Conjuring Black Funk

Cultural Writing. African American Studies. Gay and Lesbian Studies. CONJURING BLACK FUNK: NOTES ON CULTURE, SEXUALITY, AND SPIRITUALITY, VOLUME 1 is a fiery collection of essays, poetry, creative nonfiction, and experimental writing that challenges conventional thought, offers alternative perspectives, and suggests ways of practicing Afrocentric, queer liberation/transgression. This book is an important contribution to Black Queer Theory, Black Feminist Thought, and Afrocentric Thought. Herukhuti is a sociologist/anthropologist, sexologist, educator, shaman, BDSM practitioner, artist, cultural animator, and author. He is the founder of Black Funk, a sexual cultural center dedicated to providing a space for the exhibition and exploration of sensual awareness, sexual consciousness, erotic power, and pleasure. He has contributed to the development of the perspective known as Afrocentric, Decolonizing Queer Theory. Herukhuti is on the faculty at Goddard College, Plainfield, VT.

Black Magic looks at the origins, meaning, and uses of Conjure—the African American tradition of healing and harming that evolved from African, European, and American elements—from the slavery period to well into the twentieth century. Illuminating a world that is dimly understood by both scholars and the general public, Yvonne P. Chireau describes Conjure and other related traditions, such as Hoodoo and Rootworking, in a beautifully written, richly detailed history that presents the voices and experiences of African Americans and shows how magic has informed their culture. Focusing on the relationship between Conjure and Christianity, Chireau shows how these seemingly contradictory traditions have worked together in a complex and complementary fashion to provide spiritual empowerment for African Americans, both slave and free, living in white America. As she explores the role of Conjure for African Americans and looks at the transformations of Conjure over time, Chireau also rewrites the dichotomy between magic and religion. With its groundbreaking analysis of an often misunderstood tradition, this book adds an important perspective to our understanding of the myriad dimensions of human spirituality.

Cutting across the humanities and social sciences, and situated in sites across the black diaspora, the work in this book collectively challenges notions that we are living in a post-racial age and instead argue for the specificity of black cultural experiences as shaped by gender and sex.

Sexuality, Religion and the Sacred is a thoughtful collection of bisexual, polysexual and pansexual scholarship on religion and spirituality. It examines how religious and spiritual traditions address sexuality, whilst also exploring the ways in which bisexually-, polysexually-, and pansexually-active people embrace religious and spiritual practice. The volume offers a comprehensive analysis of these prevalent themes by focusing on five main areas of discussion: Christian and Unitarian Discourses; Indigenous and Decolonizing Spiritual Discourses; Feminist Spiritual Discourses; Buddhist Discourses; and Neo/Pagan Discourses. Sexuality, Religion and the Sacred offers an accessible yet scholarly treatment of these topics through a collection of critical essays by academics of theology, humanities, cultural studies and social sciences, as well as sexology professionals and clergy from various faith and spiritual traditions. It gives readers an insight into the intersection of sexualities and spiritualities, and attempts to disrupt this very dichotomy through its careful consideration of a wide variety of discourses. This book was originally published as a special issue of the Journal of Bisexuality.

A collection of African-American Same Gender Loving Literature featuring both new and established writers. Grounded in a poignant and truthful sensibility, imbued with the realities of sex and love, Smith and Williams present a culmination of poems, short stories, radical essays, sermons, plays and interviews honoring notable figures within the SGLBT community.

Black LGBT Health in the United States: The Intersection of Race, Gender, and Sexual Orientation focuses on the mental, physical, and spiritual aspects of health, and considers both risk and resiliency factors for the Black LGBT population. Contributors to this collection intimately understand the associations between health and intersectional anti-Black racism, heterosexism, homonegativity, biphobia, transphobia, and social class. This collection fills a gap in current scholarship by providing information about an array of health issues like cancer, juvenile incarceration, and depression that affect all subpopulations of Black LGBT people, especially Black bisexual-identified women, Black bisexual-identified men, and Black transgender men. This book is recommended for readers interested in psychology, health, gender studies, race studies, social work, and sociology.

Queering Black Churches explores how open and affirming (ONA) historically Black churches have queered their congregations. Using the lenses of practical theology, ecclesiology, Queer theology, and gender studies, Brandon Thomas Crowley examines the heteronormative histories, theologies, morals, values, and structures of Black churches and how their longstanding assumptions can be challenged to dismantle homophobia within African American congregations and move beyond surface-level allyship toward actual structural renovation.

This book offers a unique understanding of African American populations and their articulation of sexuality and race by introducing a comprehensive sexological model, Black Sexual Epistemology. Tracie Q. Gilbert draws from theoretical perspectives of anti-Blackness, ethno-sexuality, Performative Blackness and African-centered epistemology to implicate race as an inextricable factor in the sexual structures and schema of African American people. Chapters identify and introduce a sex-positive and comprehensive sexological model, Black Sexual Epistemology, through which Black sexuality can be understood and navigated in the contemporary era. This model presents empirical data for effectively applying previous critical race perspectives and uniquely demonstrates how Black sexual experience can be better understood and reimagined for greater community development and healing. This book is essential reading for practicing sex therapists, marriage and family therapists and clinical social workers working with these populations as well as for academics and students of sexology, sex education, sex therapy, social work, marriage and family therapy, public health, Black/African American studies and LGBTQ studies. It will also be of interest to general audiences who appreciate culturally centered sexological scholarship.

From black sorcerers' client-based practices in the antebellum South to the postmodern revival of hoodoo and its tandem spiritual supply stores, the supernatural has long been a key component of the African American experience. What began as a mixture of African, European, and Native American influences within slave communities finds expression today in a multimillion dollar business. In Conjure in African American Society, Jeffrey E. Anderson unfolds a fascinating story as he traces the origins and evolution of conjuring practices across the centuries. Though some may see the study of conjure as a perpetuation of old stereotypes that depict blacks as bound to superstition, the truth, Anderson reveals, is far more complex. Drawing on folklore, fiction and nonfiction, music, art, and interviews, he explores various portrayals of the conjurer -- backward buffoon, rebel against authority, and symbol of racial pride. He also examines the actual work performed by conjurers, including the use of pharmacologically active herbs to treat illness, psychology to ease mental ailments, fear to bring about the death of enemies and acquittals at trials, and advice to encourage clients to succeed on their own. By critically examining the many influences that have shaped conjure over time, Anderson effectively redefines magic as a cultural power, one that has profoundly touched the arts, black Christianity, and American society overall.