De Corazon A Corazon

Cultura y Corazón is a research approach and practice that is rooted in the work of Latinx and Chicanx scholars and intellectuals. The book documents best practices for Community Based and Participatory Action Research (CBPAR), which is both culturally attuned and scientifically demonstrated. This methodology takes a decolonial approach to engaging community members in the research process and integrates critical feminist and indigenous epistemologies. Cultura y Corazón presents case studies from the authors’ work within the fields of education and health. It offers key strategies to working in partnership with marginalized Latinx communities that are grounded in deep respect for the communities’ cultures and lived experiences. This book is intended for students, researchers, and practitioners who want to work with vulnerable populations through a community-based approach that truly respects and integrates culture, values, and funds of knowledge.

Corazón is a love story. It is about the constant hunger for love. It is about feeding that hunger with another person and finding that sometimes it isn't enough. Salgado creates a world in which the heart can live anywhere; her fat brown body, her parents home country, a lover, a toothbrush, a mango, or a song. It is a celebration of heartache, of how it can ruin us, but most importantly how we always survive it and return to ourselves whole.

Corazón Abierto: Mexican American Voices in Texas Music provides a wide view of the myriad contributions Mexican American artists have made to music in Texas and the United States. Based on interviews with longtime stalwarts of Mexican American music—Flaco Jiménez, Tish Hinojosa, Ernie Durawa, Rosie Flores, and others—and also conversations with newer voices like Lesly Reynaga, Marisa Rose Mejia, Josh Baca, and many more, Kathleen Hudson allows the musicians to tell their own stories in a unique and personal way. As the artists reveal in their free-ranging discussions with Hudson, their influences go far beyond traditionally Mexican genres like conjunto, norteño, and Tejano to extend into rock, jazz, country-western, zydeco, and many other styles. Hudson’s survey also includes essays, poetry, and other creative works by Dagoberto Gilb, Sandra Cisneros, and others, but the core of the book consists of what she describes as “a collection of voices from different locations in Texas. . . . Some represent voices from the edge, while others give us a view from the center.” Weaving together a tapestry that combines “family, borders, creativity, music, food, and community,” the book presents an image as varied and difficult to define as the musicians themselves. By sharing the artists’ accounts of their influences, their experiences, their family stories, and their musical and cultural journeys, Corazón Abierto reminds us that borders can be gateways, that differences enrich, rather than isolate.

When Latino migration to the U.S. South became increasingly visible in the 1990s, observers and advocates grasped for ways to analyze "new" racial dramas in the absence of historical reference points. However, as this book is the first to comprehensively document, Mexicans and Mexican Americans have a long history of migration to the U.S. South. Corazon de Dixie recounts the untold histories of Mexicanos' migrations to New Orleans, Mississippi, Arkansas, Georgia, and North Carolina as far back as 1910. It follows Mexicanos into the heart of Dixie, where they navigated the Jim Crow system, cultivated community in the cotton fields, purposefully appealed for help to the Mexican government, shaped the southern conservative imagination in the wake of the civil rights movement, and embraced their own version of suburban living at the turn of the twenty-first century. Rooted in U.S. and Mexican archival research, oral history interviews, and family photographs, Corazon de Dixie unearths not just the facts of Mexicanos' long-standing presence in the U.S. South but also their own expectations, strategies, and dreams.

God delivered Israel from Egyptian bondage to captivate them for Himself. In the arid wilderness He planned to reveal His nature and ways to them, but they drew back. How different are we today? Many confess the Lordship of Jesus and acknowledge His saving power, yet like Israel, they've drawn back. Rather than pursuing His heart they have cleaved to this world's form of worship-the worship of self. As a result we have changed the image of Jesus to be like us. Fire can alter these images. The fire we need is found in the Holiness of God. God is calling us to draw nearer still...to tremble on Mt. Zion...transformed to touch others.

Corazón de hojalata recoge poemas escritos desde la experiencia del fallo cardiaco, la cirugía, la cercanía de la muerte, un transplante de corazón y otras situaciones extremas. Margarita Saona confronta el dolor, la alienación, el amor y la otredad impuestas por el cuerpo enfermo desde un lenguaje en el que la intensidad, las imágenes y el ritmo no toman distancia de la cotidianidad de las palabras Tin Heart brings together a series of poems born out the experience of cardiac failure, surgery, the proximity of death, a heart transplant, and other extreme situations. Margarita Saona confronts the pain, alienation, love, and otherness imposed by an infirm body with a language in which intensity, imagery, and rhythm do not detract from the simplicity of everyday words.

A young woman escapes her settlement community to seek her destiny on an unforgiving and mysterious frontier in this suspenseful YA series debut. Emmeline knows she’s not supposed to explore the woods outside her settlement. The enemy that wiped out half her people lurks there, attacking at night and keeping them isolated in an unfamiliar land with merciless winters. Living with the shame of her grandmother’s insubordination, Emmeline has learned to keep her head down and her quick tongue silent. When the settlement leader asks for her hand in marriage, it’s an opportunity for Emmeline to wash the family slate clean—even if she has eyes for another. But before she’s forced into an impossible decision, her dreams urge her into the woods, where she uncovers a path she can’t help but follow. The trail leads to a secret that someone in the village will kill to protect. Her grandmother followed the same path and paid the price. If Emmeline isn’t careful, she will be next.

Part of the bestselling Little People, BIG DREAMS series, Corazon Aquino tells the inspiring story of the first female president of the Philippines.

Chilean born artist Basco has been contributing his unique street art and graffiti to public canvases all over South America from a very young age. This book represents his triumphant transition from street to gallery from a DIY artist whose talent could not be contained.