Cops And Characters In The Big Easy

Gene Fields spent 35 years of his adult life in law enforcement in the Metro New Orleans area. For 19 years, he served on the New Orleans Police Department beginning in 1961. In 1980, he retired, accepting a Deputy Chief with the Jefferson Parish Sheriff's Office. He retired again in 1995.This book chronicles Gene's memoirs, providing a compilation of criminal investigations, unusual incidents, terrorism, and humorous stories involving Gene, his friends and co-workers, and the occassional celebrity. Gene relives dramatic changes within the NOPD. He served the city during a transition period, as veteran officers who joined after WWII and the Korean War, retired, and a new, more ambitious breed, replaced them. Some of these recruits were better educated and more diverse.What you will read in this book is factual and supported by police reports, news clippings, and most importantly, the recollections of those involved in the stories. Some names have been changed to protect the identities and prevent unnecessary embarrassment. Some people may be aggravated or insulted by how they are described in certain cases, but Gene stands by his accounts, and the read is a fascinating one.

Gene Fields spent 35 years of his adult life in law enforcement in the Metro New Orleans area. For 19 years, he served on the New Orleans Police Department beginning in 1961. In 1980, he retired, accepting a Deputy Chief with the Jefferson Parish Sheriff's Office. He retired again in 1995. This book chronicles Gene's memoirs, providing a compilation of criminal investigations, unusual incidents, terrorism, and humorous stories involving Gene, his friends and co-workers, and the occassional celebrity. Gene relives dramatic changes within the NOPD. He served the city during a transition period, as veteran officers who joined after WWII and the Korean War, retired, and a new, more ambitious breed, replaced them. Some of these recruits were better educated and more diverse. What you will read in this book is factual and supported by police reports, news clippings, and most importantly, the recollections of those involved in the stories. Some names have been changed to protect the identities and prevent unnecessary embarrassment. Some people may be aggravated or insulted by how they are described in certain cases, but Gene stands by his accounts, and the read is a fascinating one.

Gene Fields spent 35 years of his adult life in law enforcement in the Metro New Orleans area. For 19 years, he served on the New Orleans Police Department beginning in 1961. In 1980, he retired, accepting a Deputy Chief with the Jefferson Parish Sheriff's Office. He retired again in 1995. This book chronicles Gene's memoirs, providing a compilation of criminal investigations, unusual incidents, terrorism, and humorous stories involving Gene, his friends and co-workers, and the occassional celebrity. Gene relives dramatic changes within the NOPD. He served the city during a transition period, as veteran officers who joined after WWII and the Korean War, retired, and a new, more ambitious breed, replaced them. Some of these recruits were better educated and more diverse. What you will read in this book is factual and supported by police reports, news clippings, and most importantly, the recollections of those involved in the stories. Some names have been changed to protect the identities and prevent unnecessary embarrassment. Some people may be aggravated or insulted by how they are described in certain cases, but Gene stands by his accounts, and the read is a fascinating one.

Policing is a source of perennial conflict and philosophical disagreement. Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always a result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts. Jake Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code. But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. So, police need an alternative normative framework for evaluating and guiding their exercise of power. Just Policing draws on research in political philosophy and the social sciences to engage a number of current controversies, both scholarly and popular, regarding the police. It critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform.

"This is a brilliant study, warm and frequently thrilling, of an inspired combination of subjects. Postindustrial American urban culture has found its great poet-theorist in Carlo Rotella."—William Finnegan, author of Cold New World: Growing Up in a Harder Country "In the hands of others, we have learned much about the process of deindustrialization. Rotella powerfully brings the reader to the core of these socio-economic transitions in a manner that is almost palpable in its ability to connect the reader to any one of his subjects. Rotella held me, taught me, opened my eyes to an appreciation of new ways of seeing. The writing is electric, the broader conceptual framework is rich and complex, and his touch is deft throughout the book."—Nick Salvatore, coauthor of We All Got History: The Memory Books of Amos Webber

Someone is killing New Orleans street people, and it's hurting the city's tourist trade beginning to recover from hurricanes Katrina and Rita. More than murder, voodoo is involved, the killer possibly an actual Vodoun deity. Wyatt Thomas, the French Quarter's favorite P.I., is forced to respond, or to die.

In this pathfinding new work, the author has included many of the major (and minor) cop film titles to emerge from Hollywood over the decades.

"A complete and detailed guide to crime on film: prison dramas, film noir, heist movies, juvenile delinquents, serial killers, bank robbers, and many other subgenres and motifs. The historical and social background to movie crime is covered by articles on the FBI, the Mafia, the Japanese yakuza, prohibition, boxing, union rackets, drugs, poisoning, prostitution, and many other topics."--Cover.

The American police novel emerged soon after World War II and by the end of the century it was one of the most important forms of American crime fiction. The vogue for either Holmesian genius or the plucky amateur detective dominated mystery fiction until mid-century; the police hero offered a way to make the traditional mystery story contemporary. The police novel reflects sociology and history, and addresses issues tied to the police force, such as corruption, management, and brutality. Since the police novel reflects current events, the changing natures of crime, court procedures, and legislation have an impact on its plots and messages. An examination of the police novel covers both the evolution of a genre of fiction and American culture in general. This work traces the emergence of the police officer as hero and the police novel as a significant popular genre, from the cameo appearances of police in detective novels of the 1930s and 1940s through the serial killer and forensic novels of the 1990s. It follows the ways in which professional writers and police officers turned writers view the police individually and collectively. The work chronicles the ways in which changes in the law and society have affected the actions of the police and shows how the protagonists of police novels have changed in gender, race, nationality, sexual orientation, and age over the years. The major writers examined begin with Julian Hawthorne in the nineteenth century, and include such writers as S.S. van Dine, Ellery Queen, Erle Stanley Gardner, Ed McBain, Chester Himes, MacKinley Kantor, Hillary Waugh, Dorothy Uhnak, Joseph Wambaugh, Bob Leuci, W.E.B. Griffin, and Carol O'Connor.

You've never used a video guide like this before. You loved Chariots of Fire and you want to see something like it. Where do you start? Look up Chariots of Fire in the index, and find it in Drama. There you'll see it listed under White Flannel Films: Welcome to the glory days of the British empire when the ruling class rode horses on large country estates, servants were in plentiful supply, and only an adulterous lover questioned the status quo. As in other costume dramas, the period details are celebrations of all that was brilliant and luxurious, with the camera sweeping over British, Indian, or African countryscapes and exquisite turn-of-the-century interiors. But all this lush upholstery doesn't cover up the intelligent, thoughtful stories -- usually based on Lawrence, Forster, and Waugh novels -- played by stellar British actors. In White Flannel Films there are concise, witty reviews of select movies like A Room with a View A Passage to India Heat and Dust The Shooting Party Out of Africa White Mischief and more There is also a unique ratings system that helps you distinguish the bombs from the sleepers. But the key is that all these films offer the same kind of viewing experience -- if you like one, chances are good you'll like the others, too. Seen That, Now What? is your own personal video genius, who knows everything about movies and exactly what you like to watch.