Dawn Of Egyptian Art

"This catalogue is published in conjunction with the exhibition 'The Dawn of Egyptian Art' on view at the Metropolitan Museum of Art, New York from April 10 to August 5, 2012"--T.p. verso.

"[A] comprehensive resource, which contains texts, posters, slides, and other materials about outstanding works of Egyptian art from the Museum's collection"--Welcome (preliminary page).

Diseases and injuries were major concerns for ancient Egyptians. This book, featuring some sixty-four objects from the Metropolitan Museum, discusses how both practical and magical medicine informed Egyptian art and for the first time reproduces and translates treatments described in the spectacular Edwin Smith Papyrus.

Staking out new territory in the history of art, this book presents a compelling argument for a lost link between the panel-painting tradition of Greek antiquity and Christian paintings of Byzantium and the Renaissance. While art historians place the origin of icons in the seventh century, Thomas F. Mathews finds strong evidence as early as the second century in the texts of Irenaeus and the Acts of John that describe private Christian worship. In closely studying an obscure set of sixty neglected panel paintings from Egypt in Roman times, the author explains how these paintings of the Egyptian gods offer the missing link in the long history of religious painting. Christian panel paintings and icons are for the first time placed in a continuum with the pagan paintings that preceded them, sharing elements of iconography, technology, and religious usages as votive offerings. Exciting discoveries punctuate the narrative: the technology of the triptych, enormously popular in Europe, traced by the authors to the construction of Egyptian portable shrines, such as the Isis and Serapis of the J. Paul Getty Museum; the discovery that the egg tempera painting medium, usually credited to Renaissance artist Cimabue, has been identified in Egyptian panels a millennium earlier; and the reconstruction of a ring of icons on the chancel of Saint Sophia in Istanbul. This book will be a vital addition to the fields of Egyptian, Graeco-Roman, and late-antique art history and, more generally, to the history of painting.

This beautiful book presents a selection of the finest and most historically important works in the Myers Museum at Eton College, which possesses one of the world's finest collections of ancient Egyptian decorative arts. The core of the collection was brought together by Major W. J. Myers, an old Etonian who was posted to Cairo in the 1880s. Myers's hope was that the works would be an inspiration for future generations of Eton students; with the publication of this book the objects will have an impact on a much wider audience. The volume -- which discusses more than one hundred works of art, all reproduced in full color -- will be not only a useful reference but a source of pleasure for students and professionals alike. Copyright © Libri GmbH. All rights reserved.

A pioneer in the fields of astrophysics and astro-archeology, J. Norman Lockyer believed that ancient Egyptian monuments were constructed "in strict relation to the stars." In this celebrated study, he explores the relationship between astronomy and architecture in the age of the pharaohs. Lockyer addresses one of the many points already extensively investigated by Egyptologists: the chronology of the kings of Egypt. All experts are in accord regarding the identity of the first monarch, but they cannot agree upon the dates of his reign within a thousand years. The author contends that by applying a knowledge of astronomy to the actual site orientation of the region's pyramids and temples, accurate dating can be achieved. In order to accomplish this, Lockyer had to determine the level of the ancient Egyptian ideas of astronomy. Some of his inferences have been invalidated by subsequent scholarship, but many of his other conclusions stand firm and continue to provide sensational leads into contemporary understanding of archaic astronomy.

A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’