Dar Es Salaam By Night

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Fleeing the aggressive reach of the Lord’s Resistance Army (LRA) and their brutal leader Joseph Kony, on an average night in northern Uganda tens of thousands of children head for the city centers to avoid capture. They find refuge on the floors of aid agencies or in the streets. In recent years, the civil society was almost completely destroyed by the LRA, itself made up almost entirely of kidnapped children. Piecing together what has been broken is proving to be a nearly impossible task. Polish journalist Wojciech Jagielski inserts himself into this hellish landscape and finds a way to speak of these children and their wounded world. In The Night Wanderers, Jagielski shows his readers the horror of children who have been abducted from their homes and forced to kill their own family members; children who, even after they have escaped the LRA, carry the weight of their own acts of murder on their young shoulders. Jagielski portrays Uganda through their eyes as well as his own. Carrying on the rich tradition of Ryszard Kapuściński, Jagielski digs himself deep into the Ugandan landscape and emerges with a compassionate, incisive, painful, magisterial account of a world that is just starting to pull itself out of the horrors of war. The original Polish edition of The Night Wanderers is shortlisted for the Nike Prize, considered to be the most prestigious literary award in Poland.

The name Dar es Salaam comes from the Arabic phrase meaning house of peace. A popular but erroneous translation is ëhaven of peaceí resulting from a mix-up of the Arabic words "dar" (house) and "bandar" (harbour). Named in 1867 by the Sultan of Zanzibar, The town has for a long time benefitted from a reputation of being a place of tranquility. The tropical drowsiness is a comfort To The socialist poverty and under-equipment that causes an unending anxiety to reign over the town. Today, For the Tanzanian, The town has become Bongoland, that is, a place where survival is a matter of cunning and intelligence (bongo means ëbrainí in Kiswahili). Far from being an anecdote, this slide into toponomy records the mutations that affect the links that Tanzanians maintain with their principal city And The manner in which it represents them. This book takes into account the changes by departing from the hypothesis that they reveal a process of territorialisation. What are the processesóenvisaged as spatial investmentsówhich, by producing exclusivity, demarcations and exclusions, fragment the urban space and its social fabric? Do the practices and discussions of the urban dwellers construct limited spaces, appropriated, identified and managed by communities (in other words, territories)? Dar es Salaam is often described as a diversified, relatively homogenous and integrating place. However, Is it not more appropriate to describe it as fragmented? as territorialisation can only occur through frequenting, management and localised investment, it is therefore through certain placesófirst shelter and residential area, then the school, daladala station, The fire hydrant And The quaysóthat the town is observed. This led to broach the question in the geographical sense of urban policy carried out since German colonisation to date. At the same time, The analysis of these developments allows for an evaluation of the role of the urban crisis And The responses it brings. In sum, The aim of this approach is to measure the impact of the uniqueness of the place on the current changes. On one hand, this is linked to its long-term insertion in the Swahili civilisation, and on the other, To its colonisation by Germany and later Britain and finally, To the singularity of the post-colonial path. This latter is marked by an alternation of Ujamaa with Structural Adjustment Plans applied since 1987. How does this remarkable political culture take part in the emerging city today? This book is a translation of De Dar es Salaam ‡ Bongoland: Mutations urbaines en Tanzanie, published by Karthala, Paris in 2006.

From its modest beginnings in the mid-19th century, Dar es Salaam has grown to become one of sub-Saharan Africa?s most important urban centres. A major political, economic and cultural hub, the city stood at the cutting edge of trends that transformed twentieth-century East Africa. Dar es Salaam has recently attracted the attention of a diverse, multi-disciplinary, range of scholars, making it currently one of the continent?s most studied urban centres. This collection from eleven scholars from Africa, Europe, North America and Japan, draws on some of the best of this scholarship and offers a comprehensive, and accessible, survey of the city?s development. The perspectives include history, musicology, ethnomusicology, culture including popular culture, land and urban economics. The opening chapter offers a comprehensive overview of the history of the city. Subsequent chapters examine Dar es Salaam?s twentieth century experience through the prism of social change and the administrative repercussions of rapid urbanisation; and through popular culture and shifting social relations. The book will be of interest not only to the specialist in urban studies but also to the general reader with an interest in Dar es Salaam?s environmental, social and cultural history.

A collection of chiaroscuro stories by a Danish writer. One is on a woman idealizing love who discovers its reality, another is on a judge who runs off with a young man he just sentenced for homosexuality, a third is on a 1920s European whose eyes are opened to the dark side of civilizing African natives. By the author of The Woman and the Ape.

"... a useful introduction to an important field of African creative writing that has been invisible for the most part in North America and Europe." --Eileen Julien Readings in African Popular Fiction explores the social, political, and economic contexts of popular narratives by bringing together new and classic essays by important scholars in African literature and eight primary texts. Excerpts from popular magazines, cartoons, novellas, and moral and instructional pamphlets present African popular fiction from all areas of the continent. Selections include essays on Hausa creative writing, the influence of Indian film in Nigeria, Onitsha market literature, writing and popular culture in Cameroon, Kenyan romances, Swahili literature, art and cartoons, works by South African writers of the 1950s, and popular crime thrillers in Malawi. Stephanie Newell's introduction engages themes and trends in popular fiction in contemporary Africa. Contributors are J. C. Anorue, Misty Bastian, Felicitas Becker, Richard Bjornson, William Burgess, Michael Chapman, Don Dodson, Dorothy Driver, Roger Field, Bodil Folke Frederiksen, Graham Furniss, Raoul Granqvist, Paul Gready, Ime Ikiddeh, J. Roger Kurtz and Robert M. Kurtz, Alex La Guma, Brian Larkin, Bernth Lindfors, Charles Mangua, Gomolemo Mokae, Ben R. Mtobwa, Njabulo Ndebele, Nici Nelson, Stephanie Newell, Sarah Nuttall, Donatus Nwoga, Alain Ricard, Lindy Stiebel, and Balaraba Ramat Yakubu.

From the bestselling author of Jurassic Park, Timeline, and Sphere comes a deeply personal memoir full of fascinating adventures as he travels everywhere from the Mayan pyramids to Kilimanjaro. Fueled by a powerful curiosity—and by a need to see, feel, and hear, firsthand and close-up—Michael Crichton's journeys have carried him into worlds diverse and compelling—swimming with mud sharks in Tahiti, tracking wild animals through the jungle of Rwanda. This is a record of those travels—an exhilarating quest across the familiar and exotic frontiers of the outer world, a determined odyssey into the unfathomable, spiritual depths of the inner world. It is an adventure of risk and rejuvenation, terror and wonder, as exciting as Michael Crichton's many masterful and widely heralded works of fiction.

This third volume of Tell Me, Friends collects stories and plays written by students and staff at the University of Dar es Salaam between 2006 and 2008. The stories in the collection are: "Our Man" by Saida Yahya-Othman; "The Window Seat" by Benjamin Branoff; "The Concealed Project" by Zuhura Badru; "The Total Crisis" by Simon Mlundi; and "Testimony" by Emmanuel Lema. The plays are: "The Monster" by Anna Chikoti; "Love is..." by Kimberly McLeod; "A Tanzanian Rooftop" by Benjamin Branoff; "Judges on Trial" by Frowin Paul Nyoni; "The Route to Success" by Yunus Ng'umbi; and "The Mop" by Vincensia Shule. Read and share these stories and plays, and enjoy how they depict some of the social-economic and political factors that condition and shape our societies today.

A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.