Dans Angel

The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.

When young Dan finds himself locked inside a museum after closing hours, he discovers a world of art he'd never dreamed possible. An angel steps out of a painting and takes him on an exploratory tour of the great masterpieces - explaining the symbolism of each painting.

In the 1990s alone, more than 400 works on angels were published, adding to an already burgeoning genre. Throughout the centuries angels have been featured in, among others, theological works on scripture; studies in comparative religions; works on art, architecture and music; philological studies; philosophical, sociological, anthropological, archeological and psychological works; and even a psychoanalytical study of the implications that our understanding of angels has for our understanding of sexual differences. This bibliography lists 4,355 works alphabetically by author. Each entry contains a source for the reference, often a Library of Congress call number followed by the name of a university that holds the work. More than 750 of the entries are annotated. Extensive indexes to names, subjects and centuries provide further utility.

It is a close study of four novels by Boris Vian. It aims to show how L'Ecume des jours, L'Automne a Pekin, L'Herbe rouge and L'Arrache-coeur form a unified and coherent tetralogy. By establishing close links between these four texts, it becomes possible to achieve a more comprehensive understanding, not only of the significance of the tetralogy in exposing a complex and multi-layered novelistic strategy at the heart of the vianesque, but of the individual novels as autonomous creations. An examination of the novels reveals that they are not merely joined to one another via a superficial network of textual similarities (that which I refer to as intratextuality), but that this intertwining is emblematic of a common method of narrative construction. Each Vian novel is dependent, for a thorough understanding of the text to be possible, upon the multiple lines of external influence running through it. The sources of this influence (which I refer to as intertextuality) are located in various major texts of twentieth century literature, anglophone as well as francophone. Thus, in each instance the narrative is driven by a complicated interaction of intratextuality and intertextuality."

Introduction : angelic greetings or Shalom Aleichem -- At home with the angels : Babylonian ritual sources -- Out and about with the angels : Palestinian ritual sources -- No angels? early rabbinic sources -- In the image of God, not angels : rabbinic sources -- In the image of the angels : liturgical sources -- Israel among the angels : Late rabbinic sources -- Jewish mystics and the angelic realms : early mystical sources -- Conclusion : angels in Judaism and the religions of late antiquity -- Appendix A : table -- Appendix B : description of table.

The Broken Angel is the first book-length examination of a mythopoetic configuration that pervades Valery's entire textual universe. The Angel is linked to almost every one of its themes and informs all of its modes, which, in turn, form and deform it. In delineating the textual traces of these transformations and the construction and destruction of the symbolic figure inherited from tradition, Franklin links its defigurations to Valery's method of composition: the weaving of anterior segments into texts, many of which remain open-ended and fragmentary. She shows how the broken form of Valery's texts on the Angel is conditioned by the very tensions inherent in the theme. These tensions are disclosed by a reading that also reveals the existential situation and psychological predispositions of an Ego scriptor whose Broken Angel emerges from broken texts.

The Complete Poetry of Aimé Césaire gathers all of Cesaire’s celebrated verse into one bilingual edition. The French portion is comprised of newly established first editions of Césaire’s poetic œuvre made available in French in 2014 under the title Poésie, Théâtre, Essais et Discours, edited by A. J. Arnold and an international team of specialists. To prepare the English translations, the translators started afresh from this French edition. Included here are translations of first editions of the poet’s early work, prior to political interventions in the texts after 1955, revealing a new understanding of Cesaire’s aesthetic and political trajectory. A truly comprehensive picture of Cesaire’s poetry and poetics is made possible thanks to a thorough set of notes covering variants, historical and cultural references, and recurring figures and structures, a scholarly introduction and a glossary. This book provides a new cornerstone for readers and scholars in 20th century poetry, African diasporic literature, and postcolonial studies.

National bestselling author Sharon Shinn returns to the compelling world of Samaria in an extraordinary novel of angels and mortals, music and mystery, science and faith... More than a hundred years after the time of Rachel and Gabriel, Samaria is in deep turmoil. Charismatic Archangel Delilah has been injured and forced to give up her position, and she has been replaced by shy, uncertain Alleluia. What’s worse, ungovernable storms are sweeping across the country, and the god never seems to hear the angels’ pleas to abate the bad weather. Unless those prayers are offered by the new Archangel...