De Valera Volume 1

Éamon de Valera was the single most consequential Irish figure of the twentieth century. He was a leader in the Easter Rising, the figurehead of the anti-Treaty rebels during the dark days of the Civil War and, later, as the founder of Fianna Fáil and president of Ireland, the pivotal figure in the birth of the Republic. In this, the first volume of a magisterial new biography, acclaimed historian and broadcaster David McCullagh charts De Valera's vertiginous rise from humble beginnings to electoral victory with Fianna Fáil in 1932. Riveting, nuanced, provocative and humorous, it draws on a wealth of new and neglected sources to present a truly ground-breaking portrait of de Valera the man, his times and his complex, ever-shifting legacy. 'David McCullagh combines the investigative skills of an experienced journalist with the detachment of an accomplished historian. In this vividly readable and at times gripping biography he tackles head-on all of the perennial de Valera controversies, including his parentage, his role in the 1916 Rising, his relationship with Michael Collins, his responsibility for the Civil War and his subsequent rise to power, and does so with acuity and objectivity. McCullagh's range and command of the source material is masterly ... a comprehensive, mature biography, both enlightening and entertaining.' MAURICE MANNING

Éamon de Valera is the most remarkable man in the history of modern Ireland. Much as Churchill personified British resistance to Hitler and de Gaulle personified the freedom of France, de Valera personified Irish independence. From his emergence in the aftermath of the 1916 rebellion as the republican leader, he bestrode Irish politics like a colossus for over fifty years. On the eve of the centenary of the Irish revolution, one of Ireland's most eminent historians explains why Eamon de Valera was such a divisive figure that he has never until now received the recognition he deserves. This biography reconciles an acknowledgement of de Valera's catastrophic failure in 1921-22, when his petulant rejection of the Anglo-Irish Treaty shaped the dimensions of a bloody civil war, with an appreciation of his subsequent greatness as the statesman who single-handedly severed the ties with Britain and defined nationalist Ireland's sense of itself.

Eamon de Valera has often been characterised as a stern, un-bending, devious and divisive Irish politician. Diarmuid Ferriter challenges this caricature using letters, documents and photographs. This book chronicles the extraordinary career of the most significant politician of modern Irish history.

Examining the years 1917-22, this biography traces the parallel careers and political lives of Michael Collins and Eamon de Valera, two leaders of the Irish revolution who were very different in temperament and style. It also considers the legacy of Collins on de Valera's later political life.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Did Ireland produce a more radical and ambitious literature in the straitened circumstances of the first half of the twentieth century than it has managed to do since it began to ‘modernize’ and become more affluent from the 1960s onwards? Has Irish modernism ceded place to a prevailing naturalism that seems gritty and tough-minded, but that is aesthetically conservative and politically self-thwarted? Does the fixation with ‘de Valera’s Ireland’ in recent narrative represent a necessary settling of accounts with a dark, abusive history or is it indicative of a worrying inability on the part of Irish artists and intellectuals to respond to the very different predicaments of the post-Cold War world? These are some of the questions addressed in Outrageous Fortune. Scanning literature, theatre, film and music, Joe Cleary probes the connections between capital, culture and criticism in modern Ireland. He includes readings of James Joyce and the Irish modernists, the naturalists Patrick Kavanagh, John McGahern and Edna O’Brien, and comments too on what he terms the ‘neo-naturalism’ of Marina Carr, Patrick McCabe and Martin McDonagh. He concludes with a provocative analysis of the cultural achievement of the Pogues.

The relationship between the Fianna F���¡il party and the Irish Press, both founded by Eamon de Valera in an era of political revolution, has been much misunderstood. Blamed for causing the bitter civil war and isolated in its aftermath by the political establishment, de Valera took what seemed the only course of action and founded his own political party and newspaper. In the aftermath of independence, nation building began with both Fianna F���¡il and Fine Gael competing to influence the process as much as possible. The Irish Press gave voice to de Valera's vision for Ireland and Irishness, and defended it from its detractors, namely the Fine Gael party, providing him with a means to counter hostility in the media, orchestrated particularly by the Irish Independent and the Irish Times. The author gives a fascinating view of the war of words between the two papers, their fight for rural readership and the role of Irish Press in bringing Fianna F���¡il to power. He explores the possibility of the Irish Press being de Valera, rather than, party-dominated and analyses the gradual disintegration of the relationship between the party and the paper as the de Valera family found itself gradually alienated from the paper's readers, a modernising Ireland and a changing Fianna F���¡il party.