making readers laugh out loud at the most unexpected things in a dead-funny depiction of growing up in a slightly off-kilter place where the past is present, the present is confusing, and the future is completely up in the air.

Dreams and Dead Ends provides a compelling history of the twentieth-century American gangster film. Beginning with Little Caesar (1930) and ending with Things To Do In Denver When You're Dead (1995), Jack Shadoian adroitly analyzes twenty notable examples of the crime film genre. Moving chronologically through nearly seven decades, this volume offers illuminating readings of a select group of the classic films--including The Public Enemy, D.O.A., Bonnie and Clyde, and The Godfather--that best define and represent each period in the development of the American crime film. Richly illustrated with more than seventy film stills, Dreams and Dead Ends details the evolution of the genre through insightful and precise considerations of cinematography, characterization, and narrative style. This updated edition includes new readings of three additional movies--Once Upon a Time in America, Things To Do In Denver When You're Dead, and Criss Cross--and brings this clear and lively discussion of the history of the gangster film to the end of the twentieth century.

Four lives are thrown into chaos after a disturbed young man sets fire to an abandoned house with a chilling history, setting off a chain of events rooted in paranoia, powerlessness, desperation and tragedy that will ultimately converge in a day of horror. Dead Ends is a powerful, character-driven novel of escalating tension and violence driven by isolation, politics and technology and set against the backdrop of a country in the throws of upheaval. No one is safe. The residents of a small, forgotten neighborhood are being watched, stalked and harassed by someone or something, and it seems they are powerless to stop it, sending them down an all-too-real path of self-destruction and insanity. As the fear, desperation and death toll mounts, these seemingly average, normal people are twisted into doing the unthinkable.

After war, many countries, such as Bosnia, Kosovo, Afghanistan, or Iraq, the transition to a democratic market economy extremely difficult. This failure to thrive, Dead Ends of Transition demonstrates, is often the result of national reliance on foreign aid. Rentier states, the contributors to this study argue, have few incentives to respond to the needs of their societies. Taking a closer look at the policies of rentier economies, this book further identifies new ways in which these countries and their international partners could work together to ease the critical transition to democracy.