Confederate Faces

“Extensive research, fascinating characters . . . The author has done an admirable job of literally placing a face on the ordinary Confederate soldier.” —The Journal of Southern History “The history of the Civil War is the stories of its soldiers,” writes Ronald S. Coddington in the preface to Faces of the Confederacy. This book tells the stories of seventy-seven Southern soldiers—young farm boys, wealthy plantation owners, intellectual elites, uneducated poor—who posed for photographic portraits, cartes de visite, to leave with family, friends, and sweethearts before going off to war. Coddington, a passionate collector of Civil War-era photography, conducted a monumental search for these previously unpublished portrait cards, then unearthed the personal stories of their subjects, putting a human face on a war rife with inhuman atrocities. The Civil War took the lives of twenty-two of every hundred men who served. Coddington follows the exhausted survivors as they return home to occupied cities and towns, ravaged farmlands, a destabilized economy, and a social order in the midst of upheaval. This book is a haunting and moving tribute to those brave men. Like its companion volume, Faces of the Civil War: An Album of Union Soldiers and Their Stories, this book offers readers a unique perspective on the war and contributes to a better understanding of the role of the common soldier. “With his meticulous research and a journalist’s eye for good stories, Ron Coddington has brought new life to Civil War photographic portraits of obscure and long-forgotten Confederates whose wartime experiences might otherwise have been lost to history.” —Bob Zeller, cofounder and president of the nonprofit Center for Civil War Photography

Archival images and biographical sketches of Union soldiers tell the stories of their lives during and after the Civil War. Before leaving to fight in the Civil War, many Union and Confederate soldiers posed for a carte de visite, or visiting card, to give to their families, friends, or sweethearts. Invented in 1854 by a French photographer, the carte de visite was a small photographic print roughly the size of a modern trading card. The format arrived in America on the eve of the Civil War, fueling intense demand for the keepsakes. Many cards of Civil War soldiers survive today, but the experiences?and often the names?of the individuals portrayed have been lost to time. A passionate collector of Civil War–era photography, Ron Coddington researched the history behind these anonymous faces in military records, pension files, and other public and personal documents. In Faces of the Civil War, Coddington presents 77 cartes de visite of Union soldiers from his collection and tells the stories of their lives during and after the war. These soldiers came from all walks of life. All were volunteers. Their personal stories reveal a tremendous diversity in their experience of war: many served with distinction, some were captured, some never saw combat while others saw little else. The lives of survivors were even more disparate. While some made successful transitions back to civilian life, others suffered permanent physical and mental disabilities, which too often wrecked their families and careers. In compelling words and haunting pictures, Faces of the Civil War offers a unique perspective on the most dramatic and wrenching period in American history.

A renowned collector of Civil War photographs and a prodigious researcher, Ronald S. Coddington combines compelling archival images with biographical stories that reveal the human side of the war. This third volume in his series on Civil War soldiers contains previously unpublished photographs of African American Civil War participants—many of whom fought to secure their freedom. During the Civil War, 200,000 African American men enlisted in the Union army or navy. Some of them were free men and some escaped from slavery; others were released by sympathetic owners to serve the war effort. African American Faces of the Civil War tells the story of the Civil War through the images of men of color who served in roles that ranged from servants and laborers to enlisted men and junior officers. Coddington discovers these portraits— cartes de visite, ambrotypes, and tintypes—in museums, archives, and private collections. He has pieced together each individual’s life and fate based upon personal documents, military records, and pension files. These stories tell of ordinary men who became fighters, of the prejudice they faced, and of the challenges they endured. African American Faces of the Civil War makes an important contribution to a comparatively understudied aspect of the war and provides a fascinating look into lives that helped shape America.

Maryland's role in the Civil War continues to attract interest, study, and collection beyond its 150th anniversary. One reason for this continued popularity is the vast photographic legacy left us that recorded the people, places and events that breathes life into this increas-ingly distant time period. This book presents the largest collection, public or private, ever assembled of original photographs of Marylanders who fought for the Confederacy. Mary-land's location between the North and South during the Civil War placed its population in a unique position literally as a "House Divided" when sizeable numbers of citizens served in both the Union and Confederate armies. It is estimated that about 12,000 of those men volunteered for the Southern forces, and faces of nearly 200 of those men are published here, many for the first time. This remarkable collection marks the culmination of more than forty-two years of dedicated collecting and researching by collector and author Dave Mark. Through his tireless effort, the compelling stories of bravery, sacrifice, triumph and tragedy on the part of these Marylanders can now be told through this collection of original photographs that recorded this chapter of Maryland's heritage.

The first Confederate invasion of the North in the fall of 1862 led to a series of engagements known as the Maryland Campaign. Though best remembered for its climax, there was desperate fighting at both South Mountain and Harpers Ferry prior to the bloodletting at Antietam Creek. These battles in particular were desperate affairs of bloody attacks and determined defense. In this work are the images of thirty Union soldiers, published here for the first time, that help give a face and a history to those men who struggled up the slopes of South Mountain or sheltered from Confederate cannons at Harpers Ferry. Join Matthew Borders and Joseph Stahl as they introduce you to these men, their battles and their stories.

Confederate images in color with descriptions.

"A photographic collection of Southern soldiers from the Civil War"--Jacket.

More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.