Confessions Of An Ex Feminist

Confessions is the ; honest and heart-rending ; account of a woman who was born into a Catholic family, ; attended parochial schools and fully embraced the beliefs ; of her faith, but ran into major roadblocks in college. ; Amidst the radical feminist college environment of the ; 1960's, she lost her faith, and her morality, jumping ; aboard the bandwagon of "free love." She indulged ; in a series of love relationships in college, all of which ; crashed and burned. Despite the obvious contradiction ; between feminist teachings and her own experience, Murray ; still believed she had to free herself from the yoke of ; tradition. Attaining a doctorate in philosophy, with ; an emphasis on the feminist writings of Simone de Beauvoir, ; Murray taught philosophy in college. For many years, she ; launched a personal vendetta against God and the Catholic ; Church in the classroom, trying to persuade students that ; God did not exist, mocking values Catholics hold dear, and ; touted feminism as the cure for many social ills. When she ; discovered she was pregnant, Murray followed the route that ; feminists offer as a solution for unmarried women. Much to ; her surprise, her abortion was a shattering emotional ; experience, which she grieved over for years. It was the ; first tragic chink in her feminist armor. After her ; marriage in 1982, she anguished over the decision to have ; children, but became an advocate of the ; "child-free" movement, believing children were ; burdens and life could be happy life without them. Later in ; her forties, Murray experienced a mysterious series of ; events in which it seemed that "someone" was ; inviting her back to God. The mysterious calls came from ; different ports, including nature, books and other people. ; Gradually, she realized that the One seeking her was ; Christ, and the place He was calling her to was the ; Catholic Church. Eventually realizing it was only in the ; Church that she would find what she was seeking - the ; person of Christ and his love and mercy - Murray returned ; to the Church, and finally found healing and forgiveness ; for the abortion. Lorraine Murray's Confessions are ; a revelation. They reveal the nasty truth behind women's ; "liberation". Her experiences, and the lessons she ; learns from them, serve as a timely warning of the folly of ; feminism and the destructive impact that feminism has on ; those who fall under its malignant spell. - ; Joseph Pearce, author The Quest for ; Shakespeare "Confessions of an ; Ex-Feminist is the gripping story of millions of women ; who lost their religious and intellectual anchors during ; the tsunami of the fatal sixties and seventies. It is a ; movingly honest confession of how pride, arrogance, ; immaturity, ambition, craving to be "liberated", ; blinds the female soul. Abortion kills babies and wounds a ; woman's soul to its very core. But a prodigal daughter ; found her way back home, crushed by guilt, driven by ; repentance, and discovers that God's mercy is boundless. ; She is now given the crucial mission of shouting on roof's ; tops: feminism is the arch enemy of women. This book should ; become a vade mecum of young girls". - ; Dr. Alice von Hildebrand, author The Privilege ; of Being a Woman "Lorraine Murray's ; absorbing and poignant book traces her passage from the ; heart of the Catholic Church to the epicenter of the sexual ; revolution and back again. With candor, humor and a knack ; for storytelling, Murray reveals the mysterious ways God ; worked in her soul and leaves readers richer for having ; shared her journey." “/DIV>

A London University philosophy graduate, Yosef-a Kurd-goes through an acrimonious divorce from his Western, feminist wife. A variant of Kafka's Joseph K., Joseph A. (Yosef Abu-Zwili) feels trapped in the maze of Western feminist web-an innocent sheep inhabiting a world populated by feminist wolves. 'Why sheep?' he asks. 'Ba.ba.ba.' he bleats, 'because I feel like one. Ba .ba.ba.because I think I am one.' While in a London hospital ward, he writes his confessions, memoirs, reveries, and musings-'butterflies of the mind to be preserved as personal cameos'-for the benefit of the ignorant male. Hope for recuperation is lost in his dread of the ultimate knock on his door and imminent death. Terrified, he asks some philosophical questions: why has God created good and evil, male and female, sheep and wolves? 'Ba.ba.ba.' he bleats, as he hears a knock on his door and makes himself ready to be led out for a ceremonious execution by a Feminist High Priestess. A novel of ideas, literary allusions, and linguistic associations, Confessions of a Sheep for Slaughter aims to enlighten and entertain by exposing and satirizing the follies, absurdities, and little crimes of Feminists and Feminism.

A sardonic portrayal of one white, middle-class Midwestern girl's coming-of-age, this novel takes a wry and prescient look at a range of experiences treated at the time as taboo or trivial.

A collection of essays discusses the central and joyful importance of books and reading in the author's life.

A classic work on gender culture exploring how the women’s movement has evolved to Girls Gone Wild in a new, self-imposed chauvinism. In the tradition of Susan Faludi’s Backlash and Naomi Wolf’s The Beauty Myth, New York Magazine writer Ariel Levy studies the effects of modern feminism on women today. Meet the Female Chauvinist Pig—the new brand of “empowered woman” who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces “raunch culture” wherever she finds it. If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women—and of themselves. They think they’re being brave, they think they’re being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them. In her quest to uncover why this is happening, Levy interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. She examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls. Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come, it only proves how far they have left to go.

"The time has come to define feminism; it is no longer possible to ignore it." The Century Magazine, 1914 In this landmark addition to scholarship, Nancy F. Cott, author of The Bonds of Womanhood, offers a new interpretation of American feminism during the early decades of this century--a period traditionally viewed as on in which women won the right to vote and then lost interest in feminist issues. Cott argues instead that his period was a time of crisis and transition from the nineteenth-century "woman movement' to the beginning of modern feminism. Many of the issues that are central to women today, says Cott, were firmly articulated in the early decades of this century. For example, the problem of defining sexual equality so as to recognize sexual difference between men and women, the ambiguous potential of a movement seeking individual freedoms for women by mobilizing sex solidarity, and the tensions involved in attaining full expression in work and love are all enduring elements of feminism seized upon by women of the 1910s and 1920s. First discussing how feminism was indebted to its predecessors, Cott shows that increasing heterogeneity and diverse loyalties among women in the early twentieth century contradicted the premise of the nineteenth-century "cause of woman" (the singular noun symbolizing the unity of the female sex). From this crisis emerged feminism, championing individual variability and refuting the premise that a singular "woman" existed. Cott focuses on the suffrage-campaign milieu in which feminism arose, giving particular attention to the character and role of the National Woman's Party from its militant suffrage days to its advocacy of the equal right amendment in the 1920s. Against prevailing interpretations of the decline of women's political activities after 1920, Cott counterposes the swelling numbers in women's voluntary associations and their political efforts. She also analyzes the pitfalls that awaited women who tried for effectiveness in the male-dominated political parties. She sets the controversy over the equal rights amendment in new context, discussing the full dimensions of the conflict as not merely over personalities, tactics, or class loyalties, but as a signal example of the modern problem of capturing sexual equality and sexual difference in law. The book explores the irony-strewn path of women who as aspiring professionals and political actors attempted to put into practice the feminist intent to replace the abstraction "woman" with, instead, "the human sex." This history--the story of women who first claimed the name feminists--builds an essential bridge between the presuffrage period and today.

B B B In 1926 and 1927, the Nation published 17 anonymous essays by "women active in professional and public life."The editor's objective was "to discover the origin of their modern point of view toward men, marriage, children, and jobs." In her introduction, Elaine Showalter discusses the issues raised -- from alcoholism to celibacy, from mother-daughter relationships to politics -- and identifies and examines the lives of the authors, among whom are Crystal Eastman, Mary Austin, and Genevieve Taggard.

During the coronavirus pandemic, a queer disabled woman bikes through a locked-down NYC for the ex-girlfriend who broke her heart. Orpheus manages to buy a bicycle just before they sell out across the city. She takes to the streets looking for Eurydice, the first woman she fell in love with, who also broke her heart. The city is largely closed and on lockdown, devoid of touch, connection, and community. But Orpheus hears of a mysterious underground bar Le Monocle, fashioned after the lesbian club of the same name in 1930s Paris. Will Orpheus be able to find it? Will she ever be allowed to love again? Panpocalypse—first published as an online serial in spring of 2020—follows a lonely, disabled, poly hero in this novel about disease, decay, love, and revolution.