Dating A Jamaican Man

The Jamaican male mind on sexThe Jamaican male mind on women Recipes to keep your Jamaican man StrongWhat to expect in your Role as WifeyHow to handle a Cheating Jamaican ManHow to Bring your Jamaican Man to America10 Rules for Dating a Jamaican man3 Things a Jamaican man must Have The Truth about the Rastafari Jamaican Man

Written for foreign women....who love to date Jamaican men. Learn 21 things you should know about dating a Jamaican man. This book is honest, and direct...a great read for women who search the truth about dating a Jamaican man, living in Jamaica.

“In these kaleidoscopic stories of Jamaica and its diaspora we hear many voices at once. All of them convince and sing. All of them shine.”—Zadie Smith An O: The Oprah Magazine “Top 15 Best of the Year” • A Well-Read Black Girl Pick Tenderness and cruelty, loyalty and betrayal, ambition and regret—Alexia Arthurs navigates these tensions to extraordinary effect in her debut collection about Jamaican immigrants and their families back home. Sweeping from close-knit island communities to the streets of New York City and midwestern university towns, these eleven stories form a portrait of a nation, a people, and a way of life. In “Light-Skinned Girls and Kelly Rowlands,” an NYU student befriends a fellow Jamaican whose privileged West Coast upbringing has blinded her to the hard realities of race. In “Mash Up Love,” a twin’s chance sighting of his estranged brother—the prodigal son of the family—stirs up unresolved feelings of resentment. In “Bad Behavior,” a couple leave their wild teenage daughter with her grandmother in Jamaica, hoping the old ways will straighten her out. In “Mermaid River,” a Jamaican teenage boy is reunited with his mother in New York after eight years apart. In “The Ghost of Jia Yi,” a recently murdered student haunts a despairing Jamaican athlete recruited to an Iowa college. And in “Shirley from a Small Place,” a world-famous pop star retreats to her mother’s big new house in Jamaica, which still holds the power to restore something vital. Alexia Arthurs emerges in this vibrant, lyrical, intimate collection as one of fiction’s most dynamic and essential authors. Praise for How to Love a Jamaican “A sublime short-story collection from newcomer Alexia Arthurs that explores, through various characters, a specific strand of the immigrant experience.”—Entertainment Weekly “With its singular mix of psychological precision and sun-kissed lyricism, this dazzling debut marks the emergence of a knockout new voice.”—O: The Oprah Magazine “Gorgeous, tender, heartbreaking stories . . . Arthurs is a witty, perceptive, and generous writer, and this is a book that will last.”—Carmen Maria Machado, author of Her Body and Other Parties “Vivid and exciting . . . every story rings beautifully true.”—Marie Claire

*SOON TO BE A HULU ORIGINAL SERIES* *ONE of NPR’s and TIME’s BEST BOOKS of the YEAR * NAMED A MOST ANTICIPATED BOOK of the YEAR by WOMAN’S DAY, NEWSDAY, PUBLISHERS WEEKLY, BUSTLE, and BOOK RIOT!* “A book that sneaks up on you...I am hooked.” —Roxane Gay, New York Times bestselling author This acclaimed and “welcome debut from a seriously talented author” (New York Post) is a disarmingly honest, unapologetically black, and undeniably witty novel that will speak to those who have gone looking for love and found something very different in its place. Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places…including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth. As Queenie careens from one questionable decision to another, she finds herself wondering, “What are you doing? Why are you doing it? Who do you want to be?”—all of the questions today’s woman must face in a world trying to answer them for her. “A must-read novel about sex, selfhood, and the best friendships that get us through it all” (Candace Bushnell, New York Times bestselling author), Queenie is a remarkably relatable exploration of what it means to be a modern woman searching for meaning in today’s world.

FAIRYTALES FOR LOST CHILDREN is narrated by people constantly on the verge of self-revelation. These characters - young, gay and lesbian Somalis - must navigate the complexities of family, identity and the immigrant experience as they tumble towards freedom. Set in Kenya, Somalia and South London, these stories are imbued with pathos, passion and linguistic playfulness, marking the arrival of a singular new voice in contemporary fiction. Praise for FAIRYTALES FOR LOST CHILDREN: 'Fantastic writing. I am most highly impressed. I've read some of the stories more than once and saw in each of them plenty of talent everywhere - in every sinew and vein.' - NURUDDIN FARAH 'There is nothing more humbling than good writing except when the author is fiercely beautiful and ferociously generous of heart. That Diriye Osman should possess so much talent is only fair in light of his goodness. Read this book.' - MESHELL NDEGEOCELLO -The characters in these fairy tales are displaced in multiple, complicated ways. But Osman's storytelling creates a shelter for them; a warm place which is both real and imaginary, in which they find political, sexual, and ultimately psychic liberation.' - ALISON BECHDEL 'East Africa. South London. Queer. Displaced. Mentally Ill. My excitement over Osman and his writing comes, in part, out of delight at the impossibility of categorisation.' - ELLAH ALLFREY The Telegraph

Learn the religious beliefs and practices of the Rastafarians. A great Rasta book for those who want to become a Rastafarian. Written by a Jamaican Rasta Woman, this book explains Rasta beliefs, how to convert to Rastafarianism, the true ways of dress as a Rastafarian, and the meaning of Rasta. Find out all about Rastafari culture, and what it means to follow Jah Rastafari, Emperor Haile Selassie I, according the the Rastamans way of life.

"Black Passenger Yellow Cabs" is an erotic auto/ethnographic memoir exploring in easy layperson's terms the socio-psycho-sexual dynamics of Japan and the erotic capital of the Western male. It offers an exploration of deviant behavior in an exotic land and a journey from self-destruction to self-actualization.

On 16 August 1952, Ian Fleming wrote to his wife, Ann, 'My love, This is only a tiny letter to try out my new typewriter and to see if it will write golden words since it is made of gold'. He had bought the gold-plated typewriter as a present to himself for finishing his first novel, Casino Royale. It marked in glamorous style the arrival of James Bond, agent 007, and the start of a career that saw Fleming become one of the world's most celebrated thriller writers. And he did write golden words. Before his death in 1964 he produced fourteen bestselling Bond books, two works of non-fiction and the famous children's story Chitty-Chitty-Bang-Bang. Fleming's output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, friends and critics, charting 007's progress with correspondence that ranged from badgering Jonathan Cape about his quota of free copies �- a coin was tossed; Fleming lost - to apologising for having mistaken a certain brand of perfume and for equipping Bond with the wrong kind of gun. His letters also reflect his friendships with contemporaries such as Raymond Chandler, No�l Coward and Somerset Maugham. Before the world-famous films came the world-famous novels. This books tells the story of the man who wrote them and how he created spy fiction's most compelling hero.

Why do many Jamaican men acknowledge the importance of love, but also believe that men have the right to physically discipline their partners? How far does fathering become a journey of personal self-development? What happens to "outside children" when the father also has children at home? Why do fathers believe that they must toughen their sons? These are some of the questions which are carefully explored in this groundbreaking study of Jamaican fathers. The study departs from the tradition of Caribbean family research in which the focus has usually been placed on women and on households and instead gives men the opportunity to speak for themselves. Unlike the familiar emphasis on low-income households, this new study interviewed men across a range of social classes and within different community contexts. As a result, the impact of harsh economic conditions is unmistakable in limiting the ability of Jamaican men to translate their fathering commitment into active and continuing involvement. Across social classes and communities, Jamaican men share a common cultural conception of what is required to be a good father. However, they are also tied to definitions of hegemonic masculinity which emphasize male dominance and virility, so that domestic conflict may be inevitable, and men's aspirations to be good fathers may become imperilled. Given the existence of these countervailing values, there is a struggle to find a reasonable fit. The study concludes that it is possible for Jamaican men to be good fathers but bad husbands.