Creative Selection Between Emending And Forming Medieval Memory

Karl Valentin once asked: "How can it be that only as much happens as fits into the newspaper the next day?" He focussed on the problem that information of the past has to be organised, arranged and above all: selected and put into form in order to be perceived as a whole. In this sense, the process of selection must be seen as the fundamental moment – the “Urszene” – of making History. This book shows selection as highly creative act. With the richness of early medieval material it can be demonstrated that creative selection was omnipresent and took place even in unexpected text genres. The book demonstrates the variety how premodern authors dealt with "unimportant", unpleasant or unwanted past. It provides a general overview for regions and text genres in early medieval Europe.

Between Memory and Power intends to demonstrate that a robust culture of historical writing existed in 2nd/8th century Syria, and to offer new methodological approaches to access this now lost history, torn between memory and oblivion. By studying the making of Umayyad heroes or Abbasid origins-myths, this book aims to reveal the successive meanings granted to Syrian history, and to identify the various layers of historical writing and rewriting during the first centuries of Islam. Taken together, these elements make possible a history of meanings of the very space of Syria, articulated around power and its expression, which grants a clear coherence to the period, extending well beyond the dynastic caesura of 132/750.

In Isidore of Seville and the “Liber Iudiciorum,” the author re-interprets the meaning and “function” of the seventh-century Visigothic law-code, the Liber Iudiciorum within the context of the cooperative competition of history-writing between nodes of power in Seville and Toledo.

As episodic narratives, romances depend upon an inherent understanding of the powers of memory and recollection to ensure that the authority of characters, narratives and the chivalric ideal are identified and sustained. Memory is mapped onto literal journeys, places, and correlative experiences, and the thesis examines the processes through which this is achieved in medieval English romances. Distractions of the present are often complicated by unfamiliarity, forgetfulness, disguises and incognito, or threats from Otherworldly challenges, (mis)fortune, and time itself. Consequently, in contrast to simple learning in the manner of mnemonics, romances promote a dynamic continuum between past and present which preserves the medieval memorial principles of order and place along with the creative freedom for interpretation advocated at the heart of medieval memoria. Using classical and medieval memory theories, the thesis examines the creative challenges for memory in a selection of established romances such as Sir Gawain and the Green Knight, Sir Orfeo, Emaré, and King Horn, including those of Chaucer and Malory, along with lesser studied, longer romances such as William of Palerne, Ipomadon and Beves of Hamtoun. Characters and audiences create their own stable set of memories from within and beyond each tale which they recollect, often as imaginatively changed forms, into present experiences and future situations. By avoiding the temptation to forget and remaining open to referential moments, a lost knight is united with his remembered love, situations mysteriously chime with those witnessed before, and pressures of change become the reassuring familiarity and expectation of a past reimagined. In romances the memorial places, objects, and rituals are of great importance, but so too are the spaces between these recognisable points. This is the expanse of time which allows the creative work of memory to truly flourish and preserves the identity and authority of the narratives themselves.

This work, by the greatest living authority on medieval palaeography, offers the most comprehensive and up-to-date account in any language of the history of Latin script. It also contains a detailed account of the role of the book in cultural history from antiquity to the Renaissance, which outlines the history of book illumination. Designed as a textbook, it contains a full and updated bibliography. Because the volume sets the development of Latin script in its cultural context, it also provides an unrivalled introduction to the nature of medieval Latin culture. It will be used extensively in the teaching of latin palaeography, and is unlikely to be superseded.

"Isidore of Seville and the "Liber Iudiciorum" establishes a novel framework for re-interpreting the Liber Iudiciorum (LI), the law-code issued in Toledo by the Visigothic king Recceswinth (649/653-672) in 654. The LI was a manifestation of a vibrant dialectical situation, particularly between two networks of authority, Isidore-Seville and Toledo-Agali, a defining characteristic of the discourse coloring the fabric of writing in Hispania, c. 600-660. To more fully imagine the meaning, significance and purposes of the LI, this book elicits this cooperative competition through a series of four case-studies on writing in the period. In addition to offering an alternative historiography for the LI, this book expands the corpus of "Visigothic Literature" and introduces what the author refers to as "Gothstalgie.""--

In Uncovering Jewish Creativity in Book III of the Sibylline Oracles, Ashley L. Bacchi reclaims the importance of the Sibyl as a female voice of prophecy, revealing intertextual references and political commentary on second-century events in Ptolemaic Egypt.

Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1991.

Vol. 4 covers the late Roman period to the rise of Islam. Focuses especially on the growth and development of rabbinic Judaism and of the major classical rabbinic sources such as the Mishnah, Jerusalem Talmud, Babylonian Talmud and various Midrashic collections.