David Mcdiarmid

Australian lives are intricately enmeshed with the world, bound by ties of allegiance and affinity, intellect and imagination. In Transnational Ties: Australian Lives in the World, an eclectic mix of scholars - historians, literary critics, and museologists - trace the flow of people that helped shape Australia's distinctive character and the flow of ideas that connected Australians to a global community of thought. It shows how biography, and the study of life stories, can contribute greatly to our understanding of such patterns of connection and explores how transnationalism can test biography's limits as an intellectual, professional and commercial practice.

Gifts from David McDiarmid traces the artworks, clothing, mix-tapes, objects and keepsakes McDiarmid made for his closest friends and family up until his death from AIDS-related conditions in 1995. Photographed as still-lifes, McDiarmid's gifts forge an at once colourful, playful and poignant taxonomy that points to the act of giving as both creative practice and an articulation of the specificity of interpersonal relationships.

'My priority as an artist has always been to record and celebrate our lives ¿ from camp to gay to queer ... To bang the tribal drums of the jungle telegraph - "I'm here, girlfriend; what's new?" ' David McDiarmid, 'A short history of facial hair', 1993 David McDiarmid: When This You See Remember Me brings together, for the first time, selected scholarly and personal accounts of the life and work of this pioneering figure in the visual articulation of a gay male political sensibility. Lavishly illustrated, the volume features McDiarmid's groundbreaking gay liberation work in 1970s Sydney, his first creative responses to AIDS in New York in the 1980s and his luminous affirmations of courage and defiance during the 1990s. The history of McDiarmid's eventful life is foregrounded by the sumptuous visuality of his pattern and decoration, text and calligraphy, fierce humour, and visceral pleasure in materials. Unprecedented in scope, this book presents an in-depth look at McDiarmid's career. Features texts by thirteen celebrated authors, artists and academics, including Dr Ted Gott, Brad Haylock, John McPhee, Dr Nikos Pantazopoulos and Jason Smith, among others. Published to coincide with the exhibition to be held at The Ian Potter Centre: NGV Australia at Federation Square, 9 May - 31 August 2014.

This major new reference work provides an authoritative and wide-ranging guide to archive sources now becoming available for British political history since 1945. With a user-friendly layout, the book presents a comprehensive range of 1,500 personal papers from leading statesmen, backbench politicians, writers, campaigners, diplomats and generals which cover the key aspects of British history since of the end of the Second World War. Compiled by an experienced archivist, this comprehensive, easy-to-use and authoritative guide is an invaluable resource for researchers of modern British history.

A pioneer of LGBTQ studies dares to suggest that gayness is a way of being that gay men must learn from one another to become who they are. The genius of gay culture resides in some of its most despised stereotypes—aestheticism, snobbery, melodrama, glamour, caricatures of women, and obsession with mothers—and in the social meaning of style.

Following on from the ground-breaking collection Fashion Cultures, this second anthology, Fashion Cultures Revisited, contains 26 newly commissioned chapters exploring fashion culture from the start of the new millennium to the present day. The book is divided into six parts, each discussing different aspects of fashion culture: Shopping, spaces and globalisation Changing imagery, changing media Altered landscapes, new modes of production Icons and their legacies Contestation, compliance, feminisms Making masculinities Fashion Cultures Revisited explores every facet of contemporary fashion culture and the associated spheres of photography, magazines and television, and shopping .Consequently it is an ideal companion to those interested in fashion studies, cultural studies, art, film, fashion history, sociology and gender studies.

Volume 19 of the Australian Dictionary of Biography (ADB) contains concise biographies of individuals who died between 1991 and 1995. The first of two volumes for the 1990s, it presents a colourful montage of late twentieth-century Australian life, containing the biographies of significant and representative Australians. The volume is still in the shadow of World War II with servicemen and women who enlisted young appearing, but these influences are dimming and there are now increasing numbers of non-white, non-male, non-privileged and non-straight subjects. The 680 individuals recorded in volume 19 of the ADB include Wiradjuri midwife and Ngunnawal Elder Violet Bulger; Aboriginal rights activist, poet, playwright and artist Kevin Gilbert; and Torres Strait Islander community leader and land rights campaigner Eddie Mabo. HIV/AIDS child activists Tony Lovegrove and Eve Van Grafhorst have entries, as does conductor Stuart Challender, ‘the first Australian celebrity to go public’ about his HIV/AIDS condition in 1991. The arts are, as always, well-represented, including writers Frank Hardy, Mary Durack and Nene Gare, actors Frank Thring and Leonard Teale and arts patron Ian Potter. We are beginning to see the effects of the steep rise in postwar immigration flow through to the ADB. Artist Joseph Stanislaw Ostoja-Kotkowski was born in Poland. Pilar Moreno de Otaegui, co-founded the Spanish Club of Sydney. Chinese restaurateur and community leader Ming Poon (Dick) Low migrated to Victoria in 1953. Often we have a dearth of information about the domestic lives of our subjects; politician Olive Zakharov, however, bravely disclosed at the Victorian launch of the federal government’s campaign to Stop Violence Against Women in 1993 that she was a survivor of domestic violence in her second marriage. Take a dip into the many fascinating lives of the Australian Dictionary of Biography.

Shortlisted for the Association of Dress Historians Book of the Year Award, 2021 From West African masquerades to Venetian carnivals and New York society galas, fancy dress has long been used to convey important social and political messages. The only form of clothing that all people, regardless of gender, race, class or sexuality are likely to wear at some point in their lives, fancy dress is a symbol of both escapism and protest; it stands for a vision of fantasy and fun, while also confronting the reality of cultural stereotypes. Exploring all the allure, playfulness and daring of dressing up, Carnival to Catwalk takes the reader on a fascinating journey through the global history of fancy dress. Drawing on a treasure-trove of textual and visual resources, the book encompasses Halloween festivities and transvestite clubs, Mardi Gras parades and gatherings at Versailles, revealing how fancy dress has long been used to celebrate as well as to disguise individual identity. Vividly chronicling evidence from the Middle Ages to the modern day, cultural historian Benjamin Wild throws open the historical dressing-up box and demonstrates the enduring appeal of fancy dress, as it becomes an increasingly central part of modern couture and clothing design. Meticulously researched and beautifully illustrated, Carnival to Catwalk is a remarkable resource for scholars, students and costume enthusiasts alike.