Dancing At Halftime

A topical discussion of the controversial use of American Indian mascots by college-level and professional sports teams.

A topical discussion of the controversial use of American Indian mascots by college-level and professional sports teams.

Starting the audition process but feel clueless? This guide to dancing in the NBA/NFL will help you along the journey, teach you the dedication it takes to dance at that level and motivate you to achieve your goals.

EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.

GET ALIGNED WITH YOUR SPOUSE, PLAN YOUR SECOND HALF TOGETHER Halftime for Couples is a roadmap for creating an intimate adventure together. “Halftime” is the season when couples look back and take stock, look forward and dream—then chart a new course together as a couple. It’s about moving beyond success to pursue significance. With author Lloyd Reeb’s guided reflection in this book, your halftime as a couple can be packed with fun, growth, and deep fulfillment. But living a life of significance always involves risk and sacrifice, and it’s not for the faint of heart. When you face real fears and obstacles on your path of God’s calling, you are drawn closer together. As you look back on those steps of faith, you see where God has worked, allowing you to partner with Him—together. Lloyd Reeb, Founding Partner at the Halftime Institute, has spent more than 10,000 hours helping leaders wrestle with powerful questions, dream beyond their limits, and craft roadmaps to live out those dreams. But—he did it alongside his wife, Linda, supporting her calling too. Out of their experience of journeying together during their own halftime season, Lloyd and Linda Reeb have created a practical guide for couples who want to plan their second half together. “The richest component of a significance-filled ‘second half’ is sharing the journey with those you love. Resist the temptation to head into your second half alone by excluding your spouse. Halftime for Couples is an essential interactive guide for couples who want to finish well together.” —BOB BUFORD, best-selling author of Halftime: From Success to Significance Linda and Lloyd Reeb have been married over thirty years. They enjoy living near Charlotte, North Carolina, and have three grown children. LINDA REEB was a stay-at-home mom and a part-time dental assistant during her first half. After exploring her calling and realizing her passion to encourage moms with young children, she founded MomsMentoring, and today, that is her primary occupation. LLOYD REEB spent his first half as a real estate developer and investor. For over twenty years, Lloyd has taken the halftime message around the world with the Halftime Institute, speaking, leading, and coaching individuals through midlife transition. Lloyd is the author of several books, including From Success to Significance: When the Pursuit of Success Isn’t Enough, The Second Half, and Finally Connected.

In Ivory Coast, the farewell “I give you half the road” is an expression of hospitality, urging a departing guest to come back again. After their first stay in a welcoming rural community in 1981, Carol Spindel and her husband did just that. Over the course of decades, they built a house and returned frequently, deepening their relationships with neighbors. Once considered the most stable country in West Africa, Ivory Coast was split by an armed rebellion in 2002 and endured a decade of instability and a violent conflict. Spindel provides an intimate glimpse into this turbulent period by weaving together the daily lives and paths of five neighbors. Their stories reveal Ivorians determined to reunite a divided country through reliance on mutual respect and obligation even while power-hungry politicians pursued xenophobic and anti-immigrant platforms for personal gain. Illuminating democracy as a fragile enterprise that must be continually invented and reinvented, I Give You Half the Road emphasizes the importance of connection, generosity, and forgiveness.

Wisdom and Support for Your Halftime Journey Since the publication fifteen years ago of Bob Buford's award-winning and newly updated and expanded bestseller, Halftime, more than half a million men and women have made the halftime journey from success to significance. If you are contemplating that journey yourself or have already started, Beyond Halftime is for you. "This book is the result of fifteen years of answering questions about halftime," writes Buford. "I've focused on the areas that seem to come up most from those who contact me, and I've answered them in much the same way I would answer you if we sat down together over coffee. So in a very real sense, this book allows me to be your companion as you negotiate the ups and downs of the whole halftime experience." Beyond Halftime invites you to slow down and take time to listen--really listen--to the voice of your heart and the rhythms of your life. The discoveries you're about to make during this vital phase of your life can't be rushed. Enjoy this wise guidance on the things that matter most in moving from gaining success to leaving a legacy. Your most rewarding years lie ahead of you. Welcome to the journey.

Modern Moves traces the movement of American social dance styles between black and white cultural groups and between immigrant and migrant communities during the early twentieth century. Its central focus is New York City, where the confluence of two key demographic streams - an influx of immigrants from Eastern Europe and the growth of the city's African American community particularly as it centered Harlem - created the conditions of possibility for hybrid dance forms like blues, ragtime, ballroom, and jazz dancing. Author Danielle Robinson illustrates how each of these forms came about as the result of the co-mingling of dance traditions from different cultural and racial backgrounds in the same urban social spaces. The results of these cross-cultural collisions in New York City, as she argues, were far greater than passing dance trends; they in fact laid the foundation for the twentieth century's social dancing practices throughout the United States. By looking at dance as social practice across conventional genre and race lines, this book demonstrates that modern social dancing, like Western modernity itself, was dependent on the cultural production and labor of African diasporic peoples -- even as they were excluded from its rewards. A cornerstone in Robinson's argument is the changing role of the dance instructor, which was transformed from the proprietor of a small-scale, local dance school at the end of the nineteenth century to a member of a distinct, self-identified social industry at the beginning of the twentieth. Whereas dance studies has been slow to connect early twentieth century dancing with period racial politics, Modern Moves departs radically from prior scholarship on the topic, and in so doing, revises social and African American dance history of this period. Recognizing the rac(ial)ist beginnings of contemporary American social dancing, it offers a window into the ways that dancing throughout the twentieth century has provided a key means through which diverse groups of people have navigated shifting socio-political relations through their bodily movement. Modern Moves asserts that the social practice of modern dancing, with its perceived black origins, empowered displaced people such as migrants and immigrants to grapple with the effects of industrialization, urbanization, and the rise of North American modernity. Far more than simple appropriation, the selling and practicing of "black" dances during the 1910s and 1920s reinforced whiteness as the ideal racial status in America through embodied and rhetorical engagements with period black stereotypes.

Between Beats: The Jazz Tradition and Black Vernacular Dance offers a new look at the complex intersections between jazz music and popular dance over the last hundred-plus years. Author Christi Jay Wells shows how popular entertainment and cultures of social dancing were crucial to jazz music's formation and development even as jazz music came to earn a reputation as a "legitimate" art form better suited for still, seated listening. Through the concept of choreographies of listening, the book explores amateur and professional jazz dancers' relationships with jazz music and musicians as jazz's soundscapes and choreoscapes were forged through close contact and mutual creative exchange. It also unpacks the aesthetic and political negotiations through which jazz music supposedly distanced itself from dancing bodies. Fusing little-discussed material from diverse historical and contemporary sources with the author's own years of experience as a social jazz dancer, it advances participatory dance and embodied practice as central topics of analysis in jazz studies. As it explores the fascinating history of jazz as popular dance music, it exposes how American anxieties about bodies and a broad cultural privileging of the cerebral over the corporeal have shaped efforts to "elevate" expressive forms such as jazz to elite status.