Communism And The Avant Garde In Weimar Germany

How did the revolutionary Left view cultural modernists? Their uneasy relationship is illustrated in this book with quotations ranging from Alexander’s ‘Dada is merely an impertinence’ through Trotsky’s ‘There cannot be a proletarian culture’ to Averbakh’s ‘Tear off the masks!’ and Becher’s ‘There can only be one kind of genuine art: fighting art.’

25 years after the archives were opened in Berlin and Moscow, the German Communist Party is the subject of new studies. This book makes this scholarship available in English for the first time.

The Weimar period, which extended from 1919 to 1933, was a time of political violence, economic crisis, generational and gender tension, and cultural experiment and change in Germany. Despite these major issues, the Republic is often treated only as a preface to the study of the rise of Fascism. This text seeks to restore the balance, exploring the Weimar period in its own right. Amongst the topics discussed are: Weimar as the avant-garde artistic centre of Europe in the 1920s when many cultural figures were politically engaged on both sides of the political spectrum; Weimar as a German state racked by conflict over questions of morality versus ideas of greater sexual freedom for women, homosexual rights, abortion and birth control; the struggle to win the hearts and minds of German youth, a struggle won decisively by the right-wing; and Weimar as the first German state in which women played a significant political role.

Now a quarter of a century after the opening of the archives in Berlin and Moscow, the role of the German Communist Party (KPD) has been the subject of a new wave of studies. With this book, this new field of scholarship will be available in English for the first time. The book begins with the editors' comprehensive contextualisation of the KPD within the history of the ill-fated Weimar Republic, as well its location within the Moscow-based Communist International (Comintern) thus bringing together the global and the 'local'. In the rest of the book, authors offer a flavour of the rich texture of the world of German Communism. Attention is given to the party's revolutionary origins in 1918/19, accounting for the importance of not only Rosa Luxemburg's Spartacus League, but also the 'Left Radicals', whose stronghold was Bremen and north-western Germany. The policy dilemmas of being a mass party in Germany are then elucidated, but ultimately, the party's fate and its policy-making were dominated by Moscow in the process known as 'Stalinisation', which neared completion by the end of the 1920s. However, this volume also includes a detailed appraisal of left-wing Communists' opposition to Stalin and Stalinisation, as well as the party's changing relationship with the SPD-led trade unions. A section in the volume presents new research on how German communism aspired to reach beyond its core support among the working class by examining its overtures to peasants, avant-garde artists, pacifists and prominent left-wing personalities outside the party's ranks. Finally, an account of Stalin's own betrayal of German communism is offered after the Nazis' 'seizure of power' in 1933. This book represents essential reading for academic, undergraduate and general readers interested in twentieth German history and politics and the interwar communist movement. With thanks to the Nina Fishman translation award run by the Amiel Melburn Trust.

Exploring the gray zone of infiltration and subversion in which the Nazi and Communist parties sought to influence and undermine each other, this book offers a fresh perspective on the relationship between two defining ideologies of the twentieth century. The struggle between Fascism and Communism is situated within a broader conversation among right- and left-wing publicists, across the Youth Movement and in the “National Bolshevik” scene, thus revealing the existence of a discourse on revolutionary legitimacy fought according to a set of common assumptions about the qualities of the ideal revolutionary. Highlighting the importance of a masculine-militarist politics of youth revolt operative in both Marxist and anti-Marxist guises, Weimar Radicals forces us to re-think the fateful relationship between the two great ideological competitors of the Weimar Republic, while offering a challenging new interpretation of the distinctive radicalism of the interwar era.

In Degeneration and Revolution: Radical Cultural Politics and the Body in Weimar Germany Robert Heynen explores the impact of conceptions of degeneration, exemplified by eugenics and social hygiene, on the social, cultural, and political history of the left in Germany, 1914–33. Hygienic practices of bodily regulation were integral to the extension of modern capitalist social relations, and profoundly shaped Weimar culture. Heynen’s innovative interdisciplinary approach draws on Marxist and other critical traditions to examine the politics of degeneration and socialist, communist, and anarchist responses. Drawing on key Weimar theorists and addressing artistic and cultural movements ranging from Dada to worker-produced media, this book challenges us to rethink conventional understandings of left culture and politics, and of Weimar culture more generally.

The definitive history of Weimar politics, culture, and society A New York Times Book Review Editor’s Choice A Financial Times Best Book of the Year Thoroughly up-to-date, skillfully written, and strikingly illustrated, Weimar Germany brings to life an era of unmatched creativity in the twentieth century—one whose influence and inspiration still resonate today. Eric Weitz has written the authoritative history that this fascinating and complex period deserves, and he illuminates the uniquely progressive achievements and even greater promise of the Weimar Republic. Weitz reveals how Germans rose from the turbulence and defeat of World War I and revolution to forge democratic institutions and make Berlin a world capital of avant-garde art. He explores the period’s groundbreaking cultural creativity, from architecture and theater, to the new field of "sexology"—and presents richly detailed portraits of some of the Weimar’s greatest figures. Weimar Germany also shows that beneath this glossy veneer lay political turmoil that ultimately led to the demise of the republic and the rise of the radical Right. Yet for decades after, the Weimar period continued to powerfully influence contemporary art, urban design, and intellectual life—from Tokyo to Ankara, and Brasilia to New York. Featuring a new preface, this comprehensive and compelling book demonstrates why Weimar is an example of all that is liberating and all that can go wrong in a democracy.

The German Left and the Weimar Republic illuminates the history of the political left by presenting a wide range of documents on various aspects of socialist and communist activity in Germany. Separate chapters deal with the policy of Social Democracy in and out of government, the attempts of the Communist Party to overthrow the Weimar Republic, and then later to oppose it. Later chapters move away from the political scene to treat the attitudes of the parties to key social issues, in particular questions of gender and sexuality. The book concludes with a presentation of documents on various groups of socialist and communist dissidents. Many of the documents are made accessible for the first time, and each chapter begins with an original introduction indicating the current state of research.

The term "Weimar culture," while generally accepted, is in some respects unsatisfactory, if only because political and cultural history seldom coincides in time. Expressionism was not born with the defeat of the Imperial German army, nor is there any obvious connection between abstract painting and atonal music and the escape of the Kaiser, nor were the great scientific discoveries triggered off by the proclamation of the Republic in 1919. As the eminent historian Walter Laqueur demonstrates, the avant-gardism commonly associated with post-World War One precedes the Weimar Republic by a decade.It would no doubt be easier for the historian if the cultural history of Weimar were identical with the plays and theories of Bertolt Brecht; the creations of the Bauhaus and the articles published by the Weltbühne. But there were a great many other individuals and groups at work, and Laqueur gives a full and vivid accounting of their ideas and activities. The realities of Weimar culture comprise the political right as well as the left, the universities as well as the literary intelligentsia. It would not be complete without occasional glances beyond avant-garde thought and creation and their effects upon traditional German social and cultural attitudes and the often violent reactions against "Weimar" that would culminate with the rise of Hitler and the fall of the republic in 1933.This authoritative work is of immense importance to anyone interested in the history of Germany in this critical period of the country's life.