Daughter Of The Red Deer

Filled with the lyrical beauty of a now-vanished world, this magnificent novel unfolds during the last great ice age, amid the mist-shrouded mountains of the Pyrenees in prehistoric France. When tainted spring water fatally poisons the women of the tribe of the Horse, the clan’s young men set forth to kidnap new women from the matriarchal tribe of the Red Deer—a quest that must succeed or their people will die out. Golden-haired Mar, the leader of the young men, falls in love with the beautiful Alin, daughter of the Red Deer priestess. And though they are born to embrace different traditions, raised to worship different gods, Mar will fight to claim this strangely powerful woman as his own. Against a lush backdrop of ancient magic, mammoth hunts, and secret rites, this mesmerizing novel brings to life the ritual and adventure of a primeval world and tells a timeless tale of conflict between two societies…two beliefs…two sexes…and two people.

The Daughter’s Way investigates negotiations of female subjectivity in twentieth-century Canadian women’s elegies with a special emphasis on the father’s death as a literary and political watershed. The book examines the work of Dorothy Livesay, P.K. Page, Jay Macpherson, Margaret Atwood, Kristjana Gunnars, Lola Lemire Tostevin, Anne Carson, and Erin Mouré as elegiac daughteronomies—literary artifacts of mourning that grow from the poets’ investigation into the function and limitations of elegiac convention. Some poets treat the father as a metaphor for socio-political power, while others explore more personal iterations of loss, but all the poets in The Daughter’s Way seek to redefine daughterly duty in a contemporary context by challenging elegiac tradition through questions of genre and gender. Beginning with psychoanalytical theories of filiation, inheritance, and mourning as they are complicated by feminist challenges to theories of kinship and citizenship, The Daughter’s Way debates the efficacy of the literary “work of mourning” in twentieth-century Canadian poetry. By investigating the way a daughter’s filial piety performs and sometimes reconfigures such work, and situating melancholia as a creative force in women’s elegies, the book considers how elegies inquire into the rhetoric of mourning as it is complicated by father-daughter kinship.

Reprint of the original, first published in 1877.

The Zuni have traditionally used small stone carvings of animal figures as power objects and mediators between themselves and the spirit world. Any object that has special meaning can be used as a fetish. In this fascinating, informative, and beautifully illustrated guide to the fetishes of the Zuni people of New Mexico, Hal Zina Bennett explores key principles of Native American spirituality and how early Zuni teachings can benefit us all today. He provides an excellent guide to Zuni traditions and an intriguing picture of their early life, along with detailed instructions for using fetishes for mediation, reflection, and insight in modern life. He describes key fetish figures, including the Guardian of the Six Regions, their legendary meanings, and the personal qualities each figure can support and help its owner develop. In explaining the nature of fetishes and the psychological and spiritual benefits that we can gain from their use, Bennett provides illuminating cross-cultural comparisons, stimulating exercises, and journaling opportunities.

Grandmothers, mothers and daughters speak to us of their personal lives, their triumphs and achievements. Encompassing three generations, their histories give us a sampling of the rich diversity of women's life experiences in British Columbia, Alberta, Manitoba and Nunavut, Ontario, Quebec and Nova Scotia. Introductions contextualize the stories and provide comprehensive overviews of the social, economic, political and feminist developments in the province or territory during the last century.