Contemporary Womens Fiction

Six novels in one volume by today’s most outstanding female writers—includes The Magician’s Assistant, Those Who Save Us, and more. From the #1 New York Times–bestselling author of Commonwealth and Bel Canto, to the multiple award-winning author of This Must Be the Place, this collection gathers a half-dozen top-notch literary talents in a treasure trove for fiction lovers. Included: Almost by Elizabeth Benedict chronicles the attempt of writer Sophy Chase to come to terms with the death of her almost ex-husband—who may have committed suicide on the New England resort island where she left him just months before. Those Who Save Us by Jenna Blum follows Trudy, a professor of German history, as she investigates her mother’s past in WWII Germany, combining a passionate, doomed love story; a vivid evocation of life during the war; and a poignant mother/daughter drama. The Hearts of Horses by Molly Gloss is a heartwarming story of a young woman with the rare talent of “gentling” wild horses, and the unexpected and profound connections between people and animals. The Last Chinese Chef by Nicole Mones takes readers inside the hidden world of elite cuisine in modern China, through the story of an American food writer in Beijing who discovers that her late husband may have been leading a double life. The Vanishing Act of Esme Lennox by Maggie O’Farrell is a gothic, intricate tale of family secrets, lost lives, and the freedom brought by truth. The Magician’s Assistant by Ann Patchett tells the story of the death of a secretive magician—and how it sets in motion his partner’s journey of self-discovery.

Women’s writing in the twentieth century has shown a dramatic shift in its preoccupations and intentions. Rather than occupying itself with the trivialities of the social and domestic spheres, the writing by women in the latter half of the twentieth century and approaching the twenty-first century inheres concerns such as political, historical, questions of gender equity and rights, interrogations of normative and patriarchal practices and other such issues that have not been adequately addressed in women’s writing thus far. The four essays in the present volume are certainly not exhaustive or adequate in this regard — that of addressing this lacuna in literary scholarship — but it may be viewed as a attempt to bridge the proverbial gap. As a precursor to further scholarly works in the area, already existing as well as forthcoming, the essays discuss the works of Toni Morrison, Margaret Atwood, Bapsi Sidhwa, Manju Kapur and Sunanda Sikdar. Although the essays purport to exploring select areas of the authors’ oeuvre, the distinctive fictional structures of the authors help us to explore wider theoretical and critical issues such as postmodernity, postcolonialism, feminism, globalism, nationalism and other related issues.

This volume examines a wide variety of the ways in which the fantastic has impacted upon contemporary women's fiction. Some of the issues addressed include: the importance of the cyborg and the spectre to critical and fictional discourses of gender; the interface between the grotesque and contemporary readings of feminist utopianism; the growing similarity between late twentieth-century gothicism and the magical real. The study is based upon the work of fifteen writers and includes novels by Allende, Atwood, Carter, Head, Morrison, Weldon, Winterson and Wittig.

This volume examines a wide variety of the ways in which the fantastic has impacted upon contemporary women's fiction. Some of the issues addressed include: the importance of the cyborg and the spectre to critical and fictional discourses of gender; the interface between the grotesque and contemporary readings of feminist utopianism; the growing similarity between late twentieth-century gothicism and the magical real. The study is based upon the work of fifteen writers and includes novels by Allende, Atwood, Carter, Head, Morrison, Weldon, Winterson and Wittig.

Women’s writing in the twentieth century has shown a dramatic shift in its preoccupations and intentions. Rather than occupying itself with the trivialities of the social and domestic spheres, the writing by women in the latter half of the twentieth century and approaching the twenty-first century inheres concerns such as political, historical, questions of gender equity and rights, interrogations of normative and patriarchal practices and other such issues that have not been adequately addressed in women’s writing thus far. The four essays in the present volume are certainly not exhaustive or adequate in this regard — that of addressing this lacuna in literary scholarship — but it may be viewed as a attempt to bridge the proverbial gap. As a precursor to further scholarly works in the area, already existing as well as forthcoming, the essays discuss the works of Toni Morrison, Margaret Atwood, Bapsi Sidhwa, Manju Kapur and Sunanda Sikdar. Although the essays purport to exploring select areas of the authors’ oeuvre, the distinctive fictional structures of the authors help us to explore wider theoretical and critical issues such as postmodernity, postcolonialism, feminism, globalism, nationalism and other related issues.

American women writers have long been creating an extraordinarily diverse and vital body of fiction, particularly in the decades since World War II. Recent authors have benefited from the struggles of their predecessors, who broke through barriers that denied women opportunities for self-expression. This reference highlights American women writers who continue to build upon the formerly male-dominated canon. Included are alphabetically arranged entries for more than 60 American women writers of diverse ethnicity who wrote or published their most significant fiction after World War II. Each entry is written by an expert contributor and includes:^L^DBLA brief biography^L^DBLA discussion of major works and themes^^DBLA survey of the writer's critical reception^L^DBLA bibliography of primary and secondary sources