Cyborg Saints

Saints are currently undergoing a resurrection in middle grade and young adult fiction, as recent prominent novels by Socorro Acioli, Julie Berry, Adam Gidwitz, Rachel Hartman, Merrie Haskell, Gene Luen Yang, and others demonstrate. Cyborg Saints: Religion and Posthumanism in Middle Grade and Young Adult Fiction makes the radical claim that these holy medieval figures are actually the new cyborgs in that they dethrone the autonomous subject of humanist modernity. While young people navigate political and personal forces, as well as technologies, that threaten to fragment and thingify them, saints show that agency is still possible outside of the humanist construct of subjectivity. The saints of these neomedievalist novels, through living a life vulnerable to the other, attain a distributed agency that accomplishes miracles through bodies and places and things (relics, icons, pilgrimage sites, and ultimately the hagiographic text and its reader) spread across time. Cyborg Saints analyzes MG and YA fiction through the triple lens of posthumanism, neomedievalism, and postsecularism. Cyborg Saints charts new ground in joining religion and posthumanism to represent the creativity and diversity of young people’s fiction.

Secular Religions: The Key Concepts provides a concise guide to those ideologies, worldviews, and social, political, economic, and cultural phenomena that are most often described as the modern counterparts of traditional religions. Although there are many other terms in use (quasi, pseudo, ersatz, political, civil, etc.), it is “secular religion” that best expresses the problematic nature of all such descriptions, which maintain that modern belief systems and practices are secular on the one hand and religious on the other. Today, the topic is as popular as ever, and secular religions are discovered far and wide. Hence, a critical summary is urgently necessary. The juxtaposed title is itself an expression of ironic distance. The book emphasizes inherent tensions of relevant literature in a critical and informative fashion. The author provides over 100 entries, from abortion to wokeness, as well as a detailed introduction, which gives an overview of the different definitions of “religion” and “secular religion” as well as the history of secular-religious comparisons. The main text reconstructs the argument of several key works on each given topic, while lists of sources for further reading are provided at the end of each entry. This book provides a clear introduction to “secular religions” and will appeal to researchers and students of religious studies, political philosophy, political theology, the history of ideologies, and cultural studies.

This book foregrounds the figure of the perpetrator in a selection of British, American, and Canadian comics and explores questions related to remembrance, justice, and historical debt. Its primary focus is on works that deliberately estrange the figure of the perpetrator—through fantasy, absurdism, formal ambiguity, or provocative rewriting—and thus allow readers to engage anew with the history of genocide, mass murder, and sexual violence. This book is particularly interested in the ethical space such an engagement calls into being: in its ability to allow us to ponder the privilege many of us now enjoy, the gross historical injustices that have secured it, and the debt we owe to people long dead.

The Cyborg Experiments analyzes the challenges posed to corporeality by techology. Taking as their starting point the work of the highly influential performance artists Orlan and Stelarc, the essays in this timely and important collection raise a number of questions in relation to new conceptions of embodiment, identity and otherness in the age of new technologies: Has the body become obsolete? Does transgender challenge traditional ideas of agency? Have we always been cyborgs?In addition to highlighting the playful character of digital aesthetics, the contributors investigate ethical issues concerning the ownership of our bodies and the experiments we perform on them. In this way the book explores how humanism, and ideas of "the human", have been placed under increasing scrutiny as a result of new developments in science, media and communications.Contributors:John Appleby, Rachel Armstrong, Fred Botting, Julie Clarke, Gary Hall, Chris Hables Gray, Meredith Jones, Orlan, Mark Poster, Jay Prosser, E. A. Scheer, Zod Sofia, Stelarc, Scott Wilson, Joanna Zylinska

What is the 'posthuman'? Is becoming posthuman inevitable-something which will happen to us, or something we will do to ourselves? Why do some long for it, while others fearfully reject it? These questions underscore the fact that the posthuman is a name for the unknown future, and therefore, not a single idea but a jumble of competing visions - some of which may be exciting, some of which may be frightening, and which is which depends on who you are, and what you desire to be. This book aims to clarify current theological and philosophical dialogue on the posthuman by arguing that theologians must pay attention to which form of the posthuman they are engaging, and to demonstrate that a 'posthuman theology' is not only possible, but desirable, when the vision of the posthuman is one which coincides with a theological vision of the human.

What is the 'posthuman'? Is becoming posthuman inevitable-something which will happen to us, or something we will do to ourselves? Why do some long for it, while others fearfully reject it? These questions underscore the fact that the posthuman is a name for the unknown future, and therefore, not a single idea but a jumble of competing visions - some of which may be exciting, some of which may be frightening, and which is which depends on who you are, and what you desire to be. This book aims to clarify current theological and philosophical dialogue on the posthuman by arguing that theologians must pay attention to which form of the posthuman they are engaging, and to demonstrate that a 'posthuman theology' is not only possible, but desirable, when the vision of the posthuman is one which coincides with a theological vision of the human.

Expanding outward from previous scholarship on gender, queerness, and heteronormativity in children’s literature, this book offers fresh insights into representations of sex and sexuality in texts for young people. In this collection, new and established scholars examine how fiction and non-fiction writing, picture books, film and television and graphic novels position young people in relation to ideologies around sexuality, sexual identity, and embodiment. This book questions how such texts communicate a sense of what is possible, impossible, taboo, or encouraged in terms of being sexual and sexual being. Each chapter is motivated by a set of important questions: How are representations of sex and sexuality depicted in texts for young people? How do these representations affect and shape the kinds of sexualities offered as models to young readers? And to what extent is sexual diversity acknowledged and represented across different narrative and aesthetic modes? This work brings together a diverse range of conceptual and theoretical approaches that are framed by the idea of sexual becoming: the manner in which texts for young people invite their readers to assess and potentially adopt ways of thinking and being in terms of sex and sexuality.

For over a century British authors have been writing about the Antarctic for child readers, yet this body of literature has never been explored in detail. Antarctica in British Children’s Literature examines this field for the first time, identifying the dominant genres and recurrent themes and tropes while interrogating how this landscape has been constructed as a wilderness within British literature for children. The text is divided into two sections. Part I focuses on the stories of early-twentieth-century explorers such as Robert F. Scott and Ernest Shackleton. Antarctica in British Children’s Literature highlights the impact of children’s literature on the expedition writings of Robert Scott, including the influence of Scott’s close friend, author J.M. Barrie. The text also reveals the important role of children’s literature in the contemporary resurgence of interest in Scott’s long-term rival Ernest Shackleton. Part II focuses on fictional narratives set in the Antarctic, including early-twentieth-century whaling literature, adventure and fantasy texts, contemporary animal stories and environmental texts for children. Together these two sections provide an insight into how depictions of this unique continent have changed over the past century, reflecting transformations in attitudes towards wilderness and wild landscapes.

Two brothers, one starship. A girl frozen in cryostasis. A galaxy on the verge of war. This omnibus edition contains the complete Sons of the Starfarers series, including: BROTHERS IN EXILE Isaac and Aaron are nothing if not survivors. Their homeworld lost and their people scattered, all they have left is each other. Then, in the Far Outworlds, they find a dead colony with a beautiful young woman frozen in cryostasis. She is also a survivor—and she needs their help. COMRADES IN HOPE Isaac and Aaron have joined the war effort, and not a moment too soon. The Imperials are poised to strike at the heart of the New Pleiades and obliterate the ragtag flotilla standing in their way. Aaron always wanted to prove himself, but he was never ready to make the ultimate sacrifice—until now. STRANGERS IN FLIGHT When Reva Starchild went into cryosleep, she wasn't prepared to be the sole survivor of a people that history never remembered. Isaac wants to help her, but he carries a secret that may decide the outcome of the war. Little does he know, the Imperials aren't the only ones hunting him. FRIENDS IN COMMAND The future of the Outworlds now lies in uncertain hands. The Imperials are back, and this time, a ragtag flotilla isn't going to stop them. But they aren't the only enemies of the new Outworld Confederacy. Together, Aaron and Mara must face a threat from within. CAPTIVES IN OBSCURITY Isaac and Reva are running out of time. Gulchina's cruelty knows no bounds, and on the edge of known space, no one can stop her. But an unexplored planet holds an ancient alien secret that may prove to be a game changer. PATRIOTS IN RETREAT Gulchina's betrayal has all but sealed the fate of the Outworld Confederacy. As world after world falls before the Gaian Imperial onslaught and the crew of the Merope-7 take losses of their own, a young Imperial agent must decide what she's truly fighting for. A QUEEN IN HIDING Reva may be the queen of an alien-human hive mind, but that doesn't mean the others trust her. With Gulchina personally hunting them and Star's End consumed by worldfire, they all must face the terrible truth: unite or be destroyed. AN EMPIRE IN DISARRAY The Outworlds have shattered, but the Empire is shattering faster. With Isaac's help and Reva's telepathic powers, only Mara can stop the would-be usurpers and stop the war from ending in disaster for them all. VICTORS IN LIBERTY As Gulchina's forces bombard Edenia II from orbit, Mara Soladze and the Deltana brothers rush to the planet's aid. Trapped on the surface, Reva finds an unlikely ally—one who proves to be a game changer for them all.