Dancing With The King

After the battle of Orakau in 1864 and the end of the war in the Waikato, Tawhiao, the second Maori King, and his supporters were forced into an armed isolation in the Rohe Potae, the King Country. For the next twenty years, the King Country operated as an independent state – a land governed by the Maori King where settlers and the Crown entered at risk of their lives. Dancing with the King is the story of the King Country when it was the King's country, and of the negotiations between the King and the Queen that finally opened the area to European settlement. For twenty years, the King and the Queen's representatives engaged in a dance of diplomacy involving gamesmanship, conspiracy, pageantry and hard headed politics, with the occasional act of violence or threat of it. While the Crown refused to acknowledge the King's legitimacy, the colonial government and the settlers were forced to treat Tawhiao as a King, to negotiate with him as the ruler and representative of a sovereign state, and to accord him the respect and formality that this involved. Colonial negotiators even made Tawhiao offers of settlement that came very close to recognising his sovereign authority. Dancing with the King is a riveting account of a key moment in New Zealand history as an extraordinary cast of characters – Tawhiao and Rewi Maniapoto, Donald McLean and George Grey – negotiated the role of the King and the Queen, of Maori and Pakeha, in New Zealand.

Originally written as a play for young people and based on the faerie tale by the Brothers Grimm, this is the story of a king's twelve daughters who wear holes in their dancing slippers every night.

Dancing With The Devil is about the evil strategies Satan uses to capture the soul of a Christian and how his destructiveness infiltrates the government of a Christian nation. When we let this enemy inside the temple of the Lord, (our heart and mind) and into our government entities we will begin to live a life of deep sorrow and regret. However, regardless of his strategies he cannot enter those places where he doesn’t belong unless we give him access through the choices we make that reject Christ’s statutes. To dance with the devil is to ignore scriptural wisdom, willingly trading biblical truth for personal lust and power while still claiming to be a Christian, attending church, and influencing others, especially tender hearts and innocent minds. It is to flirt with an evil attitude, and/or participate in evil behavior. Through my own personal experiences, as well as those shared by close friends and family, I have come to realize how the sinful choices each of us makes contributes to our own demise and to the brokenness in our families, which leads to a spiritually and physically broken nation. Every Christian must choose to help reduce evil, bring justice to the innocent, and help turn people to Christ by using wisdom and understanding to make good choices. Dancing With The Devil teaches Christians why it is important to let the Lord open the eyes of our heart so we can understand how that living in disobedience to His Word jeopardizes our soul and creates a world of evil—evil that begins with the smallest intent of the heart and mind, ends with the most wicked action, and sets up our people and our nation for failure. While we will never eradicate all the evil in the world, we must believe that it exists and accurately define it. Then we can judge and punish it, taking warlike action against it when necessary, minimizing its affect on humanity. Those whose goal is eternity in heaven with Jesus must understand His character and His commands. To live a life that contradicts His character and commands is to dance with the devil and endorse evil. When we discover that we are caught in this bondage we must repent; to repent is to stop, then turn around, and return to Jesus with all our heart, letting Him redeem us. When we renew our minds to conform to Jesus and His statutes, and change our behavior then the Lord will hear our prayer and will heal our land.

At last David is king. He can defeat the Philistines. But can he resist a beautiful woman? In his third book walking through the life of David, Larry Lichtenwalter shows us the qualities David possesed as a leader. Each chapter gives the reader an abundance of theological insights and pulls an enormous amount of spiritual lessons from the exciting exploits of David, a man after God's own heart.

Dancing for Dollars is a raucous, intoxicating novel about four prodigious women who originate from different backgrounds and lifestyles. As fate would have it, they meet at an upscale gentlemans club in South Florida and develop a strong friendship, peregrinating through the journey called life. Dancing for Dollars takes you into the exciting and dangerous world of exotic dancers, modeling, Hollywood, and hermaphrodites. This book is a combination of a modern day Valley Of The Dolls, Fifty Shades of Grey and Magical Mike. Florida Author Dubbed The New Jacqueline Susann BOCA RATON, Fla., Nov. 14, 2017 /PRNewswire/ -- Victoria M Howard, author of the best seller WHY WOMEN LOVE BAD BOYS has just published her 16th book titled DANCING FOR DOLLARS. It is the compelling story of four ecdysiasts that dance for dollars in a gentleman's club in the dazzling backdrop of the South Beach nightclub scene. Although the book is fiction, Ms. Howard interviewed dozens of ecdysiasts, bouncers, barmaids and patrons who visited the billion-dollar business of strip clubs---- relaying the hair-raising question of what goes on 'behind the curtains.' You'll meet 'the John's', the Junkies, the mega-rich and powerful through the eyes of the four main characters: Francesca Falconi, Mika Wu, Abella Erikkson and Abigail Jones-- each a composite of the real life dancers Ms. Howard came in contact with. After a brief career of 'Dancing for Dollars' the girls go separate ways, each becoming rich and famous. Francesca is Hollywood's new Marilyn Monroe; Abella launches a glittering New York modeling agency with her loverthe nations #1 model. Mika moves to Washington D.C. and becomes Madam and Dominatrix to the political elite, and Abigail, a hermaphrodite evades a life-threatening secret. "DANCING FOR DOLLARS" is a combination of Valley of the Dolls, Magic Mike, and Fifty Shades of Grey," says Howard. It has everything of a contemporary bestseller --- including sex, drugs, rock-n-roll, espionage and murder. Emmy Award Winning Producer Allan Jay Friedman calls it "one of Howards' best" and actor Michael Callan cited, "If I were still acting, I would ask for a role in the movie." The book is available at Author House, Amazon and Barnes & Noble.

An epic generational tale of loves lost, promises kept, dreams broken, and monarchies shattered, To Dance with Kings is a story of passion and privilege, humble beginnings and limitless ambition. On a May morning in 1664, in the small village of Versailles, as hundreds of young aristocrats are coming to pay court to King Louis XIV, a peasant fan-maker gives birth to her first and only child, Marguerite. Determined to give her daughter a better life than the one she herself has lived, the young mother vows to break the newborn’s bonds of poverty and ensure that she fulfills her destiny—to dance with kings. Purely by chance, a drunken nobleman witnesses the birth and makes a reckless promise to return for Marguerite in seventeen years. With those fateful words, events are set into motion that will span three monarchies, affecting the lives of four generations of women. Marguerite becomes part of the royal court of the Sun King, but her fairy-tale existence is torn out from under her by a change of political winds. Jasmin, Marguerite’s daughter, is born to the life of privilege her grandmother dreamed of, but tempts fate by daring to catch the eye of the king. Violette, Marguerite’s granddaughter, is drawn to the nefarious side of life among the nobles at Versailles. And Rose, Violette’s daughter, becomes a lady-in-waiting and confidante to Marie Antoinette. Through Rose, a love lost generations before will come full circle, even as the ground beneath Versailles begins to rumble with the chaos of the coming revolution.

Over a period of ten years, William Sax studied the inhabitants of the former kingdom of Garhwal, located in north India. He saw and took part in many performances of the pandav lila, a ritual reenactment of scenes from the Mahabharata in dance.

In the Central Himalayan region of Garhwal, the gods (devtas) enjoy dancing. Musicians - whether ritual specialists or musical specialists - are therefore an indispensable part of most entertainment and religious events. In shamanistic ceremonies, their incantations, songs and drumming 'make' the gods possess their mediums. In other contexts, such as dramatic theatrical renditions of stories of specific deities, actors 'dance' the role of their character having become possessed by the spirit of their character. Through the powerful sounds of their drumming, musicians cause the gods to dance. Music, and more particularly musical sound, is perceived in Garhwal as a powerful force. Andrew Alter examines music and musical practice in Garhwal from an analytical perspective that explores the nexus between musical sounds and performance events. He provides insight into performance practice, vocal techniques, notions of repertoire classification, instruments, ensembles, performance venues, and dance practice. However, music is not viewed simply as a system of organized sounds such as drum strokes, pitch iterations or repertoire items. Rather, in Garhwal, the music is viewed as a system of knowledge and as a system of beliefs in which meaning and spirituality become articulated through potent sound iterations. Alter makes a significant contribution to the discipline of ethnomusicology through a detailed documentation of musical practice in the context of ritual events. The book offers a traditionally thorough historical-ethnographic study of a region with the aim of integrating the local field-based case studies of musical practices within the broader Garhwali context. The work contains invaluable oral data, which has been carefully transliterated as well as translated. Alter blends a carefully detailed analysis of drumming in conjunction with the complex ritual and social contexts of this sophisticated and semantically rich musical practice.

More than two dozen traditional stories from Scandinavia, France, Russia, and beyond, with an enlightening introduction by two folklorists. Alfred David and Mary Elizabeth Meek have compiled a collection of fairy tales that ranges from the Grimm brothers’ inimitable recreations of archetypal folktales to the modern prose charm of James Thurber’s Many Moons. The appeal of the stories is wide and varied: the refined intelligence of Perrault, the wondrous imagination of Andersen, the descriptive power of Ruskin, the bittersweet melancholy of Wilde. These are but a few of the artists represented in this remarkably inclusive selection of works from Germany, Russia, France, Scandinavia, England, and America. Many are in new translations in the modern idiom and all testify eloquently to the unceasing vitality of this literary genre.

This fascinating book recounts the remarkable tale of a career UN official caught in the turmoil of international and domestic politics swirling around Cambodia after the fall of the Khmer Rouge. First as a member of the UN transitional authority and then as a personal envoy to the UN secretary-general, Benny Widyono re-creates the fierce battles for power centering on King Norodom Sihanouk, the Khmer Rouge, and Prime Minister Hun Sen. He also sets the international context, arguing that great-power geopolitics throughout the Cold War and post-Cold War eras triggered and sustained a tragedy of enormous proportions in Cambodia for decades, leading to a flawed peace process and the decline of Sihanouk as a dominant political figure. Putting a human face on international operations, this book will be invaluable reading for anyone interested in Southeast Asia, the role of international peacekeeping, and the international response to genocide.