Constantine Porphyrogennetos

This is the first modern language translation of the entire text of the tenth-century Greek Book of Ceremonies (De ceremoniis) , a work compiled and edited by the Byzantine emperor Constantine VII (905-959). It preserves material from the fifth century through to the 960s. Chapters deal with diverse subjects of concern to the emperor including the role of the court, secular and ecclesiastical ceremonies, processions within the Palace and through Constantinople to its churches, the imperial tombs, embassies, banquets and dress, the role of the demes, hippodrome festivals with chariot races, imperial appointments, the hierarchy of the Byzantine administration, the equipping of expeditions, including to recover Crete from the Arabs, and the lists of ecclesiastical provinces and bishoprics.

This comprehensive volume offers new insights into a seminal period of medieval Eastern Roman imperial history: the rule of Constantine VII Porphyrogennetos (913/945-959). Its fifteen chapters are organized around the concepts of center, province and periphery and take the reader from the splendor of Constantinople to the fringes of the empire. They examine life in the imperial city in the age of Constantine VII, the cultural revivals in Byzantium and the Carolingian West, as well as the emperor's historiographical projects, including his historical excerpts and the famous Book of Ceremonies. Entering the sphere of the provinces, the authors explore visual messages on the coinage of Romanos I Lekapenos and Constantine Porphyrogennetos and its circulation through the provinces, provincial legal culture in the tenth-century empire, and offer a new analysis of Constantine VII's two military harangues. Spotlights on the empire's periphery include chapters on borderland trade with the Muslim world, a compelling new theory of the untimely deaths of the children of King Hugh of Italy, and the origins of medieval Croatia in relation to information gained from Constantine VII's De administrando imperio. The ?nal chapter offers intriguing insights into Constantine VII's legacy and reception, from later middle Byzantine historiography via the Renaissance editions of the emperor's treatises to Bavarian King Louis II's Constantinople-inspired building projects. The volume combines leading scholars and new voices and contains survey chapters with detailed case studies.

The 10th-century treatise on the military provinces (the 'themes') of the medieval East Roman (Byzantine) empire is one of the most enigmatic of the works ascribed to theemperor Constantine VII Porphyrogennetos. A mix of historical geography, imperial propaganda, historical information and legend or myth drawn from ancient, Hellenistic as well as Roman and late Roman sources, it was one of the emperor's earliest works, although the extent to which he was its author remains debated. Its purpose, and the emperor's aims in commissioning or writing it, are equally unclear, since it offers neither an accurate historical account of the evolution of the themata nor does it appear to draw on available administrative material that would have been available to its writer. It has remained until now untranslated into English and thus inaccessible to many, in particular to students at all levels both within and outside the field of Byzantine Studies, as well as non-specialist readers. This volume is intended to rectify this situation with a translation into English, accompanying detailed notes, and three introductory chapters providing context and background to the history of the text, Byzantine ideas about geography, and the debate over the themata themselves.

The first systematic study of the practice of royal self-coronations from late antiquity to the present.

This edition contains a wide variety of information on both foreign relations and internal administration and is one of the most important historical documents surviving from the Middle Byzantine period.

The 10th-century treatise on the military provinces (the 'themes') of the medieval East Roman (Byzantine) empire is one of the most enigmatic of the works ascribed to the emperor Constantine VII Porphyrogennetos. A mix of historical geography, imperial propaganda, historical information and legend or myth drawn from ancient, Hellenistic as well as Roman and late Roman sources, it was one of the emperor's earliest works, although the extent to which he was its author remains debated. Its purpose, and the emperor's aims in commissioning or writing it, are equally unclear, since it offers neither an accurate historical account of the evolution of the themata nor does it appear to draw on available administrative material that would have been available to its writer. It has remained until now untranslated into English and thus inaccessible to many, in particular to students at all levels both within and outside the field of Byzantine Studies, as well as non-specialist readers. This volume is intended to rectify this situation with a translation into English, accompanying detailed notes, and three introductory chapters providing context and background to the history of the text, Byzantine ideas about geography, and the debate over the themata themselves.

This book explores how festivals of Rome were celebrated in the Greek East and their transformations in the Christian world.

Biography of the medieval Mediterranean's most cross-culturally significant sculptural monument, the tallest in the pre-modern world.

Constantine of Rhodes's tenth-century poem is an account of public monuments in Constantinople and of the Church of the Holy Apostles. On one level, the poem offers an account of what was visible but it cannot be read as a straightforward description. Rather, Constantine's work offers insights into Byzantine perceptions of works of art. This book supersedes the two previous editions of the poem, both dating to 1896, and provides the first full translation of the text. It consists of a new Greek edition of Constantine's poem, with an introductory essay, prepared by Ioannis Vassis, and a translation and commentary by a group of scholars headed by Liz James. Liz James also contributes an extensive discussion of the two distinct parts of the poem, the city monuments and the Church of the Holy Apostles.