Compulsion

The basis of the award-winning film starring Orson Welles, Compulsion gives a shocking fictionalized account of the Leopold-Loeb murder case--in which two young graduates of the University of Chicago kidnapped and killed a child for the intellectual challenge. "A graphic and absorbing reconstruction of an infamous crime".--Saturday Review.

Beautiful Creatures meets The Body Finder in Compulsion, the first novel in a spellbinding new trilogy. All her life, Barrie Watson has been a virtual prisoner in the house where she lived with her shut-in mother. When her mother dies, Barrie promises to put some mileage on her stiletto heels. But she finds a new kind of prison at her aunt’s South Carolina plantation instead—a prison guarded by an ancient spirit who long ago cursed one of the three founding families of Watson Island and gave the others magical gifts that became compulsions. Stuck with the ghosts of a generations-old feud and hunted by forces she cannot see, Barrie must find a way to break free of the family legacy. With the help of sun-kissed Eight Beaufort, who knows what Barrie wants before she knows herself, the last Watson heir starts to unravel her family’s twisted secrets. What she finds is dangerous: a love she never expected, a river that turns to fire at midnight, a gorgeous cousin who isn’t what she seems, and very real enemies who want both Eight and Barrie dead.

A young woman who disappeared into the inky black night... A retired schoolteacher stabbed to death in broad daylight...Two women butchered in a small-town beauty parlor... Three baffling murder cases, linked only by a perplexing lack of motive... Until LAPD Detective Milo Sturgis and psychologist Alex Delaware are called to the scene of a bizarre 'crime'. A stolen car has been anonymously returned to its owner, undamaged and unblemished - except for a tiny, solitary bloodstain. This miniscule clue is enough to set the pair on a hunt for a multiple killer, from the well-heeled centre of LA society to its desperate edges, even as far as New York where their search thaws out a long-cold case. However this killer proves to be a fleeting shape-shifter, defying identification - and to unmask him, Alex and Milo will have to confront the true face of murderous compulsion...

Samuel Beckett as a guru for business executives? James Joyce as a guide to living a good life? The notion of notoriously experimental authors sharing a shelf with self-help books might seem far-fetched, yet a hidden history of rivalry, influence, and imitation links these two worlds. In The Self-Help Compulsion, Beth Blum reveals the profound entanglement of modern literature and commercial advice from the late nineteenth century to the present day. Blum explores popular reading practices in which people turn to literature in search of practical advice alongside modern writers’ rebukes of such instrumental purposes. As literary authors positioned themselves in opposition to people like Samuel Smiles and Dale Carnegie, readers turned to self-help for the promises of mobility, agency, and practical use that serious literature was reluctant to supply. Blum unearths a series of unlikely cases of the love-hate relationship between serious fiction and commercial advice, from Gustave Flaubert’s mockery of early DIY culture to Dear Abby’s cutting diagnoses of Nathanael West and from Virginia Woolf’s ambivalent polemics against self-improvement to the ways that contemporary global authors such as Mohsin Hamid and Tash Aw explicitly draw on the self-help genre. She also traces the self-help industry’s tendency to popularize, quote, and adapt literary wisdom and considers what it might have to teach today’s university. Offering a new history of self-help’s origins, appeal, and cultural and literary import around the world, this book reveals that self-help’s most valuable secrets are not about getting rich or winning friends but about how and why people read.

Dr. Frank Clevenger, a brilliant forensic psychiatrist, is eager to leave the world of the criminally insane behind-until he receives a chilling phone call. Close friend and former colleague North Anderson, now the Chief of Police on the exclusive island of Nantucket, is desperate for help in solving a shocking case: One of the infant twin daughters of billionaire Darwin Bishop has been murdered in her crib at the family's estate. The suspected killer is her adopted brother Billy, and investigators believe that the fugitive teenager has targeted the surviving twin. But as Clevenger maps the Bishop family's psychological layers he uncovers some disturbing revelations that lead him to believe Billy may be innocent. The Bishops are a deeply troubled family. As charming as he is ambitious and cruel, Darwin seems determined to protect his son-but is he actually trying to railroad him? Why does Garret, Bishop's other son, despise his father so intensely? Is beautiful Julia Bishop a mother grieving for her murdered child or a manipulative seductress with a dark secret to hide? As Clevenger fights to protect the innocent and hunt down the guilty, aspects of the case begin to collide with demons from his own past. After a life-threatening attack the forensic psychiatrist knows he must penetrate the killer's psychosis in order to identify him before the Bishop family-and Clevenger himself-become the next victims. Using his mastery of psychiatry, Clevenger lays a trap to reveal the murderer in an unforgettable finale.

The 1890s have long been thought one of the most male-oriented eras in American history. But in reading such writers as Frank Norris with Mary Wilkins Freeman and Charlotte Perkins Gilman with Stephen Crane, Jennifer L. Fleissner boldly argues that feminist claims in fact shaped the period's cultural mainstream. Women, Compulsion, Modernity reopens a moment when the young American woman embodied both the promise and threat of a modernizing world. Fleissner shows that this era's expanding opportunities for women were inseparable from the same modern developments—industrialization, consumerism—typically believed to constrain human freedom. With Women, Compulsion, and Modernity, Fleissner creates a new language for the strange way the writings of the time both broaden and question individual agency.

Sweet Compulsion by Victoria Woolf released on May 25, 1979 is available now for purchase.

Today has to be perfect. Magic. I look at the clock. 10:14 AM. Ten fourteen. One plus one is two plus four is six plus ten is sixteen minus one is fifteen minus two is thirteen. OK. I turn from the clock and walk into the hallway. "Ready." Saturday will be the third state soccer champion­ship in a row for Jake Martin. Three. A good number. Prime. With Jake on the field, Carson City High can't lose because Jake has the magic: a self-created protection generated by his obsession with prime numbers. It's the magic that has every top soccer university recruiting Jake, the magic that keeps his family safe, and the magic that suppresses his anxiety attacks. But the magic is Jake's prison, because sustaining it means his compulsions take over nearly every aspect of his life. Jake's convinced the magic will be permanent after Saturday, the perfect day, when every prime has converged. Once the game is over, he won't have to rely on his sister to concoct excuses for his odd rituals. His dad will stop treating him like he is some freak. Maybe he'll even make a friend other than Luc. But what if the magic doesn't stay? What if the numbers never leave? Acclaimed author Heidi Ayarbe has created an honest and riveting portrait of a teen struggling with obsessive compulsive disorder in this breathtaking and courageous novel.

Repetition, the Compulsion to Repeat, and the Death Drive—a critical examination of Freud’s uses of repetition as they lead to the compulsion to repeat and his infamous death drive—is in effect the first scholarly attempt to ground Freudian psychoanalysis on the concept of repetition. Like perhaps no other concept, repetition drove Freud to an understanding of human behavior through development of models of the human mind and a method of treating neurotic behavior. This book comprises three parts. Part I, “Some Early Uses of ‘Repetition’ in Psychoanalysis,” examines repetition both in clinical therapy and in Freud’s use of phylogenetic explanation. Part II, composed of three chapters, outlines Freud’s journey to his vaunted death drive, examines Beyond the Pleasure Principle, and analyzes Freud’s use of compulsion to repeat and the death drive post 1920. Last, Part III is a critical analysis of Freud on repetition and the death drive, discusses why Freud was so wedded to his controversial death drive, and what can be salvaged from Freud’s observations and speculations. Here readers will find that Holowchak, qua philosopher, and Lavin, qua clinician, have different answers when it comes to the death drive.

This book presents a unique examination of mental illness. Though common to many mental disorders, delusions result in actions that, though perhaps rational to the individual, might seem entirely inappropriate or harmful to others. This book shows how we may better understand delusion by examining the nature of compulsion.