Continuity And Change In Etruscan Domestic Architecture

Etruscan architecture underwent various changes between the later Iron Age and the Archaic period. This book reconsiders these changes by focusing on the building materials and techniques used in the construction of domestic structures.

The destruction of ancient monuments by the Taliban and the Islamic State have shocked observers worldwide. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(R) analyzes continuing threats to our heritage as well as a balanced account of treaties and laws, collections past and present, forgeries, and other controversial issues. Antiquities explores the legal, practical, and moral choices we face when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.

Reconnects ancient buildings with the people who made them, with their surroundings, and with practices in other times and cultures.

Proceedings of the 17th Iron Age Research Student Symposium held in Edinburgh, organised to reflect three general themes (migration/interaction, material culture and the built environment)

This volume is the third in the series Corollaria Crustumina aimed at the publication of conference proceedings, doctoral theses and specialist studies concerning the Latin settlement of Crustumerium (Rome) and its place in central Italian protohistory. It contains the dissertation that Jorn Seubers wrote and defended at the University of Groningen as part of the project "The People and the State. Material culture, social structure and political centralisation in central Italy (800-450 BC)". This detailed study of Crustumerium's urban and rural settlement dynamics, for which the author assembled all data from previous work while adding new landscape archaeological studies and sophisticated territorial and data analyses, elaborates a new scenario on the relation between the urban core and its countryside that is reviewed within the theoretical framework of the debate on early state formation and landscape archeological methodology.

Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, “What factors drove the emergence of scale as a defining element of ancient Italian architecture?” and “How did monumentality arise as a key feature of Roman architecture?” Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors’ preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives.

Religious Architecture in Latium and Etruria, c. 900-500 BC presents the first comprehensive treatment of cult buildings in western central Italy from the Iron Age to the Archaic Period. By analysing the archaeological evidence for the form of early religious buildings and their role in ancient communities, it reconstructs a detailed history of early Latial and Etruscan religious architecture that brings together the buildings and the people whoused them.

Axel Boethius's account begins about 1400 B.C. with the primitive villages of the Italic tribes. The scene was transformed by the arrival of the Greeks and by the Etruscans who by about 600 had Rome and Central Italy under their cultural spell.