Damsel

*A 2019 Michael L. Printz Award Honor Book* A dark, twisted, unforgettable fairy tale from Elana K. Arnold, author of the National Book Award finalist What Girls Are Made Of The rite has existed for as long as anyone can remember: When the king dies, his son the prince must venture out into the gray lands, slay a fierce dragon, and rescue a damsel to be his bride. This is the way things have always been. When Ama wakes in the arms of Prince Emory, she knows none of this. She has no memory of what came before she was captured by the dragon or what horrors she faced in its lair. She knows only this handsome young man, the story he tells of her rescue, and her destiny of sitting on a throne beside him. It’s all like a dream, like something from a fairy tale. As Ama follows Emory to the kingdom of Harding, however, she discovers that not all is as it seems. There is more to the legends of the dragons and the damsels than anyone knows, and the greatest threats may not be behind her, but around her, now, and closing in.

To-do: Stop the bad guys. Rescue the wizard. Find the perfect outfit for New Year’s Eve. At last, Owen Palmer, the dreamboat wizard at Magic, Spells, and Illusions, Inc., has conjured up the courage to get Katie Chandler under the mistletoe at the office holiday party. But just when it looks like Katie has found her prince, in pops her inept fairy godmother, Ethelinda, to throw a wand into the works. Ethelinda’s timing couldn’t be worse. A plot hatched by MSI’s rogue ex-employees, Idris and his evil fairy gal pal Ari, threatens to expose the company’s secrets–and the very existence of magic itself. Even worse, it could also mean the end of Katie’s happily-ever-after. Now Katie and Owen must work side by side (but alas, not cheek to cheek) to thwart the villains’ plans. Braving black-magic-wielding sorceresses, subway-dwelling dragons, lovelorn frog princes, and even the dreaded trip to meet Owen’s parents at Christmas, Katie and her beau are in a battle to beat Idris at his own sinister game. All mischief and matters of the heart will come to a head at a big New Year’s Eve gala, when the crystal ball will drop, champagne will pour, and Katie will find herself truly spellbound. Praise for Shanna Swendson’s Once Upon Stilettos “Magical and totally delightful . . . [a] quirky, lighthearted romance.” –freshfiction.com “A fast and funny read. Chicklit meets urban fantasy.” –Mary Jo Putney, author of The Marriage Spell

Emmeline de Lonnieres swore she would never belong to a man again, so she is plunged into confusion by her feelings for Lord Talvas of Boulogne. His powerful charisma is irresistible, but she cannot give what she knows he will eventually demand—marriage. A demand she knows he will make when he discovers their passion has created the tiny new life growing inside her….

First published in 2004. These four classic masterpieces in esoteric research by the noted orientalist - M. Penzer explore customs and traditions from other cultures and periods of history which, for all their apparent strangeness, mask fundamental subjects of continuing interest. The first concerns the motif of the poison damsel -- the beauty who dealt death in many forms to her admirers - which originated in India, was prevalent in medieval Europe, and persists today in the belief of the femme fatale. The volume includes a study in the ancient Tate of the Two Thieves, an essay on sacred prostitution in India, the ancient East and West Africa, and an exhaustive treatment of the custom of chewing the betel or areca nut which is widespread in the far East from India through Indonesia to New Guinea. A natural stimulant and narcotic whose effects are similar to that of tobacco, betel is of growing interest to the medical world, and has, as the author shows here, a rich legacy of customs and belief.

THIS BOOK IS WRITTEN TO GIVE YOU GUIDELINES ON HOW YOU CAN BECOME A BETTER DAMSEL

Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.