Creative Sanity

***Start your journey. Discover your creative spirit in an exploration through art*** 'Creative Sanity: Where Art Meets Presence", explores the incredible variety of inspirations and mindsets of 27 painters and photographers from 10 countries. There is no one right answer to solving the creativity puzzle; only YOUR right answer, discovered through the creative process.***Leading by example***Filled cover-to-cover with high quality, full color imagery, the book is presented as a portfolio that highlights the paintings and photography of today's most talented artists. Take action as you draw inside of the book while following simple drawing activities designed to relax and rejuvenate. Return to the creative.

Where's the Truth? is the fourth and final volume of Wilhelm Reich's autobiographical writings, drawn from his diaries, letters, and laboratory notebooks. These writings reveal the details of the outrider scientist's life—his joys and sorrows, his hopes and insecurities—and chronicle his experiments with what he called "orgone energy." A student of Freud's and a prominent research physician in the early psychoanalytic movement, Reich immigrated to America in 1939 in flight from Nazism, and pursued research about orgone energy functions in the living organism and the atmosphere. Where's the Truth? begins in January 1948, shortly after Reich became a target of the Federal Food and Drug Administration. He had already faced persecution by the U.S. government, having been mistaken by the State Department and the FBI for both a Communist and a Nazi. Starting in 1947, Reich was hounded by the FDA, which, in 1954, obtained an injunction by default against him that enabled it to burn six tons of his published books and research journals, and to ban the use of one of his most important experimental research tools—the orgone energy accumulator. Challenging the right of a court to judge basic scientific research, Reich was imprisoned in March 1957 and died in the U.S. Penitentiary in Lewisburg, Pennsylvania, eight months later. The text gathered here shows Reich's steadfast determination to protect his work. "Where's the truth?" he asked a lawyer, and that question animates this volume and rounds out our understanding of a unique, irrepressible modern figure.

THE SCHOOL OF LIFE IS DEDICATED TO EXPLORING LIFE'S BIG QUESTIONS IN HIGHLY-PORTABLE PAPERBACKS, FEATURING FRENCH FLAPS AND DECKLE EDGES, THAT THE NEW YORK TIMES CALLS "DAMNABLY CUTE." WE DON'T HAVE ALL THE ANSWERS, BUT WE WILL DIRECT YOU TOWARDS A VARIETY OF USEFUL IDEAS THAT ARE GUARANTEED TO STIMULATE, PROVOKE, AND CONSOLE. An Economist Best Book of the Year Everyone accepts the importance of physical health; isn't it just as important to aim for the mental equivalent? Philippa Perry has come to the rescue with How to Stay Sane -- a maintenance manual for the mind. Years of working as a psychotherapist showed Philippa Perry what approaches produced positive change in her clients and how best to maintain good mental health. In How to Stay Sane, she has taken these principles and applied them to self-help. Using ideas from neuroscience and sound psychological theory, she shows us how to better understand ourselves. Her idea is that if we know how our minds form and develop, we are less at the mercy of unknown unconscious processes. In this way, we can learn to be the master of our feelings and not their slave. This is a smart, pithy, readable book that everyone with even a passing interest in their psychological health will find useful.

Myth and Creative Writing is a unique and practical guide to the arts of creative writing. It: Gives a historical perspective on the storyteller's art Takes a wide view of myth, to include: legends, folklore, biblical myth, classical myth, belief myths, balladry and song. Considers all aspects of the creative process, from conception to completion Provides tips on seeking inspiration from classical and mythic sources Shows how myths can be linked to contemporary concerns Enables beginning writers to tap into the deeper resonances of myth Guides students to further critical and creative resources A secret that all writers know is that they are part of a long tradition of storytelling - whether they call it mythic, intertextual, interactive or original. And in the pantheon of storytelling, myths (those stories that tell us, in often magical terms, how the world and the creatures in it came to be) are the bedrock, a source of unending inspiration. One can dress the study of literature in the finest critical clothing - or intellectualise it until the cows come home - but at its heart it is nothing more - and nothing less - than the study of the human instinct to tell stories, to order the world into patterns we can more readily understand. Exploring the mythic nature of writing (by considering where the connections between instinct and art are made, and where the writer is also seen as a mythic adventurer) is a way of finding close links to what it is we demand from literature, which is - again - something to do with the essences of human nature. Further, in the course of examining the nature of myth, Adrian May provides a very practical guide to the aspiring writer - whether in a formal course or working alone - on how to write stories (myths) of their own, from how to begin, how to develop and how to close.

This is the annotated edition including the rare biographical essay by Edwin E. Slosson called "H. G. Wells - A Major Prophet Of His Time". The successor in our day to both Jules Verne and Edward Bellamy is H. G. Wells, and his book, "The World Set Free," embodies more of his creed than anything heretofore published. The goal of Mr. Wells' thinking is the end of war and the realization upon earth of a real "parliament of the world." This outcome is to be reached, not as in Bellamy's scheme by peaceful evolution, but only after the present social order has been rent asunder by the release of certain elemental physical forces to be revealed to man through processes similar to those that have led to the great discoveries and inventions of the more recent past. The only way by which war could be finally abolished, according to Mr. Wells, was through the demonstration of overwhelming destructiveness of these new physical agencies under partial human control. The phrase "atomic energy" is much used by Mr. Wells in describing this tremendous power that brings about the practical disintegration of the physical world as we know it today, and he prepares the reader for his disclosures concerning this explosive force by recalling the discoveries of radio-activity and the work of Marconi and their applications in our own industrial life. In this his method closely follows that of Jules Verne. On the side of social and political construction Mr. Wells is possibly less convincing, but considering the fact that he is compelled to presuppose a situation far removed from anything that this generation can easily imagine, this is not strange.

A guide on how to make jingles and score video productions, this book will teach you how to organize production resources, prepare and present your demo recordings, work with clients, craft profit-producing copy, promote your work, protect yourself legally, get the money you deserve and more.

Discover the x-factor—the driving force behind extraordinary success. What accounts for the difference between the mega-success of Madonna and a thousand other wannabees waiting in the wings? Why did JK Rowling succeed where so many others aspiring writers have failed? And what was it about the slightly neurotic and mediocre schoolboy Sigmund Freud that ensured his position as one of the most brilliant and original thinkers in history? In this engrossing new book, Taylor builds on his theory that feeling like an ‘outsider’ from an early age, whether consciously or subconsciously not fitting into the norm, creates an edge that can drive outstanding success in later life. To this core philosophy Taylor adds a new ingredient: that of creativity, and he explores the interplay of these two factors—a lack of belonging and creativity—in the lives of a sparkling cast of individuals. Go beyond the glitz and glamour to discover how creative energy, harnessed to produce lives and works of extraordinary genius, can often exist against a backdrop of personal struggle and despair. From childhood outsider to adult icon, understand the journey of the following celebrities: Brad Pitt • Elvis Presley • Frieda Kahlo • Walt Disney • Sigmund Freud • Albert Einstein • Andy Warhol • Coco Chanel • David Beckham • Dan Brown • John Lennon • Sir Edmund Hillary • JK Rowling • Angelina Jolie • Tiger Woods • Amelia Earhart • Madonna

Creativity: Theory, History, Practice offers important new perspectives on creativity in the light of contemporary critical theory and cultural history. Innovative in approach as well as argument, the book crosses disciplinary boundaries and builds new bridges between the critical and the creative. It is organised in four parts: Why creativity now? offers much-needed alternatives to both the Romantic stereotype of the creator as individual genius and the tendency of the modern creative industries to treat everything as a commodity defining creativity, creating definitions traces the changing meaning of 'create' from religious ideas of divine creation from nothing to advertising notions of concept creation. It also examines the complex history and extraordinary versatility of terms such as imagination, invention, inspiration and originality dreation as myth, story, metaphor begins with modern re-tellings of early African, American and Australian creation myths and – picking up Biblical and evolutionary accounts along the way – works round to scientific visions of the Big Bang, bubble universes and cosmic soup creative practices, cultural processes is a critical anthology of materials, chosen to promote fresh thinking about everything from changing constructions of 'literature' and 'design' to artificial intelligence and genetic engineering. Rob Pope takes significant steps forward in the process of rethinking a vexed yet vital concept, all the while encouraging and equipping readers to continue the process in their own creative or 're-creative' ways. Creativity: Theory, History, Practice is invaluable for anyone with a live interest in exploring what creativity has been, is currently, and yet may be.

Religion has been responsible for both horrific acts against humanity and some of humanity's most sublime teachings and experiences. How is this possible? From a contemporary psychoanalytic perspective, this book seeks to answer that question in terms of the psychological dynamic of idealisation. At the heart of living religion is the idealisation of everyday objects. Such idealisations provide much of the transforming power of religious experience, which is one of the positive contributions of religion to the psychological life. However, idealisation can also lead to religious fanaticism which can be very destructive. Drawing on the work of various contemporary relational theorists within psychoanalysis, this book develops a psychoanalytically informed theory of the transforming and terror-producing effects of religious experience. It discusses the question of whether or not, if idealisation is the cause of many of the destructive acts done in the name of religion, there can be vital religion without idealisation. This is the first book to address the nature of religion and its capacity to sponsor both terrorism and transformation in terms of contemporary relational psychoanalytic theory. It will be invaluable to students and practitioners of psychoanalysis, psychotherapy, psychology and religious studies, and to others interested in the role of religion in the lives of individuals and societies.