Corpses Never Argue

In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry. Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted." Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production. Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.

A poor sidewalk artist struggles to defeat a fiendish mastermind who is not only intent on world domination, but determined to kill all white people and for reasons that are never made entirely clear, wants to create nymphs, satyrs, and other Greek and Roman demigods through the miracle of vivisection! These characteristics alone would qualify Caspar Pettifranc to take his rightful place alongside John Sunlight, Wu Fang, Doctor Death and the other great villains of the American pulps, but Goddard doesn't stop here. The author also makes Pettifranc a master of voodoo who thus can ring in zombies and the pantheon of loas. For reasons that the author allows to remain obscure, the loas are given to making odd whistling noises, hence the title of the book. Introduction by John Pelan.

In Walking Corpses, Timothy S. Miller and John W. Nesbitt contextualize reactions to leprosy in medieval Western Europe by tracing its history in Late Antique Byzantium, which had been confronting leprosy and its effects for centuries. Integrating developments in both the Latin West and the Greek East, Walking Corpses challenges a number of misperceptions about attitudes toward the disease, including that theologians branded leprosy as punishment for sin (rather, it was seen as a mark of God's favor); that Christian teaching encouraged bans on the afflicted from society (in actuality, it was Germanic customary law); or that leprosariums were prisons (instead, they were centers of care, many of them self-governing). Informed by extensive archival research and recent bioarchaeology, Walking Corpses also includes new translations of three Greek texts regarding leprosy, while a new preface to the paperback edition updates the historiography on medieval perceptions and treatments of leprosy.

Trade paperback. WHEN DEATH PAYS A CALL he generally leaves a card behind ... even if it sometimes takes a pathologist to find it. But on the morning that he visited the bathroom at Forstal Farm, he did it incognito. It took a man with a crowbar to break down the bathroom door, and there on the floor was Basil Maplewood, naked, with one foot still hanging over the edge of the bath. Basil was only twenty-one, and in the very pink of health, but the post-mortem didn't help much ... no violence, no sign of poison. Here is a mystery in a thousand, and one that almost - but not quite - threw dust in the eyes of Inspector Arnold and his colleagues.

Trade paperback. Dr. Pinsent is translating hieroglyphics in Egypt when he meets up with Sir Robert Ottley, who is searching for the tomb and mummy of the ancient Egyptian priest Ptahmes. Pinsent is intrigued by the excavation - but he is even more fascinated by OttleyÕs daughter, May, who is assisting her father. When the sarcophagus of Ptahmes is unearthed and opened, a bizarre series of events begins to unfold. Pinsent is drawn into the mysterious phenomena, which swiftly develop into something more sinister. Only when Pinsent and the Ottleys return to London do matters take a devilishly threatening turn. Ambrose Pratt (1874Ð1944) was a prolific Australian journalist and author of novels and non-fiction. Later in life Pratt was an outspoken opponent of the White-Australia Policy. His many activities included advocating the inclusion of Australian fauna at Melbourne Zoo; he later became vice-president of the Zoological Society of Victoria.

Trade paperback. John Vance doesnÕt have a care in the world...except, perhaps, seeing his daughter Pamela married to the right man. Father and daughter live happily at Blacon Grange until one day the post brings a letter from an anonymous writer directing Vance to kill one Martin Stone - a man of dubious character with whom Vance had once been associated. Vance decides to ignore the ludicrous missive. But a phone Õcall received shortly afterwards from Martin Stone leads John Vance into dangerous waters... The ensuing case is investigated by Curtis Burke of Scotland Yard, and Inspector Burke and his men must use all of their deductive skill to unravel a conspiracy whose roots go back to Mexico. ÔRalph TrevorÕ was the pseudonym used by James Reginald Wilmot for his numerous mystery novels. He also wrote romances under the pseudonym ÔFrances StewartÕ.