Companero

By the time he was killed in the jungles of Bolivia, where his body was displayed like a deposed Christ, Ernesto "Che" Guevara had become a synonym for revolution everywhere from Cuba to the barricades of Paris. This extraordinary biography peels aside the veil of the Guevara legend to reveal the charismatic, restless man behind it. Drawing on archival materials from three continents and on interviews with Guevara's family and associates, Castaneda follows Che from his childhood in the Argentine middle class through the years of pilgrimage that turned him into a committed revolutionary. He examines Guevara's complex relationship with Fidel Castro, and analyzes the flaws of character that compelled him to leave Cuba and expend his energies, and ultimately his life, in quixotic adventures in the Congo and Bolivia. A masterpiece of scholarship, Companero is the definitive portrait of a figure who continues to fascinate and inspire the world over.

Divino Companero explores the necessary foundations for constructing a Hispanic Pentecostal Christology. Although traditionally Pentecostal Christologies have been anchored in a two-nature Chalcedonian model, Alfaro proposes that Spirit-Christology is a more suitable paradigm for a Hispanic Pentecostal Christology, provided it is grounded in the experience, faith, and worship of its community and oriented toward liberative praxis. After reviewing the christological reflection of early Pentecostals and the contemporary turn to Spirit-Christology, Alfaro lays out the main components needed to construct a christological model born out of the Hispanic Pentecostal reality, rooted in the broader Pentecostal christological imagination, and informed by the Pentecostal way of doing theology. Following this method, Alfaro concludes the central metaphor of Hispanic Pentecostal Christology is El Divino Companero, for in their pilgrimage through this world it is Jesus, the Divine Companion, who through the Spirit guides and nurtures his followers on their way back home.

Aprende las técnicas básicas del antiguo Arte de Jin Shin Jyutsu para usar con compañeros animales para promover la curación, la salud y la armonía del cuerpo, la mente y el espíritu. El libro está basado en los libros de Mary Burmeister Jin Shin Jyutsu Autoayuda 1 y 2, que se dice que contienen la esencia de este "Arte del Creador a través del Hombre Compasivo". Incluye instrucciones paso a paso e ilustraciones en color, que muestran las adaptaciones necesarias para trabajar fácilmente con especies de diferentes tamaños, incluidos: perros, caballos, gatos, pájaros, conejos y hámsters. Las páginas son claras y accesibles, con manos que muestran la ubicación de cada paso. Los flujos se adaptan según sea necesario en función de la relación de las Cerraduras de Energía de Seguridad (bloques de construcción del cuerpo) en diferentes especies, así como las diferencias físicas y de actitud necesarias para poder trabajar con animales domésticos.

Harris Kakoulides escribe por qué los cristianos no deben buscar señales al elegir esposa o esposo, excepto que sean un compañero creyente y amen al Señor.

Finalist for the 2023 PEN Translation Prize and the 2022 Lambda Literary Award for Gay Fiction “Dazzling." —Marcela Valdes, The New York Times Book Review (Editors' Choice) "A spellbinding novel by one of the best writers of the Americas." —Junot Díaz, author of This is How You Lose Her Ten-year-old Rauli lives in a world that is often hostile. His older brother is violent; his philandering father doesn’t understand him; his intelligence and sensitivity do not endear him to the other children at school. He loves to read, especially Greek myths, but in Cuba in the 1970s, novels and gods can be dangerous. Despite the signs that warn Rauli to repress and fear what he is, he knows three things to be true: First, that he was born in the wrong body. Second, that he will die, aged eighteen, as a soldier in the Cuban intervention in Angola. And third, that he is the reincarnation of the Trojan princess Cassandra. Moving between Rauli’s childhood and adolescence, between the Angolan battlefield, the Cuban city of Cienfuegos, and the shores of ancient Troy, Marcial Gala’s Call Me Cassandra tells of the search for identity amid the collapse of Cuba’s utopian dreams. Burdened with knowledge of tragedies yet to come, Rauli nonetheless strives to know himself. Lyrical and gritty, heartbreaking and luminous, Rauli’s is the story of the inexorable pull of destiny.