Dad Youre Not Funny And Other Poems

Have you ever formed a secret club with friends? Or witnessed the flight of a cow? Have you ever heard a duck whistle? You haven't? Then read this book now. As always, Steve Turner's poems present a fresh and quirky view on life. Many of the poems in this collection are about childhood: school and holidays, dreams and monsters, food, friends... This collection of over seventy poems will entertain and interest children both in the classroom and at home. The themes and ideas are thought-provoking as well as witty and fun, and the entertaining cartoons reflect the mood of the poems. Steve Turner is the award-winning author of the best-selling poetry collection The Day I Fell Down the Toilet.

The second hilarious poetry collection from the author of The Day I Fell Down the Toilet

A strange and charming collection of hilariously absurd poetry, writing, and illustration from one of today's most popular young comedians?Ķ Bo Burnham was a precocious teenager living in his parents' attic when he started posting material on YouTube. 100 million people viewed those videos, turning Bo into an online sensation with a huge and dedicated following. Bo taped his first of two Comedy Central specials four days after his 18th birthday, making him the youngest to do so in the channel's history. Now Bo is a rising star in the comedy world, revered for his utterly original and intelligent voice. And, he can SIIIIIIIIING! In Egghead, Bo brings his brand of brainy, emotional comedy to the page in the form of off-kilter poems, thoughts, and more. Teaming up with his longtime friend, artist, and illustrator Chance Bone, Bo takes on everything from death to farts in this weird book that will make you think, laugh and think, "why did I just laugh?"

"Welcome my friends to the Upside Down House," a topsy-turvy place where anything is possible. Inside its wacky walls you'll meet a girl with a beard, a boy who never gets out of bed, a sword swallower, a pirate, a dinosaur who plays basketball, and the Grunk, who would love to take you to a dance-and maybe even have you for dinner. Find out what really happened to the three little pigs. Dare to ride your sled down Speedwell Street. Have lunch with Solid Stomach Steven, a boy who eats the grossest food imaginable, or watch a show with Jugglin' Joe, who juggles everything from soup, to staplers-to you! Not since Shel Silverstein has there been such an outrageously funny and thought-provoking collection of poems. The Upside Down House is truly a delight for all ages, and is guaranteed to keep you turning the pages!

In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.

A picture book of poems that celebrate fathers from a two-time Coretta Scott King Honor--winning poet. Who is your hero? Who’s your best friend? Who says he loves you again and again? Daddy! Told through the voice of a child, Anita Hope Smith's My Daddy Rules the World collection of poems celebrates everyday displays of fatherly love, from guitar lessons and wrestling matches to bedtime stories, haircuts in the kitchen, and cuddling in bed. These heartwarming poems, together with bold folk-art-inspired images, capture the strength and beauty of the relationship between father and child. A Christy Ottaviano Book

The acclaimed second collection of poetry by Patricia Lockwood, Booker Prize finalist author of the novel No One Is Talking About This and the memoir Priestdaddy SELECTED AS A BEST BOOK OF THE YEAR: The New York Times * The Boston Globe * Powell’s * The Strand * Barnes & Noble * BuzzFeed * Flavorwire “A formidably gifted writer who can do pretty much anything she pleases.” – The New York Times Book Review Colloquial and incantatory, the poems in Patricia Lockwood’s second collection address the most urgent questions of our time, like: Is America going down on Canada? What happens when Niagara Falls gets drunk at a wedding? Is it legal to marry a stuffed owl exhibit? Why isn’t anyone named Gary anymore? Did the Hatfield and McCoy babies ever fall in love? The steep tilt of Lockwood’s lines sends the reader snowballing downhill, accumulating pieces of the scenery with every turn. The poems’ subject is the natural world, but their images would never occur in nature. This book is serious and funny at the same time, like a big grave with a clown lying in it.

“Olivarez steps into the ‘inbetween’ standing between Mexico and America in these compelling, emotional poems. Written with humor and sincerity” (Newsweek). Named a Best Book of the Year by Newsweek and NPR. In this “devastating debut” (Publishers Weekly), poet José Olivarez explores the stories, contradictions, joys, and sorrows that embody life in the spaces between Mexico and America. He paints vivid portraits of good kids, bad kids, families clinging to hope, life after the steel mills, gentrifying barrios, and everything in between. Drawing on the rich traditions of Latinx and Chicago writers like Sandra Cisneros and Gwendolyn Brooks, Olivarez creates a home out of life in the in-between. Combining wry humor with potent emotional force, Olivarez takes on complex issues of race, ethnicity, gender, class, and immigration using an everyday language that invites the reader in, with a unique voice that makes him a poet to watch. “The son of Mexican immigrants, Olivarez celebrates his Mexican-American identity and examines how those two sides conflict in a striking collection of poems.” —USA Today

Winner of a "Discovery"/The Nation Award Winner of the 1999 PEN/Joyce Osterweil Award for Poetry Some Ether is one of the more remarkable debut collections of poetry to appear in America in recent memory. As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."

The New York Times 100 Notable Books of 2020 Time Magazine's 100 Must-Read Books of 2020 NPR's Best Books of 2020 National Book Award in Poetry, Longlist Frank Sanchez Book Award After her mother died, poet Victoria Chang refused to write elegies. Rather, she distilled her grief during a feverish two weeks by writing scores of poetic obituaries for all she lost in the world. In Obit, Chang writes of “the way memory gets up after someone has died and starts walking.” These poems reinvent the form of newspaper obituary to both name what has died (“civility,” “language,” “the future,” “Mother’s blue dress”) and the cultural impact of death on the living. Whereas elegy attempts to immortalize the dead, an obituary expresses loss, and the love for the dead becomes a conduit for self-expression. In this unflinching and lyrical book, Chang meets her grief and creates a powerful testament for the living. "When you lose someone you love, the world doesn’t stop to let you mourn. Nor does it allow you to linger as you learn to live with a gaping hole in your heart. Indeed, this daily indifference to being left behind epitomizes the unique pain of grieving. Victoria Chang captures this visceral, heart-stopping ache in Obit, the book of poetry she wrote after the death of her mother. Although Chang initially balked at writing an obituary, she soon found herself writing eulogies for the small losses that preceded and followed her mother’s death, each one an ode to her mother’s life and influence. Chang also thoughtfully examines how she will be remembered by her own children in time."—Time Magazine